MUCH ADO ABOUT NOTHING @ Great Lakes Theater

March 27-April 10, 2022

216-241-6000 or https://www.greatlakestheater.org/shows-events/shows/2021-22/much-ado-about-nothing

Roy Berko

As evidenced by MUCH ADO ABOUT NOTHING, now on stage at Great Lakes Theater, Shakespeare as writer, and Fee, as director, are a perfect match.  If you want to see Elizabethan comedy at its finest, GO!  This is a must-see experience!

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

Great Lakes Theater is currently featuring “Much Ado About Nothing,” known as one of the most creative, satisfying comedies ever penned by William Shakespeare. Producing Artistic Director Charles Fee, along with his top-notch, talented cast, breathes life into the “Bard’s” words to create a production that is nothing short of flawless.  

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Combining the masterful directing of Charles Fee with the outstanding talent of a superb cast and the comedic timing of Shakespeare you have in essence theatrical heaven. This is the feel good comedy of the season and you need to definitely go see it.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly

Great Lakes Theater’s Much Ado About Nothing takes a wry look at courtship and marriage. Director Charles Fee’s quick-moving production offers an evening of laughter as generated by the talented cast. Yes, once again, while jealousy and gossip fail to thwart true love’s success, the complications they provide add to our entertainment and the play’s success.

To see a full review of this show, go here or read Laura's posts at Cool Cleveland.

The Weir @ None Too Fragile

Through April 2, 2022

https://www.nonetoofragile.com/

(330)962-5547

 

Kerry Clawson

Irish playwright Conor McPherson's "The Weir" at None Too Fragile Theatre is a haunting drama, not primarily for its ghost stories but more for its characters' anecdotes of loss and regret.

Director Sean Derry has put together a winning cast of fine actors to play the four Irish men and one woman who pass time in a small, rural Irish pub. As the beer and whiskey flow, we're privy to their banter, peevishness, one-upmanship, antics and underlying sense of loneliness as the five gather for one evening for some warmth, companionship and comfort.

To see a full review of this show, read Kerry Clawson's review here.

Mark Horning

If your looking for a delightful “slice of Irish life” play in order to escape the troubles of the world you can do no better than this currently staged production. There is humor, sadness, melancholy, fiestyness, friendship, love and caring much like you would find on the Emerald Isle. Ná tuitfidh an díon os bhur gcionn go brách 'S nach dtitfeadh na cairde atá bailithe thíos ann go brách (May the roof above you never fall in. And may the friends gathered below it never fall out).

To see a full review of this show, read Mark Horning's Review here.

 

Dog Act @ Convergence-Continuum

Through April 16, 2022

https://www.convergence-continuum.org/

(216) 687-0074

 

Roy Berko

As Bud and Coke, two characters in DOG ACT might ask, “Why in F**ckity, F**ck, did con-con choose to do this convoluted script?” 

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

Convergence-Continuum bills itself as Cleveland’s up-close and OUT there Theatre. Over the years they have built a fanatical following of fans who are nearly as fun to watch as the show. This show is right up their dark and scary alley. For fans of more conventional theater this might be considered a walk on the wild side. If you feel a little daring, buy a ticket and take a chance.

To see a full review of this show, read Mark Horning's Review here.

These Shining Lives @ Clague Playhouse

Through April 3, 2022

www.clagueplayhouse.org 

(440) 331-0403

 WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  This review falls into that category.

Mark Horning

This is National Women’s Month and what better way to celebrate it than to see a production that shines the light on heroes of the female gender. In this play we are introduced to women who gave their all in the pursuit of justice so that future generations would be entitled to a safe work place. Well worth the time and price to see this show.

To see a full review of this show, read Mark Horning's Review here.

ANTIGONE

Cleveland Play House

March 5-27, 202

216-241-6000 or clevelandplayhouse.com

Roy Berko

ANTIGONE, as adapted by Emily Mann, carries as important a message of the rejection or blind acceptance of the authority of civic and religious customs and leaders today as it did when the Greek Sophocles wrote the script in the fifth-century BC.  The CPH production was often successful, at other times inconsistent.

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

There is Theater, then there is Theatre and the Cleveland Playhouse production of “Antigone” falls strongly to the latter. In these times of world-wide pandemics, countries inching closer to the threat of world war and the dissolution of basic human rights we need a reminder from the past to show us our follies. Sophocles was on point in 442 B.C. and Emily Mann’s adaptation rings true today.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

The themes that have entranced audiences for centuries are laid out in clear and often intense fashion by the talented CPH cast under the sharp direction of Lauren Keating.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

Sophocles’ Antigone (c. 441 BC), now at the Outcalt Theatre in Playhouse Square, is a humbling reminder that human societies still have not become perfect. Director Lauren Keating makes this clear in the current Cleveland Play House presentation.

