CLEVELAND CRITICS CIRCLE 2024 THEATER AWARDS

For more than 50 years, the CLEVELAND CRITICS CIRCLE (CCC) has provided support and recognition for professional theaters in our community and for the talented individuals who create and stage their productions. CCC members include local theater critics who write for print and/or online publications; or who have established a distinct, credible, and consistent online presence (blog, etc.) for their reviews.

 

On the CCC website, www.clevelandtheaterreviews.com, visitors will find capsule reviews of professional productions in the 216/440/330 area, with links to the reviewers’ full articles.

 

In addition, each year CCC honors outstanding local productions as well as select performers, directors, designers, and playwrights. (Note: The organization does not separate award recipients by gender identities.)

 

Eligible plays include those staged by Cleveland-area professional and higher education theaters during the 2024 calendar year.

 

Members of the CCC who voted for the 2024 Awards are:  Sheri Gross (Cleveland Jewish News, The Lorain Journal, The News Herald), Mark Horning (WIX, Chagrin Valley Times, The Solon Times), Howard Golub (The Chronicle Telegram), Roy Berko (Broadwayworld.com, CoolCleveland.com, theatrecriticism.com, www.royberko.info), Laura Kennelly (CoolCleveland.com) and Yuko Kurahashi (PlayShakespeare.com).

 

(Duplicate winners and honorable mentions are listed in alphabetical order, not by order of excellence.)

 

BEST MUSICAL PRODUCTION

INTO THE WOODS, GREAT LAKES THEATER

            Honorable Mention

            ALWAYS…PATSY CLINE, GREAT LAKES THEATER

            BEAUTIFUL, CAROLE KING, THE MUSICAL, BECK CENTER

            IN THE HEIGHTS, CLEVELAND PLAY HOUSE

            RIDE THE CYCLONE, BALDWIN WALLACE UNIVERSITY/BECK                                                                 CENTER        

           

BEST NON-MUSICAL PRODUCTION

            AMADEUS, CLEVELAND PLAY HOUSE

            POTUS, DOBAMA THEATER

                        Honorable Mention

             A DOLL’S HOUSE PART II, BECK CENTER

             A MIDSUMMER NIGHT’S DREAM, GREAT LAKES THEATER

             JITNEY, BECK CENTER

             MURDER ON THE ORIENT EXPRESS, GREAT LAKES THEATER

                       

 

BEST PERFORMERS–MUSICAL

DANNY BÓ, RIDE THE CYCLONE, BALDWIN WALLACE UNIVERSITY/PLAY                                     HOUSE SQUARE

            JAEDYN LATTER, INTO THE WOODS, GREAT LAKES THEATER

            MATT KOENIG, RIDE THE CYCLONE, BALDWIN WALLACE UNIVERSITY/BECK                                CENTER

            MATTHEW GITTINS, JESUS CHRIST SUPERSTAR, PORTHOUSE/KENT STATE                                 UNIVERSITY

            REESE HENRICK, BEAUTIFUL, THE CAROLE KING MUSICAL, BECK CENTER

                        Honorable Mention

                        CHRISTINA ROSE HALL, ALWAYS…PATSY CLINE, GREAT LAKES                                                  THEATER

                        COLEEN LONGSHAW JACKSON, NUNSENSE, PORTHOUSE/KENT STATE                                 UNIVERSITY

                        DARYLL LEWIS, LITTLE SHOP OF HORRORS, BLANK CANVAS

                        JILLIAN KATES, INTO THE WOODS, GREAT LAKES THEATER

                        ZACHARY PALUMBO, LITTLE SHOP OF HORRORS, BLANK CANVAS                                         THEATER

           

BEST PERFORMERS – NON-MUSICAL

            AAMAR-MALIK CULBRETH, JITNEY, BECK CENTER

            ANJANETTE HALL, DOLL’S HOUSE-PART II, BECK CENTER

DEIDRIU RING, SOMETHING CLEAN, DOBAMA THEATER

MAGGIE LACEY, WHAT THE CONSTITUTION MEANS TO ME, CLEVELAND PLAY                             HOUSE

PRICE WALDMAN, AMADEUS, CLEVELAND PLAY HOUSE

            Honorable Mention

                        DYRELL BARNETT, PURLIE VICTORIOUS, KARAMU HOUSE THEATRE

                        MARIAH BURKS-DOT, THE BREAKFAST AT THE BOOK STORE, KARAMU                                             HOUSE THEATRE

                        SCOTT ESPOSITO, THE CRUCIBLE, BLANK CANVAS THEATER

                        WILL BLUM, AMADEUS, CLEVELAND PLAY HOUSE

                       

