Thursday, August 6, 2020

THE COMPETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) @ OHIO SHAKESPEARE FESTIVAL

Through August 9, 2020

(330) 673-8761
Or
http://ohioshakespeare.com


 Roy Berko

No review yet.

To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson

Laughter is the best antidote to our worries and woes, and Ohio Shakespeare Festival is sharing loads of mirth at the Akron area’s first live play in four months with “The Complete Works of William Shakespeare (Abridged) [revised],” a carefully socially distanced outdoor performance at Stan Hywet.

Opening night Friday was a momentous occasion for the performing arts as local theatergoers attended the first live stage production since coronavirus shuttered theaters in March. 

To see a full review of this show, read Kerry Clawson's review here.


Howard Gollop

No review yet.

Mark Horning

Here is your chance to support local theater, have a safe and entertaining evening out (remember those) and catch a little culture while having a rollicking good time either at the live performance or online in the safety of your abode.

To see a full review of this show, read Mark Horning's Review https://misterh215.wixsite.com/mysite/single-post/2020/08/08/Ohio-Shakespeare-Festival-proves-that-the-show-must-go-on-%E2%80%98in-spite-of%E2%80%99

Chris Howey

No review yet.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

No review yet.

To see a full review of this show, read Laura's posts at Cool Cleveland.

Andrea Simakis

No review yet.

To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

 

Monday, March 2, 2020

WHEN WE WERE YOUNG AND AFRAID @ SEAT OF THE PANTS ENSEMBLE



Through March 15, 2020


Roy Berko

“WHEN WE WERE YOUNG AND AFRAID” gets a superb production, with high quality direction and acting, thus making it a perfect vehicle to “celebrate” the issues of womanhood in this era of angst.  It is a production well worth experiencing!

To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson

In Sarah Treem’s “When We Were Young and Unafraid,” a play produced by Seat of the Pants, she brings together four women who are working to carve out their own identities, independent of men, in 1972.

The drama, which the company is presenting at Aurora Community Theatre, features an awesome quartet of talented local actresses, joined by one actor. Star actress Derdriu Ring is relentlessly fierce as Agnes, who runs her own bed-and-breakfast on an island off Seattle.


To see a full review of this show, read Kerry Clawson's review here.


Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

Andrea Simakis
No review yet.
To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

KINDERTRANSPORT @ ENSEMBLE THEATRE


Through March 29, 2020
(216) 321-2930
Or www.ensemble-theatre.com

Due to the illness of Dorothy Silver the reviews of this show are being held until March 13!


Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson
No review yet.
To see a full review of this show, read Kerry Clawson's review here.

Howard Gollop
No review yet.

Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.


Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Andrea Simakis
No review yet.
To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

DANCE NATION @ DOBAMA THEATRE



Through March 29, 2020
(216) 932-3396


Roy Berko

 Though the Dobama production is well conceived, the language, over-wrought angst and dramatic structure render is probably not a play for everyone.  It’s worth going to observe the talented cast.

To see a full review of this show, read Roy Berko's blog here.


Mark Horning


This show can be described as a bumpy ride at best. Between scenes of high intensity the pace shifts down to nearly a crawl then ramps back up for more intense high jinks. Fans of Roller Coasters will love it. In a word...it is a fierce 100 minutes of non-stop theater.

To see a full review of this show, read Mark Horning's Review here.

Andrea Simakis

The production exerts the power of a spell, able to strip away the year, taking you back to when you were 13 and thought you'd die if the thing you want more the anything isn't happen.

To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

Saturday, February 29, 2020

BREAKOUT SESSION (OR FROGOSRSE) @ Cleveland Public Theatre



February 22-March 14, 2020
216-631-2727 or go on line to http://www.cptonline.org/


Roy Berko


BREAKOUT SESSION (OR FROGORSE)” has an important purpose with lofty goals.  Unfortunately, the play’s format and subject development does not satisfy the need to truly explain, “something is not working, people” and teach the “Bias Bubble”reality.

To see a full review of this show, read Roy Berko's blog here.