Adapted by Emily Mann, this stripped-down Greek family drama focuses on Creon, commandingly portrayed by Vanessa Morosco, and on relationships between country and family. Does family loyalty come first? Creon’s passionate young niece Antigone, played by an engaging Mariah Burks, argues yes. Or does a leader’s responsibility to the nation outweigh personal relationships? As ruler of the kingdom, Morosco’s stately Creon argues it does. Their tragic collision of loyalties justifies CPH’s trigger warnings about suicide and self-harm.

To see a full review of this show, read Laura's posts at Cool Cleveland.

Pretty Woman The Musical @ Playhouse Square

Through March 27, 2022

https://www.playhousesquare.org/

(216) 241-6000

 

Roy Berko

PRETTY WOMAN is not a great musical.  It is definitely not CHORUS LINE, or MY FAIR LADY or WEST SIDE STORY, but this production, even with the obvious story line and mediocre score, is worth a sit-through.  The audience, after rendering the required “we are nice Clevelanders and give almost every production a standing ovation,” left with high positive chatter!

To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson

Although the stage musical adheres quite closely to the original film, the tour's leading lady, Olivia Valli, makes the role of Vivian her own with a gamine physical awkwardness, bubbliness and playfulness that make us love her. She's an endearing actress with a powerful voice who's the granddaughter of famed singer Frankie Valli.

To see a full review of this show, read Kerry Clawson's review here.

Howard Gollop

The new Broadway version of the classic 1990 film hit "Pretty Woman" wasn't supposed to be good. But it is.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross

It is hard to avoid comparing the stage musical version of "Pretty Woman," which opened in Chicago and moved to Broadway in 2018, to the film. But in order to appreciate the production as an uplifting, entertaining night of live theater, one must try hard to separate the two.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

During these challenging times it is nice to get out and experience some pleasure in the form of a Broadway touring show. This roughly based Cinderella story comes alive on stage and allows you to escape the world if only for a couple of short hours. Bring someone you love and share it with them.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly

Pretty Woman: The Musical asks us to go along with an unbelievable Hollywood tale. Now at Playhouse Square through March 27, it draws from the 1990s Julia Roberts/Richard Gere film hit of the same name. Alas, the musical’s fairy-tale plot seems old-fashioned and naïve today.

But on the plus side, director Jerry Mitchell distracts the audience from the story with vignettes featuring amiable characters, snappy tunes and precise dancing. As prostitute Vivian Ward, Olivia Valli shows the original Pretty Woman’s sass and style (if not Roberts’ sweet Georgia accent). Understudy Chris Manuel stepped in on opening night as the wealthy Edward Lewis. Jessica Crouch plays Vivian Ward’s friend and hooker coach Kit De Luca.

The ensemble cast deserves praise for bright snippets. Amma Osei’s beautiful vocals in the La Traviata scene evoked opera’s emotional magic. Kyle Taylor Parker added heart to the production playing both the Happy Man as well as the stuffy hotel manager.

To see the full review of this show, read Laura's post here at Cool Cleveland.

Kate Klotzbach

Not every movie or story needs to be made into a musical, and Pretty Woman the Musical is an example of why. Now playing at the Connor Palace at Playhouse Square, this music-backed take on the 1990 movie starring Julia Roberts and Richard Gere loses charm and depth when placed into this new format.

To see a full review of this show, read Kate's posts here.

Joey Morona

Not every show has to break new ground or change the world. Some simply win you over with terrific performances, catchy songs, good comedy and a timeless story.   So, if you want the fairy tale, it play in Cleveland through March 27.

To see a full review of this show, read Joey's posts here.

 

Kill-Move-Paradise @ Dobama Theatre

Through March 27, 2022 

https://www.dobama.org/tickets-index

(216) 932-3396

 

Roy Berko

The Dobama production is brilliantly staged by Nathan Henry. The cast, Mell Bowens, Jr., Ananias J. Dixon, Aamar-Malik Culbreth and Daris Stubbs work as a well-oiled unit to create a vivid depiction of the misguided mistreatment of young black men in America! This is an absolute must see production!  As Donald Bianchi said, “Take the risk with us.  We are all in this together.  We all own it.”