RISING STAR

            PARKER TOWNS, ANNIE, PORTHOUSE/KENT STATE UNIVERSITY

                       

BEST DIRECTOR – MUSICAL

            VICTORIA BUSSERT, INTO THE WOODS, GREAT LAKES THEATER

                        Honorable Mention

                        VICTORIA BUSSERT, RIDE THE CYCLONE, BALDWIN WALLACE

                                   UNIVERSITY/BECK CENTER

                        SCOTT SPENCE, BEAUTIFUL, CAROLE KING, THE MUSICAL, BECK                                                                      CENTER

                        TERRI KENT, ANNIE, PORTHOUSE/KENT STATE UNIVERSITY

           

BEST DIRECTOR – NON-MUSICAL

            DON CARRIER, A DOLL’S HOUSE-PART II, BECK CENTER

            LAURA GORDON, AMADEUS, CLEVELAND PLAY HOUSE

                        Honorable Mention

   CARRIE WILLIAMS, POTUS, DOBAMA THEATER

   JIMMIE WOODY, JITNEY, BECK CENTER

BEST CHOREOGRAPHER

LAUREN TIDMORE MAROUSEK, RIDE THE CYCLONE, BALDWIN WALLACE

UNIVERSITY/BECK CENTER

Honorable Mention

            LAUREN TIDMORE MAROUSEK, BEAUTIFUL, CAROLE KING, THE                                                                  MUSICAL BECk CENTER

            LIZ BAUMGARTNER, GROUNDHOG DAY, BLANK CANVAS THEATER

            MARTIN CÉSPEDES, ANNIE, PORTHOUSE/KENT STATE UNIVERSITY

            MARTIN CÉSPEDES, JESUS CHRIST SUPERSTAR, PORTHOUSE/KENT                                             STATE UNIVERSITY

 

BEST MUSICAL DIRECTION 

MATTHEW WEBB, ALWAYS PATSY CLINE, GREAT LAKES THEATER

Honorable Mention

            ALEXANDRE MARR, ANNIE, PORTHOUSE/KENT STATE UNIVERSITY

             MATTHEW WEBB, RIDE THE CYCLONE, BECK CENTER

 

BEST SCENIC DESIGN

            RICK MARTIN, MURDER ON THE ORIENT EXPRESS, GREAT LAKES THEATER

Honorable Mention

CHERI PROUGH DEVOL, BEAUTIFUL, CAROLE KING, THE                                                                    MUSICAL, BECK CENTER

LARRY HEYMAN, THE CHERRY ORCHARD, CASE WESTERN               RESERVE UNIVERSITY/CLEVELAND PLAY HOUSE        

RAUL ABREGO, WHAT THE CONSTITUTION MEANS TO ME, CLEVELAND                                    PLAY HOUSE

                           TRAD BURNS, RIDE THE CYCLONE, BALDWIN WALLACE/BECK CENTER

 

BEST LIGHTING DESIGN

            RICK MARTIN, MURDER ON THE ORIENT EXPRESS, GREAT LAKES THEATER

                        Honorable Mention

                        ADAM DITZEL, A DOLL’S HOUSE, PART 2, BECK CENTER

                        JAKYUNG C. SEO, JESUS CHRIST SUPERSTAR, PORTHOUSE/KENT                                             STATE UNIVERSITY

                        JEREMY PAUL, SOMETHING CLEAN, DOBAMA THEATER

                       

BEST PROJECTION DESIGN

            JACK-ANTHONY INA, RIDE THE CYCLONE, BALDWIN                                                                                        WALLACE UNIVERSITY/BECK CENTER