Sunday, February 16, 2020

SLEUTH @ GREAT LAKES THEATER


Through March 8, 2020
(216) 241-6000


Roy Berko

“SLEUTH” should be an enjoyable delight for theater-goers.  Go!  See!  Enjoy! (But don’t tell anyone the secret of the cast, the gun shots or the ending!)
To see a full review of this show, read Roy Berko's blog here.

Mark Horning


If you are someone who likes to investigate what goes bump in the night and enjoy a great murder mystery comedy with a madcap ring to it this is must see theater for you. This show will leave you guessing right up to the end. Boo!

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

The stock-in-trade for Great Lakes Theater is evocative language, whether by Shakespeare or other theatrical luminaries. And this play, even while getting awfully gimpy in the knees, still has enough rich wordplay to make for a dandy evening.

To see a full review of this show, read Chris Howey's Review here.

Howard Gollop

A one-trick-pony whodunit such as "Sleuth," which has been making the rounds on screen and stage for decades, would seem a tired choice for a regional theater. So it's a testement to playwright Anthony Shaffer and the cast and crew of Great Lakes Theater that "Sleuth," under the muscular direction of Charles Fee, remains so compelling in 2020 -- even if we have long known who did it.

Complete article appears in Elyira Chronice Telegram

Laura Kennelly


There’s mystery afoot in the engaging Great Lakes Theatre production of Sleuth at the Hanna Theatre. Director Charles Fee and the talented cast create a tour de force of acting chops. These players show what acting is all about as they create a maddening, confusing world, and then, having done so, plunge us all into its surprising adventures.

Full review at artstillmatters.com or read Laura's posts at Cool Cleveland.

Sunday, February 9, 2020

SCOTTSBORO BOYS @ Beck Center (Baldwin Wallace/Beck co-production)


February 7-23, 2020
216-521-2540
 or http://www.beckcenter.org


Roy Berko

“THE SCOTTSBORO BOYS” is a powerful piece of historical theatre whose message must be heard, especially in these days of the continuance and rise of racial and religious prejudice.  The Beck Center/Baldwin Wallace Music Theatre Program production itself was inconsistent in its overall effect, but is still a staging worth seeing. 

To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson

Beck Center for the Arts and Baldwin Wallace have joined forces for a bold and devastating show, “The Scottsboro Boys,” in the Ohio premiere of this stark, historically-based musical by John Kander and Fred Ebb.

To see a full review of this show, read Kerry Clawson's review here.

Mark Horning


You can bill this show as an intense historic drama played out through the most nocuous manner possible (i.e. a Minstrel Show) that illustrates the truths and pathos far better than any other manner could. It is a show that will leave you angry about racial inequality but wiser with the final scene bringing it all home. 

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

This fascinating piece is about a deadly serious Depression-era event that added fuel to the black civil rights movement in the 1960s. 

Howard Gollop


If nothing else, the Beck Center for the Arts and the Baldwin-Wallace musical theater program deserve accolades for at last bringing this criminally neglected decade-old musical to Northeast Ohio.  It not only marks the final collaboration of John Kander and the late Fred Ebb, it majestically and ingeniously unfolds a chapter of Black American history that gave birth to the civil rights movement.

Then again, this production of "Scottsboro Boys" -- conceived in the style of a classic minstrel show -- deserves so much more adulations for its sheer talent -- magnificently helmed by choreographer-director Jon Martinez.

Complete article appears in Elyria Chronicle Telegram

Laura Kennelly

Brilliant and daring. The latest Baldwin Wallace University/Beck Center collaborative production, John Kander and Fred Ebb’s The Scottsboro Boys, directed and choreographed by Jon Martinez, provides a stunning (albeit starkly condensed) musical sketch of a real event.

To see a full review of this show, go to Scottsboro Boys or read Laura's post at Cool Cleveland.

Andrea Simakis

It's a swift, sometimes beautiful, often brutal ride---entertaining and horrifying all at once.


To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

Thursday, February 6, 2020

HEROES @ CLAGUE PLAYHOUSE


WORTH NOTING: 
In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  This review falls into that category.

Through February 9, 2020
(440) 331-0403
www.clagueplayhouse.org


Mark Horning


 For those theater goers who wish to see three excellent actors working off of each other this is a must see show. Volumes of dialog are replaced with subtle yet knowing inflections that only years of being on local stages can create. It is nuance theater at its best. 