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

No matter what your faith, there is little to be hopeful about death...it is after all...death. This show manages to put the afterlife into an entirely new perspective...one of heartbreak, anger, joy, love and humanity with a touch of humor thrown in for balance. You will find yourself swept up in the feelings of fear, sadness, anxiety, laughter and anger but you will also walk away with an overpowering feeling of hope. Well done, Dobama Theatre.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

"...[a] powerful piece of theater, and we are honored to experience it."

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

The Mountaintop @ Karamu House

Through March 6, 2022

https://www.karamuhouse.org/

(216) 795-7070

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

As midnight in Memphis, Tennessee passes into April 4^th, 1968 we catch a glimpse of a man of extreme stature as he struggles with the everyday challenges and temptations known to all of us. The Rev. Dr. Martin Luther King, Jr. has scaled The Mountaintop and has seen what awaits. It is a lesson in history as well as the human condition and well worth viewing.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

Panther Women: An Army For The Liberation @ Cleveland Public Theatre

Through February 26, 2022

https://www.cptonline.org/ 

(216) 631-2727

 

Sheri Gross

No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

It becomes evident early on that the women on stage are not just repeating words written on a page. They are relating incidents that they have lived through or are close to family members who have. This is intense theater with a purpose and that purpose is to educate and change the past and give hope to a brighter future. Be a witness to this happening and see this play.   

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

Lizzie The Musical @ Beck Center for the Arts

Through February 27, 2022

https://www.beckcenter.org/  

(216) 521-2540 x10

 

Roy Berko

The BW/Beck production is a high tension, rock-centric musical that has the audience bopping in their seats.  Anyone who likes good singing and acting, powerful music and interesting story, will have a goth-blast at LIZZIE.

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

Whether you are familiar with the tale of Lizzie and her axe, or you are new to the saga of the burned dress and the “40 whacks,” this show is an experience, and if you are up for something a little different, a little loud, maybe a little out of your comfort zone, this production of Lizzie with its talented cast is worth the risk.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

For those of you who love to flock to “slasher movies” this show is right up your alley. If you like rock and roll, all the better. Rather than a “who done it” it’s a “she done it” but you get to see how she got away with it. It’s blood, lust, sex, crazy family and murder all rolled up in a big rock and roll package. Rock On!   

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly

It is rock music we are here for. And we get it. Director Victoria Bussert, with her trademark gusto, allows the four dynamic female leads to do abundant screaming. A few lyric pieces (“Sweet Little Sister”) offer welcome contrast, but major angst suffered by all four characters soon offsets peaceful moments.

To see a full review of this show see here and/or read Laura's posts at Cool Cleveland.

Jesus Christ Superstar @ Playhouse Square

Through February 20, 2022

https://tickets.playhousesquare.org/ 

(216) 241-6000

 

Roy Berko

 JC SUPERSTAR, 50^th anniversary edition, is a spectacle that will leave some with the reaction that it is overdone, overly loud, stressing abundance over story telling. This is not to say the audience will not marvel at the show.  They will leave talking about the grandeur of what they have seen and heard.  The question is, did they see a sound and light show or an epic musical that effectively told its story?

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

The Superstar fans will be thrilled with this powerful revival, which manages to stay true to the original while giving it a fresh spin. The dynamic cast boasts vocal chords of steel, and all the passion that is demanded of such complex characters. That being said, this is not a perfect production.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Jesus Christ Superstar is epic rock opera at its best and this touring cast and orchestra does it proud. The show is quite dark as it is about the days leading up to the crucifixion which is not exactly light subject matter. In spite of that you will find yourself swept away by the music and choreography.    

To see a full review of this show, read Mark Horning's Review here.

Kate Klotzbach

The production overall is absolutely worth seeing. The music is electric, the choreography is exciting, and the voices are a treat. Whether Christian or not, audiences will appreciate a timeless story with compelling songs and impressive moments. A dark and gritty version, the 50th Anniversary tour of Jesus Christ Superstar will have you believing in the power and resilience of theater.

To see a full review of this show, read Kate's posts here.

Joey Morona

The production is unlike any other in the country, enhanced by 22 local strings players joining the 11-piece traveling ensemble. The combined 33-piece orchestra creates an audio experience Playhouse Square describes as “live theatrical surround sound.”

To see a full review of this show, read Joey's posts here.

 

CLEVELAND CRITICS CIRCLE 2021 THEATER AWARD WINNERS

 

 

The Cleveland Critics Circle each year honors local theaters, performances, writers, performers and technicians of plays staged by Cleveland area professional theaters during the January 1-December 31 year.