                        Honorable Mention

                        JEREMY PAUL & WAYNE SMITH, WENDY/PETER, DOBAMA THEATER

                        PATRICK CIAMACCO, GROUNDHOG DAY, BLANK CANVAS THEATER

             SCOTT ZOLKOWSKI, LAST SHIP TO PROXIMA CENTAURI,                                                  CONVERGENCE-CONTINUUM             

  T. PAUL LOWRY, BREAKFAST AT THE BOOKSTORE, KARAMU HOUSE                           THEATRE

 

BEST COSTUME DESIGN

            DANIELE TYLER MATHEWS, THE MERRY WIVES OF WINDSOR, GREAT LAKES                            THEATER

            ESTHER HABERLEN, MURDER ON THE ORIENT EXPRESS, GREAT LAKES                                 THEATER

                        Honorable Mention

                        MIEKA van der PLOEG, A MIDSUMMER’S NIGHT’S DREAM, GREAT                                           LAKE THEATER

                        OLIVERA GAJIC, PRIDE AND PREJUDICE, GREAT LAKES THEATER

                       

BEST SOUND DESIGN

            CARLTON GUC, RIDE THE CYCLONE, BALDWIN WALLACE

UNIVERSITY/BECK CENTER

            Honorable Mention

            PATRICK JOHN KIERNAN, MURDER ON THE ORIENT EXPRESS, GREAT                                     LAKES THEATER

 

BEST TOURING PRODUCTION 

            BACK TO THE FUTURE, PLAY HOUSE SQUARE

                        HONORABLE MENTION

                        MJ, PLAYHOUSE SQUARE

 

BEST NEW PLAY BY A LOCAL PLAYWRIGHT

RACHEL ZAKE, THE PROSPECT OF EQUALITY, ENSEMBLE THEATRE

                        HONORABLE MENTION

                        LISA LANGFORD, BREAKFAST IN THE BOOKSTORE, KARAMU HOUSE                                     THEATRE

 

BEST ENSEMBLE (BEST CAST LEADS AND CHORUS) IN A MUSICAL

            RIDE THE CYCLONE, BALDWIN WALLACE UNIVERSITY/BECK CENTER

                        Honorable Mention

                        BEAUTIFUL, CAROLE KING, THE MUSICAL, BECK CENTER

           

BEST WORLD PREMIERE IN THE CLEVELAND AREA

            THE PROSPECT OF EQUALITY, ENSEMBLE THEATRE

                        Honorable Mention

                        ALTER, CLEVELAND PUBLIC THEATRE

           

SPECIAL MENTION

CHARLES FEE, GREAT LAKES THEATER--FOR HIS MANY SUCCESSFUL AND CREATIVE YEARS AS THE THEATER’S ARTISTIC DIRECTOR.

 

CHRIS HOWEY—A LONG-TIME OFFICER AND ACTIVE MEMBER OF THE CLEVELAND CRITICS CIRCLE, SHE WAS WELL KNOWN AS THE ACERBIC THEATER CRITIC FOR THE PLAIN DEALER AND SCENE. HER EXTENSIVE THEATER BACKGROUND INCLUDES WORK AS A DIRECTOR, ACTOR AND PLAYWRIGHT, INCLUDING THE PLAY AND MOVIE EXACT CHANGE, IN WHICH SHE WROTE AND PERFORMED HER OWN TRANSITIONING STORY.  SHE HAS RECENTLY RETIRED FROM REVIEWING AND MOVED TO NEW JERSEY.

 

MARY JANE NOTTAGE--ACTRESS AND THEATRE PHILANTHROPIST, WHO PASSED AWAY ON SEPTEMBER 20, 2024 AT THE AGE OF 90. A TALENTED ACTRESS--IT WAS HER LIFE AND PASSION.  SHE STARTED HER CAREER AT THE CLEVELAND PLAY HOUSE AND WENT ON TO DISPLAY HER TALENTS AT SUCH VENUES AS KARAMU, ENSEMBLE, NONE-TOO-FRAGILE, MAMAl, CASSIDY, CLAGUE, ACTOR'S SUMMIT, CHAGRIN VALLEY, LAKELAND, TRI-C, BALDWIN-WALLACE AND CLEVELAND PUBLIC THEATRE.