To see a full review of this show, read Mark Horning's Review here.

ON CLOVER ROAD @ NONE TOO FRAGILE



Through February 15, 2020
(330) 671-4563


Kerry Clawson

The thriller “On Clover Road” is such a harrowing roller coaster ride, audience members could get whiplash from all of its twists and turns.
It’s playwright Steven Dietz’s first thriller ever, now being produced in a highly intense local premiere that grabs you by the throat at None Too Fragile Theatre at the Coach House. For its first offering of the 2020 season, the small professional theater has knocked it out of the park with this extreme story.

To see a full review of this show, read Kerry Clawson's review  here.

Chris Howey


"It grabs you by the throat in the first line and doesn't let go." We've all heard someone say that about a book, a movie or play. And sometimes, it's even true. 

Well, it's true in this case. The play is On Clover Road, and don't be misled by the bland title. This work by playwright Steven Dietz doesn't waste a second or a breath as it plunges the audience into a world of surprises that all occur in a seedy room in an apparently abandoned motel. 


To see a full review of this show, read Chris Howey's Review here.

THE TOURING PRODUCTION OF ANASTASIA @ PLAYHOUSE SQUARE


Through February 23, 2020
(216) 241-6000


Roy Berko
There is an adage in theatre that after seeing a musical one should not leave talking sets and costumes.  In the case of the touring company of “ANASTASA” however, that’s exactly what the audience was doing.  Yes, this is not a great musical.  The plot is obvious and the music pleasant, not memorable.   However, the production values are outstanding and the cast excellent, so, all in all, what we have is a pleasant, if not spectacular,  evening of theatre.
To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson

“Anastasia” is a visually stunning musical whose tale has an epic sweep. But for much of the first act, its momentum felt a bit slow Wednesday night at Playhouse Square in Cleveland.

To see a full review of this show, read Kerry Clawson's review here.

Howard Gollop


Luckily, the sets and costumes add color and nuance to a production that could use more of both. At the very least, one would think a veteran director named Darko Tresnjak (for real) could imbue his cast with an authentic Eastern European aura.

No such luck. Although the show is nevertheless engaging and expensive-looking, particularly for a national tour,  it's about as Russian as St. Petersburg, Fla. 

Mark Horning


What we have is the usual collection of pleasant but hardly memorable songs, a predictable story line combined with an excellent cast and spectacular stage set and video projections that add depth. In short this is a show worth venturing out into the cold and weather to see. It is indeed a very nice way to spend an evening at the theater.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.


Laura Kennelly

Bottom Line: Anastasia is a light, enjoyable musical that offers a new take on the rags-to-riches motif. It’s a perfect winter treat. The national touring company does a bang-up job of bringing Broadway to Cleveland. (And yes, Cleveland was mentioned in the dialogue — but I bet a different town is named at the next stop — we all laughed anyway.)

To see a full review of this show, read Laura's posts at Cool Cleveland.

Tuesday, February 4, 2020

IF/THEN @ Lakeland Civic Theatre


January 31-February 16, 2020

Roy Berko

IF/THEN has a wonderful score.  Too bad somewhere in the show’s development, the confusing plot and excessive length weren’t dealt with. 

To see a full review of this show, read Roy Berko's blog here.

Chris Howey

The saving graces in this production are that it is directed by Martin Friedman, a man whose plays always pulse with humanity, and that it stars Sandra Emerick, a woman who knows how to act a song while doing full justice to its musicality. 

To see a full review of this show, read Chris Howey's Review here.

Saturday, February 1, 2020

SASSY MAMAS @ KARAMU THEATRE



Through February 23, 2020
(216) 795-7070


Mark Horning


This show is absolutely hilarious in its concept and execution as three “hot mamas” seek out young companionship in this total role reversal. It is a laugh fest supreme that will have you feeling good all the way home. 

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Sassy Mamas, Celeste Bedford Walker's naughty and frolicsome comedy is making its return engagement at Karamu House. In this iteration, the cast is flying even higher on the sexual octane pumped out by the playwright, as three career women "of a certain age" in the same condo building explore their libidos with younger studs. 

To see a full review of this show, read Chris Howey's Review here.