 

Voters:  Kerry Clawson (Akron Beacon Journal), Sheri Gross (Cleveland Jewish News, The Lorain Journal, The News Herald), Laura Kennelly (CoolCleveland.com), Mark Horning (WIX), and Roy Berko(Broadwayworld.com, CoolCleveland.com, www.royberko.info).  Participation in these awards does not preclude individual critics from preparing their own recognitions.

 

(Note: Dual award winners and Honorable Mention designees are listed in alphabetical order)

 

Best Musical Production-- INTO THE WOODS, BALDWIN WALLACE UNIVERSITY

             Honorable Mention

                        BLACK NATIVITY, KARAMU HOUSE 

  QUILTERS, PORTHOUSE THEATRE

 

Best Non-Musical Production-- BROADWAY BOUND, BECK CENTER FOR THE ARTS

            Honorable Mention

A MIDSUMMER NIGHT’S DREAM, OHIO SHAKESPEARE FESTIVAL

APPLES IN WINTER, SEAT OF THE PANTS PRODUCTIONS

WHERE DO WE SIT ON THE BUS?, CLEVELAND PLAYHOUSE

 

Best Actor – Musical— MATEUS CARDOSO, HEARTBREAKERS IN HELL, RUBBER CITY

                                             THEATRE

       DEVON TURCHAN, CABARET THEATRE, BLANK CANVAS

            THEATRE           

            Honorable Mention

            TIM ALLEN, ELF, BECK CENTER FOR THE ARTS

            DARRELLE HILL, BLACK NATIVITY, KARAMU HOUSE 

                        

Best Actor – Non-Musical-- TREY GILPIN, AIRNESS, DOBAMA

            Honorable Mention

BRIAN KENNETH ARMOUR, SMALL ENGINE REPAIR, NONE TOO

         FRAGILE THEATRE

ALED DAVIES, THE TEMPEST, GREAT LAKES THEATER

JOE WEGNER, THE TEMPEST, GREAT LAKES THEATER

 

Best Actress – Musical— SANDRA EMERICK, CABARET, BLANK CANVAS THEATRE

           TERRI KENT, QUILTERS, PORTHOUSE THEATRE   

Honorable Mention

GRACIE KEENER, AMELIE THE MUSICAL, MERCURY THEATRE COMPANY

 

Best Actress – Non-Musical— ANNE MCEVOY, APPLES IN WINTER, SEAT OF THE

                                                         PANTS PRODUCTIONS

         DERDRIU RING, THIS GIRL LAUGHS, BECK CENTER

             FOR THE ARTS

Honorable Mention

AMY FRITSCHE, THE EXONERATED, BECK CENTER FOR THE ARTS

CHRISTINA JOHNSON, MA RAINEY’S BLACK BOTTOM,

         KARAMU HOUSE

 

Rising Stars 

            Male

                        DARIO ALVAREZ, INTO THE WOODS, BALDWIN WALLACE UNIVERSITY

                        MATEUS CARDOSO, HEARTBREAKERS IN HELL, RUBBER CITY

                                     THEATRE 

            Female

                        EILEEN BRADY, INTO THE WOODS, BALDWIN WALLACE UNIVERSITY

                        RHONNIROSE MANTILLA, INTO THE WOODS, BALDWIN

                                     WALLACE UNIVERSITY

                        CLAIRE MARIE MILLER, INTO THE WOODS, BALDWIN

                                     WALLACE UNIVERSITY

 

Best Director – Musical--TERRI KENT, QUILTERS, PORTHOUSE THEATRE

Honorable Mention

VICTORIA BUSSERT, INTO THE WOODS, BALDWIN

                        WALLACE UNIVERSITY

                        TONY SIAS, BLACK NATIVITY, KARAMU HOUSE

 

Best Director – Non-Musical-- JAMIE KOETH, APPLES IN WINTER, SEAT OF THE

                                         PANTS PRODUCTIONS

Honorable Mention

SARA BRUNNER, THE TEMPEST, GREAT LAKES THEATER

DAVID VEGH, SMALL ENGINE REPAIR, NONE TOO FRAGILE THEATRE

            JUSTIN EMEKA, MA RAINEY’S BLACK BOTTOM, KARAMU HOUSE

COLLEEN LONGSHAW JACKSON, THE EXONERATED, BECK

                 CENTER FOR THE ARTS

                        