 

ROY BERKO FOR BEING RECOGNIZED BY BROADWAY WORLD AND GOOGLE BECAUSE HE WAS

"DEEMED TO BE ONE OF THE MOST IMPORTANT AND INFLUENTIAL ARTS JOURNALISTS/CRITICS IN THE CLEVELAND AREA. THIS IS A TESTAMENT TO THE AMAZING WORK HE HAS DONE SUPPORTING AND CONTRIBUTING TO LOCAL ARTS."

 

FAYE SHOLITON FOR HER EFFORTS, THROUGH INTERPLAY, TO KEEP JEWISH THEATRE PRESENT IN CLEVELAND.

The Amen Corner @ Weathervane Playhouse

Through January 26, 2025

http:wwwweathervaneplayhouse.com

(330) 836-2626

WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  These review(s) fall into that category.

 

Mark Horning

Sometimes theater becomes much more than an entertainment enterprise. There are times such as this when it becomes a rousing sacred experience with a strong life lesson thrown in for good measure. Buy a ticket and be swept away. Somebody say Amen.

To see a full review of this show, read Mark Horning's Review here.

Potted Potter @ Playhouse Square

Through January 12, 2024

https://www.playhousesquare.org/ 

(216)-241-6000

Mark Horning

Potted Potter is the most mad capped 70 minutes you will ever spend in any theater. As each book is introduced you get a shirt tail explanation of the crux of each book with various parts lightly acted out. This is a show for muggles and wizards of all ages to enjoy together. The two actors early on form a strong bond with the audience which continues through the end. Ignore the snow and buy a ticket.

To see a full review of this show, read Mark Horning's Review here.

Life of Pi @ Connor Palace Theatre

Through January 26, 2024

https://www.playhousesquare.org/

 (216) 241-6000

Roy Berko

It is difficult to watch such a combination of writing, acting and special effects and not be swept up in the wonder of live theatre.  The written story made for a thrilling experience in imagination. The film version added the visual experience.  The stage presentation offers an immersive experience that goes well beyond either of the other formats.  Do yourself a favor and see this production of LIFE OF PI.

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Despite the rather pedestrian framing in Lolita Chakrabarti stage adaptation -- two investigators force the emotionally and physically drained protagonist to relive his cathartic seafaring tragedy as he recuperates in a hospital in Mexico -- the play quickly embraces the awe-inspiring magic of Tim Hatley's scenic design and Andrzej Goulding's video and animation projections.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross

While the plot is compelling, it is the visual feas created by director Max Webster and his uber-talented production team that bring this story to life.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

If you are a fan of the book and/or the movie you will be thunderstruck by the live performance. You are literally swept along at a breakneck speed as this exciting tale of perseverance, fortitude, hope and faith is spelled out in an easy to follow pattern. This show is well worth the price of the ticket.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly

Life of Pi, the latest KeyBank Broadway series production at Playhouse Square, turns the Connor Palace stage into a zoo, an ocean and a hospital as it dramatizes an adventure few, if any, would choose to have. It’s a glorious, extravagant telling of  Yann Martel’s best-selling novel (as adapted for the stage by Lolita Chakrabarti).

It seems a simple story — a tale of surviving despite terrible odds — and, thanks to the actors, dazzling puppeteers, and all-around skill and creativity, it’s easy to forget that this is really a horror story. Yes, it’s about resilience, but it illustrates the way we may perceive, even craft, memories  to survive.

To see a full review of this show, go here or read Laura's posts at Cool Cleveland.

Kate Klotzbach

It's not often that a production is both visually stunning and existentially beautiful. The North American tour of LIFE OF PI is an example of both and even more..

To see a full review of this show, read Kate's posts here.

Dr. Yuko Kurahashi

Mesmerizing and captivating are two adjectives I can come up with to describe the Cleveland Playsquare production of Life of Pi at the Connor Palace of Cleveland Playhouse Square.  The work is psychologically and philosophically compelling, reflecting many sides of humans, humanity, nature, and their lives. The message that lingered within the audience’s mind is that humans cannot continue to live without a “good story” that allows one to come to terms with violence, horrors, traumas, and pains—a familiar theme seen in such works as Vanilla Sky and Shutter Island, along with many allegorical stories such as the Grimms’ Fairy Tales and Aesop’s fables. And the violence, horrors, traumas, and pains in this situation are rooted in creatures’ instincts—both humans and animals—to survive, as in resonance with Carl Sagan’s words: “Extinction is the rule. Survival is the exception.” 