Friday, January 24, 2020

CLUE @ CLEVELAND PLAY HOUSE


Through February 23, 2020
(216) 241-6000


Roy Berko

If entertainment is your theatrical pleasure, head to the Cleveland Play House where the finely directed and performed “CLUE” is a must see!

To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson

The new comedy “Clue” is campy, manic fun at Cleveland Play House, a world premiere stage adaptation of the classic Hasbro board game and 1985 Paramount film.
It’s a murder mystery but it’s all done tongue-in-cheek, from the dark and stormy sound effects to the sexy French maid (Elisabeth Yancey as Yvette) to the farcical way the main characters run around the Boddy Manor, where the 1954 story is set.

To see a full review of this show, read Kerry Clawson's review here.

Howard Gollop

The result is not so much a droll evening of double-entendres and dry asides as it is a slapstick riot --right out of a Milton Berle or Sid Ceasar TV skit, which is quite apropos considering the comedy's 1956 timeframe. Indeed, the Play House audience members may feel like they are in a 1950s "Your Show of Shows" studio as well.

Mark Horning


When’s the last time you had a really good laugh? Say no more and come see the lightning quick barbs being flung about in the Cleveland Play House production of Clue now showing in the Allen Theatre at Playhouse Square. It will leave you guessing and laughing at the same time.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

In truth, this Clue is essentially dinner theater without the dinner. If farce is supposed to be indulgent, the dessert course of all stage offerings, this production isn't exactly a chocolate-glazed Boston Cream Whoopie Pie. But it is a tasty little fruit compote.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly


Clue: A New Comedy, now at Playhouse Square’s Allen Theatre, mixes outstanding acting, scenery and a classic board game to combine mystery and farce. Everyone needs a laugh in February and Clue fills the bill. Based on the 1985 film of the same name, this adaptation by playwright Sandy Rustin includes additional materials written by Hunter Foster and Eric Price. This Cleveland Play House production is in development for a national tour of Clue in 2021.
There’s a body in the Boddy Mansion. Who did it? Six colorful, yet clueless guests wrestle with this question after first thinking their only problem was why they were invited. The butler, the maid and the cook also seem confused. When the authorities arrive, they too are flummoxed. And to be truthful, those audience members who think they can see clearly who the murderer is (everyone knows the saying about the butler, don’t they?) may also find themselves confused.
The only thing that’s certain is that it’s a dark night, and a storm is brewing, as frequent lightning reminds us.

To see a full review of this show, read Laura's review here at Cool Cleveland.

Andrea Simakis
No review yet.
To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

SKELETON CREW @ DOBAMA THEATRE



Through February 16, 2020
(216) 932-3396


Mark Horning


This is no Pollyanna rainbows and ribbons production but a stark dose of reality about the decline of America’s manufacturing might as portrayed by the survivors who held on until the last. In spite of the grim details there is still a faint breath of hope in the end.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.


Andrea Simakis
No review yet.
To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

INTIMATE APPAREL @ ENSEMBLE THEATRE



Through February 16, 2020
 (216) 321-2930


Roy Berko

Intimate Apparel” is a well-honed script which gets a superior production under the adept direction of Sarah May.  This is a play well-worth seeing!

To see a full review of this show, read Roy Berko's blog here.

Mark Horning


This is a superbly crafted play populated by actors who really care about the people they portray and have put in long hours and experience to become their various roles. This is a work that regular theater goers will relish and newcomers will have a high bar set for future plays that they will visit.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Director Domingue is a perfect match for this material, employing her effusive energy and proven storytelling skills to create a powerful ensemble performance while attending to the larger themes. To wit: We are all like Shanita, in a way, relying on the steady "background music" of our lives to provide a sense of stability. And when we sense that music is about to waver, or stop completely, it is terrifying. That is why we go on, because there is no other way to keep the music playing.

To see a full review of this show, read Chris Howey's Review here.


Wednesday, January 22, 2020

JERSEY BOYS THE STORY OF FRANKIE VALLI & THE FOUR SEASONS


Connor Palace
January 21-26, 2020

Roy Berko

JERSEY BOYS fanatics and newbies will all have a wonderful time at this revival of a revival.  Oh, yes, “Oh, What a Night.”  You’ll be “Beggin’” to “Stay” for another curtain call!  You’ll leave clapping, singing and dancing down the aisle. 

