THE MIRACLE WORKER @ OBERLIN SUMMER THEATRE FESTIVAL

Through July 30, 2017

(440) 775-8169 

Or http://www.oberlinsummertheaterfestival.com/get-tickets/

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson
No review yet.
To see a full review of this show, read Kerry Clawson's review here.

Howard Gollop
No review yet.

Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's blog.

Christine Howey
No review yet.
To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Laura KennellyNo review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.
David Ritchey
No review yet.
To see a full review of this show, read David's posts at Talkin' Broadway

Andrea Simakis
No review yet.
To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

IPHIGENIA 2.0

IPHIGENIA 2.0
Cleveland Public Theatre
April 13-28
Tickets: 216-631-2727 or www.cptonline.org

Roy Berko

IPHIGENIA 2.0 is a thought provoking, emotionally insightful piece of theatre that assaults the senses. It may be too abstract for some theatre-goers. Since I saw a preview performance I can only hope that the projection problems and some over-the-top acting will be reigned in as the run continues.

To see a full review of this show, read Roy Berko's blog here.

Fran Heller
It was a long, costly and unnecessary war, instigated by motives that were questionable at best, resulting in the untold loss of human life and the bankruptcy of a great power. If you are thinking of Iraq and Afghanistan, you might not be wrong, but the war I'm talking about took place 2,400 years ago in Charles L. Mee's "Iphigenia, 2.0" a clever re-imagining of Euripedes's "Iphigenia in Aulis" and the mythical Trojan War.

To see a full review of this show, read Fran Heller's review at the Cleveland Jewish News

Christine Howey
Staged with entertaining, sinewy energy by director Matthew Wright, the production slaloms smoothly through the many narrative wickets established by the playwright. The morality of war and the craven nature of leadership are on display in this intensely theatrical production.

To see a full review of this show, read Christine Howey's blog Rave and Pan