To see a full review of this show, read Yuko's posts here.

Joey Morona

‘Life of Pi’ is a visually stunning and thought-provoking night of theater at Playhouse Square

To see a full review of this show, read Joey's posts here.

 

The Light Of Kinara: A Kwanzaa Celebration @ Cleveland Public Theatre

Through December 22, 2024

https://www.cptonline.org/ 

(216) 631-2727 ext. 501

 

Mark Horning

This exceptional show will only be on stage through this coming Sunday, December 22^nd and should not be missed. Kwanzaa has grown from a celebration of African-Americans to one of all colors, beliefs and traditions. Come join the celebration and be awed. 

To see a full review of this show, read Mark Horning's Review here.

THIS SIDE OF CRAZY

convergence-continuum

December 6 - 21, 2024​

216-687-0074 or https://www.convergence-continuum.org

Dr. Yuko Kurahashi

A contemporary Southern American Gothic, This Side of Crazy resonates with Flannery O’Connor and Beth Henley,  as it presents to the audience who surrounds the performance space from two sides in an L shape, skeletons in their “closets” just like Sam Shepard did in his dysfunctional family dramas. The “closets” are, in this play, different parts of the house of Ditty Blaylock, who lives with her eldest daughter, a “social media evangelist,” and her incapacitated husband Jude (played by a simulated patient).

To see a full review of this show, read Yuko's posts here.

Peter/Wendy @ Dobama Theatre

Through December 29, 2024

http://www.dobama.org 

(216) 932-3396

Roy Berko

Yes, PETER/WENDY is yet another version of the tale of the boy who refuses to grow up, but it adds a creative element that other stagings don’t.  On the intimate Dobama stage, it will involve and entrance you.  It’s well-worth your time to think happy thoughts and let your inner child soar!

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

More philosophy than fantasy, the original adaptation (Dobama is the first professional theater to take on the work) seeks to study character over caricature. As one audience member put it, "Peter Pan" meets "Our Town."

To see a full review of this show, read Howard Gollop's review here.

Mark Horning

This stripped down rendition of the children’s classic would be an ideal pick to introduce young children to a live theater experience. Young at heart adults will also be enthralled by the presentation. Find your happy word and buy a ticket.

To see a full review of this show, read Mark Horning's Review here.

Dr. Yuko Kurahashi

Dobama Theatre’s production of Peter/Wendy, written by Jeremy Bloom, based on Scottish novelist and dramatist Sir James Matthew Barrie’s play (1904) and novel (1911), is an excellent work for people of all ages. The production’s emphasis on gratitude and caring makes the show suitable for today’s social, cultural, and political environment.

To see a full review of this show, read Yuko's posts here.

A Christmas Story @ Cleveland Play House

Through December 22, 2024

http://www.clevelandplayhouse.com

(216) 241-6000

 

Mark Horning

This show is a perennial Northeast Ohio holiday favorite and this time around has enough changes to give it a fresh appeal. As in most shows during the holidays it is geared for the family and you are encouraged to bring the entire family to relax and have a laugh or two. Buy tickets for the entire family!

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly

The Cleveland Play House’s latest version of A Christmas Story, the holiday classic about family, gifts and dreams, shines with talent. Now at Playhouse Square’s cozy Allen Theatre, director Jackson Gay’s version offers a slightly new (but not too new) approach that not only invokes holiday spirit, but offers a new insight into the characters, especially of our hero Ralphie.

To see a full review of this show go here read Laura's posts at Cool Cleveland.

Dr. Yuko Kurahashi

The play version, written by Phillip Grecian, is based on the 1983 motion picture A Christmas Story written by Jean Shepherd, Leigh Brown, and Bob Clark, and on the book In God We Trust, Al Others Pay Cash by Jean Shepherd.  Phillip Grecian’s script underscores the element of “memory” of the narrator Ralph (Herndon Lackey) who follows the young Ralphie around on stage throughout the show. The narrator’s constant presence adds the sense of “observation” and reminiscence, reminding the audience that all the characters live inside Ralph’s memory.  Many “transformations” of the people and their roles within Ralphie’s wishful imagination become more imaginative, creative, and entertaining (with familiar music prepared by sound designer Joanna Lynne Staub) than the transformations portrayed in the film.