To see a full review of this show, read Roy Berko's blog here.

Chris Howey
No review yet

Thursday, January 9, 2020

THE ILLUSIONISTS LIVE FROM BROADWAY



Connor Palace
January 7-11, 2020
216-241-6000 or go to www.playhousesquare.org


Roy Berko


Capsule judgment:  Though many aspects of the show were very entertaining, the over-all effect was under-whelming.  It seemed in many segments, that the cast has done these same tricks over and over, and were on automatic pilot.   

To see a full review of this show, read Roy Berko's blog here.

Sunday, December 15, 2019

NEVILLE'S ISLAND@NONE TOO FRAGILE



Through December 21, 2019
(330) 671-4563


Kerry Clawson

"Neville’s Island” is kind of like “Lord of the Flies,” the middle-aged version. In this comedy, playwright Tim Firth explores how quickly human beings’ sanity can devolve when fear and panic start to take over.

Sean Derry directs an excellent cast of four men at None Too Fragile in this British show, which premiered in Scarborough, England, in 1992, moved to the West End in 1994 and made its North American premiere in 1996 in Sante Fe, New Mexico. The play, which offers an incisive look into the human condition through four very different personalities, is written by the same man who co-wrote the films “Calendar Girls” and “Kinky Boots.”

To see a full review of this show, read Kerry Clawson's review here.

Saturday, December 14, 2019

IT'S A WONDERFUL LIFE @ Theatre in the Circle


Judson Mannor--1890 East 107th Street--Cleveland
216-282-9424 or theatreinthecircle.com

Roy Berko

If you are a fan of the movie “IT’S A WONDERFUL LIFE” you will like Theatre in the Circle’s stage version. Go knowing that it’s the same overly sentimental and hokey tale set to music.  It’s a nice break from the usual holiday shows that are repeated over and over at some local theatres.  

To see a full review of this show, read Roy Berko's blog here.


SHE KILLS MONSTERS@OHIO SHAKESPEARE FESTIVAL



Through December 22, 2019
(330) 673-8761



Kerry Clawson

This play about teens and young adults has a script with some truly juvenile dialogue, including crude language from teen characters playing fantasy roles. That could play as comical, but I wasn’t feeling any big belly laughs at Sunday’s show. “She Kills Monsters,” which premiered Off-Off Broadway, may just be too much of a niche show that appeals mainly to D&D lovers. ... Fight director Ryan Zarecki has choreographed fight after fight in this show as the team must slay several “bosses” to find the lost soul of Athens, Ohio. There’s quite a bit of floor work but too often, female warriors look like they’re lying and waiting for their next fight cue.

To see a full review of this show, read Kerry Clawson's review at https://www.beaconjournal.com/topics/clawson.

BLACK NATIVITY@KARAMU



Through December 29, 2019
(216) 795-7070




CONSTELLATIONS@CONVERGENCE CONTINUUM



Through December 21, 2019
(216) 687-0074


Roy Berko

“CONSTELLATIONS” is one of con-con’s best stagings.  It combines a well-conceived script, superb acting and well-focused directing.  It’s a must-see experience!

To see a full review of this show, read Roy Berko's blog here.

A CHRISTMAS STORY@CLEVELAND PLAY HOUSE



Through December 23, 2019
(216) 241-6000



Mark Horning


There is no greater gift during this holiday time than to share the magic of theater with the entire family. Although a familiar story this production is a wonderful way to share time together and relax during this sometimes hectic season. Bring the entire family for an evening of warmth and delight.

To see a full review of this show, read Mark Horning's Review here.


YIPPEE KI-YAY MERRY CHRISTMAS@BLANK CANVAS



Through December 21, 2019
(440) 941-0458



Mark Horning


Tickets will be die-hard to come by as the show winds down its December run with the final performance scheduled for Saturday, December 21st. If your looking for a really well done Christmas parody this one will blow you away.   

To see a full review of this show, read Mark Horning's Review here.