Best Choreographer:  MARTIN CÉSPEDES, ALTAR BOYZ, PORTHOUSE THEATRE

                                      KATIE GIBSON, CABARET, BLANK CANVAS THEATRE                       

Honorable Mention

KEVIN MARR II, BLACK NATIVITY, KARAMU HOUSE

 

Best Musical Direction: JONATHAN SWOBODA, ALTAR BOYZ, PORTHOUSE THEATRE

Honorable Mention

ANTHONY TRIFILETTI, CABARET, BLANK CANVAS THEATRE

 

Best Scenic Design:  CHERI DEVOL, BROADWAY BOUND, BECK CENTER FOR THE

                                                 ARTS

Honorable Mention               

                        SEAN DERRY, SMALL ENGINE REPAIR, NONE TOO FRAGILE THEATRE

 

Best Lighting Design: TIM CRISMON, THE EXONERATED, BECK CENTER FOR THE

                                                 ARTS

            Honorable Mention

            WES CALKIN, AIRNESS, DOBAMA THEATRE

 FRANKIE CASTROVILLARI, A CHRISTMAS CAROL, MAGICAL THEATRE

             COMPANY

            

Best Projection Design: T. PAUL LOWRY, BLACK NATIVITY, KARAMU HOUSE

Honorable Mention

T. PAUL LOWRY, AIRNESS, DOBAMA THEATRE

 

Best Costume Design:  HELEN Q. HUANG, THE TEMPEST, GREAT LAKES THEATER

Honorable Mention

           INDA BLATCH-GEIB, BROADWAY BOUND, BECK CENTER FOR THE ARTS

INDA BLATCH-GEIB, MA RAINEY’S BLACK BOTTOM,KARAMU HOUSE    

 

Best Sound Design:    RICHARD B. INGRAHAM, AIRNESS, DOBAMA THEATRE

      MATTHEW WEBB, THE TEMPEST, GREAT LAKES THEATER

Honorable Mention

STEVE SHACK, ELF THE MUSICAL, BECK CENTER FOR THE ARTS

            

Best Touring Production:  THE PROM, PLAYHOUSE SQUARE 

 

Best New Play by a Local Playwright:  LOVE IN RESERVE, ERIC MANSFIELD, RUBBER

                                                                         CITY THEATRE

 

Best Overall Ensemble (Unified Cast) in a Musical

            QUILTERS, PORTHOUSE THEATRE

 

Best World Premiere in the Cleveland area:  HEARTBREAKERS IN HELL, JOEY CONTRERAS & BENJAMIN HALSTEAD, RUBBER CITY THEATRE

 

Special Mention

 

DOROTHY SILVER – A LIFE OF LOVE FOR THE THEATER-- THE DEPARTURE OF THE GRANDE DAME OF CLEVELAND THEATER PROVOKED A SEA OF TEARS.  GOOD NIGHT SWEET DOROTHY, AND, MAY THE FLIGHTS OF ANGELS SING THEE TO THY REST.  

 

ALL OF THE LOCAL THEATER PERSONNEL AND BOARDS WHO FOUND WAYS TO KEEP THEIR THEATERS ALIVE AND FINANCED DURING THE ON-GOING ANGST OF COVID.

 

PLAYHOUSE SQUARE FOR HIRING EXTRA STAFF TO CHECK THE COVID CARDS BEFORE EACH PERFORMANCE WHICH REASSURED AND ALLEVIATED FEAR FOR THE AUDIENCE.

 

END OF AN ERA IN AKRON: "ACROSS THE RIVER," AN ORIGINAL ONE-MAN SHOW BY JOSY JONES FEATURING JAIRO CUESTA, WAS THE CURTAIN CLOSER FOR NEW WORLD PERFORMANCE LAB IN THE UNITED STATES.

 

Hurricane Diane @ Dobama Theatre

Through February 13, 2022

(216) 932-3396

www.dobama.org

 Roy Berko

HURRICANE DIANE is a well-written script which gets a top-notch production at Dobama.  Sit back, appreciate fine acting and top-notch tech work, as you hopefully learn about the need for all of us to work to curb climate change.  You might also conjure up a more audience-friendly configuration for the Dobama performance space.

To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson
No review yet.
To see a full review of this show, read Kerry Clawson's review here.

Sheri Gross

Stellar performances, creative direction, and a thought-provoking message couched in a clever, funny script, make Hurricane Diane at Dobama the show to see.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

This show is a wondrous work of theater. It is topical without being too preachy, it uses humor to get its point across and it gradually builds to a dramatic and surprise ending. You will find that the ninety minutes (without intermission) flies by.  

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.