SHREK, THE MUSICAL@THE BECK CENTER FOR THE ARTS


Through January 5, 2020
(216) 521-2540



Howard Gollop

“Shrek” is clever enough in a "Rocky & Bullwinkle" sort of way. But it could hardly sustain an unstable production suffering all the trappings of -- to put it politely -- less-than-Broadway regional theater trappings.  Not to worry at the Beck Center.

Mark Horning


If your looking for a change from holiday theater fare that the entire family will love, this is a must see show. It literally has something for everyone with its great cast, awesome costuming, timely message of inclusion and lively songs. It’s a dream come true for the holiday season.

To see a full review of this show, read Mark Horning's Review here.


Monday, December 9, 2019



2019 CLEVELAND CRITICS CIRCLE THEATER AWARDS

The Cleveland Critics Circle each year honors local theaters, performances, writers, performers and technicians of plays staged by Cleveland area professional theaters during the January 1-December 31 2019 year.

Award Committee Voters: Roy Berko, Kerry Clawson, Howard Gollop, Mark Horning, Laura Kennelly and Andrea Simakis.  Participation in these awards does not preclude individual critics from preparing their own recognitions.

Those recognized for Superior Achievement are listed alphabetically, not by order of achievement.

Best Musical Production  
ONCE, Beck Center/Baldwin Wallace Music Theatre Program
Honorable Mention:
KISS OF THE SPIDERWOMAN, Blank Canvas  
MAN OF LA MANCHA, Porthouse
THE MUSIC MAN, Great Lakes Theater

Best Non-Musical Production
TWO, none-too-fragile
Honorable Mention:
AN ILIAD, Cleveland Play House
BY THE BOG OF CATS, Ensemble
HAMLET, Ohio Shakespeare Festival
INTO THE BREECHES, Cleveland Play House
STUPID FUCKING BIRD, Dobama
            
Best Actor – Musical
Fabio Polanco, MAN OF LA MANCHA, Porthouse
           Honorable Mention
Alex Syiek, THE MUSIC MAN, Great Lakes Theater
Jake Slater, ONCE, Beck Center/Baldwin Wallace Music Theatre Program
Patrick Ciamacco, THE TOXIC AVENGER, Blank Canvas
Scott Esposito, KISS OF THE SPIDERWOMAN, Blank Canvas
            
Best Actors – Non-Musical
David Peacock, TWO, none-too-fragile
Robert Hawkes, KING LEAR, Beck
           Honorable Mention
Alex Brightwell, EVERY BRILLIANT THING, Cleveland Play House
Christopher M. Bohan, GLENGARRY, GLEN ROSS, Beck Center
Kieron Cindric, HOMOS OR EVERYONE IN AMERICA, convergence-continuum

Best Actress – Musical  
Nicole Sumlin, LADY DAY AT EMERSON’S BAR & GRILL, Beck Center
            Honorable Mention
            Jillian Kates, THE MUSIC MAN, Great Lakes Theater.
            Kelsey Brown, ONCE, Beck Center/Baldwin Wallace Music Theatre 
Program
            Mary-Francis R. Miller, AIDA, Karamu

Best Actress – Non-Musical  
Tarah Flanagan, AN ILIAD, Cleveland Play House
           Honorable Mention
Amy Fritsche, THE PINELOPIAD, Ensemble
Derdriu Ring, TWO, none-too-fragile
Laura Perotta, STUPID FUCKING BIRD, Dobama
Tess Burgler, HAMLET, Ohio Shakespeare Festival

Rising Stars
            Male 
            Jake Spencer, RAGTIME, Cain Park
            Female
            Calista Zajac, NETHER, Dobama
            
Best Director – Musical
Victoria Bussert, ONCE, Beck Center/Baldwin Wallace Music Theatre
           Honorable Mention
Patrick Ciamacco, KISS OF THE SPIDERWOMAN, Blank Canvas
Terri Kent, MAN OF LA MANCHA, Porthouse
Victoria Bussert, MUSIC MAN, Great Lakes Theater

Best Director – Non-Musical
Nathan Motta, STUPID FUCKING BIRD, Dobama
           Honorable Mention
Robert Barry Fleming, NATIVE GARDENS, Cleveland Play House
Sara Brunner, JULIUS CAESAR, Great Lakes Theater
Sean Derry, TWO, none-too-fragile
Tarah Flanagan and Andrew Carlson, AN ILIAD, Cleveland Play House

Best Choreographer
Martin Céspedes, MAN OF LA MANCHA, Porthouse
Honorable Mention
           Gregory Daniels, ONCE, Beck Center/Baldwin Wallace Music Theatre Program
Imani Jackson, RAGTIME, Cain Park
Martin Cespedes, MATILDA, Beck

Best Musical Direction  
Mathew Webb, ONCE, Beck Center/Baldwin Wallace Music Theatre Program
           Honorable Mention
Ed Ridley, LADY DAY AT EMERSON’S BAR & GRILL, Beck Center
James Barry, MILLION DOLLAR QUARTET, Great Lakes Theater
Jonathan Swoboda, MAN OF LA MANCHA, Porthouse

Best Scenic Design  
Arnulfo Maldonado, TINY HOUSES, Cleveland Play House
           Honorable Mention
Jason Ardizzone-West, NATIVE GARDENS, Cleveland Play House
Jordan Janota, ONCE, Beck Center/Baldwin Wallace Music Theatre Program
Richard H. Morris, Jr., PARADISE BLUE, Karamu
            
Best Lighting Design
Rick Martin, JULIUS CAESAR, Great Lakes Theater
           Honorable Mention
Michael Boll, NATIVE GARDENS, Cleveland Play House
Cynthia Stillings, MAN OF LA MANCHA, Porthouse
Ian Hinz THE PENELOPIAD, Ensemble

Best Projection Design
Katherine Freer, PIPELINE, Cleveland Play House
           Honorable Mention
Benjamin Gantose, RASTUS AND HATTIE, Cleveland Public Theatre
T. Paul Lowry, AIDA, Karamu
T. Paul Lowry, NETHER, Dobama
Trad Burns and Jason Taylor, MATILDA, Beck Center
            
Best Costume Design
Angela Calin, INTO THE BREECHES, Cleveland Play House
            Honorable Mention
            Leah Piehl, THE TAMING OF THE SHREW, Great Lakes Theater
            Inda Blatch-Geib, AIDA, Karamu

Best Sound Design
Mathew Webb, JULIUS CAESER, Great Lakes Theater
           Honorable Mention
Patrick Ciamacco, LOBBY HERO, Blank Canvas
Richard Ingraham, STUPID FUCKING BIRD, Dobama

Best Touring Production  
THE BAND’S VISIT, Key Bank Broadway Series

Best New Play by a Local Playwright
Lisa Langford, RUSTUS AND HATTIE, Cleveland Public Theatre
            Honorable Mention
            THE HAT BOX, Eric Coble
            LIVE BODIES FOR SALE, Christopher Johnson

Best Ensemble in a Musical:  
ONCE, BW/Beck
           Honorable Mention
MAN OF LAMANCHA, Porthouse
AIDA, Karamu
THE MUSIC MAN, Great Lakes Theater

Best World Premiere in The Cleveland Area: 
RUSTUS AND HATTIE, Cleveland Public Theatre
            Honorable Mention
            LIVE BODIES FOR SALE, Playwrights Local
 MAID MARION: AN ADVENTURE WITH MUSIC, Ohio Shakespeare Festival
TINY HOUSES, Cleveland Play House

Special Mention
Co-production of THE IMPACT OF SHUFFLE ALONG by Karamu and The Musical Theater Project for placing a spotlight on the story of the first all African American written, produced and performed hit Broadway musical

None too fragile…for finding a permanent home

Baldwin Wallace Music Theatre Program for producing the national Collegiate Premiere of KINKY BOOTS

Cleveland Public Theatre’s Teatro Publico de Cleveland and Y-Haven Theater for giving a voice to minority performers and playwrights

Scott Campbell for his original music and lyrics in the world premiere of Sarah Coon's MAID MARION: AN ADVENTURE WITH MUSIC, Ohio Shakespeare Festival

Fight director Ryan Zarecki for the exceptional stage combat in HAMLET at Ohio Shakespeare Festival

Eva Rose Scholz-Carlson, for her original cello compositions and performance in AN ILLIAD, Cleveland Play House