To see a full review of this show, read Yuko's posts here.

Cirque Du Soleil "'Twas The Night Before" @ Playhouse Square

Through December 15, 2024

http://www.playhousesquare.org

(216) 241-6000

Roy Berko

'TWAS THE NIGHT BEFORE… is a family involving exciting, delightful, creative combination of acts which cleverly told a familiar tale through new and exciting means.  And, a good time was had by all!

To see a full review of this show, read Roy Berko's blog here. 

Howard Gollop

The shear artistry of the performers, the costumes by James Lavoie, sets by Genevieve Lizotte, choreography by Vingh Nguyen and music by Jean-Phi Concalves, who turns holiday standards into a new ethereal experience -- all under the helm of Cirque du Soleil director James Hadley, a veteran of arena production who conceived of this holiday stage production -- turn this five-year old production into as much a Christmas classic as anything else on Playhouse Square this month.

To see a full review of this show, read Howard Gollop's review here.

Mark Horning

This is a show that literally the entire family will love and will talk about it for years to come. You will be dazzled with the various acts and have a great laugh at all the comic antics that go on. See this show before it gets away.

To see a full review of this show, read Mark Horning's Review here.

Karamu House Black Nativity @ The Hanna Theatre

Through December 15, 2024

http://www.playhousesquare.org

(216) 241-6000

 

Mark Horning

Take my word for it, this is NOT your typical hum-drum Christmas themed show that will be forgotten in short order. This is two hours of solid entertainment that invites you to become an active participant. It is a joyful celebration that should be witnessed by all peoples of all ages. You cannot help be become involved. SOMEBODY SAY “AMEN!”

To see a full review of this show, read Mark Horning's Review here.

Joseph and the Technicolor Dreamcoat @ Weathervane Playhouse

Through December 22, 2024

http://www.weathervaneplayhouse.com

(330) 836-2626

WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  These review(s) fall into that category.

Mark Horning

The real secret to pulling off “Joseph” is to keep the action moving at a breakneck pace, having exemplary singing and dancing and a group not shy about singing loudly as a group. This production delivers on all of these counts and then some. Make the drive to Akron and see this exceptional work.

To see a full review of this show, read Mark Horning's Review here.

 

"A Christmas Carol" @ Great Lakes Theater

Through December 22, 2024 

https://www.greatlakestheater.org/ 

(216) 241-6000

 

Mark Horning

Much like a favorite television show or movie, this perennial production of “A Christmas Carol” is a delight to the eyes and ears and a wonderful Cleveland holiday tradition that should not be missed. Dress up in your holiday finest and spend a few hours of escape from the hustle and bustle. You will be glad you did.

To see a full review of this show, read Mark Horning's Review here.

Miss Bennet: Christmas at Pemberley

Through December 8, 2024

www.clagueplayhouse.org

(440) 331-0403

 WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  These review(s) fall into that category.

Mark Horning

If you see only one Christmas themed show this season it really should be this one. The ensemble draws you into the action almost as if you are one of the family. It is a warm and comfortable feeling and should not be missed. Buy a ticket before they are all gone.

To see a full review of this show, read Mark Horning's Review here.

Some Like It Hot @ Connor Palace Theatre

Through November 24, 2024

www.playhousesquare.org

(216-241-6000

 

Roy Berko

SOME LIKE IT HOT is full of dynamic modern and tap dancing, grand costumes and sets, lots of extended farce with doors slamming, double identities and physical shticks, enfolded in big jazzy full-orchestra sounds. If you enjoy musicals of a flashback to the old, just sit back and have an enjoyable experience.

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

As the title of the classic 1959 comedy sensation goes, "Some Like It Hot." But as the enthusiastic audience at Playhouse Square's Connor Palace attest, some don't mind it merely warmed over.

To see a full review of this show, read Howard Gollop's review here.

Mark Horning

This is a Broadway extravaganza that has it all...singing...dancing (including excellent tap dancing)...great acting...music...bright costumes...excellent lighting...crisp sound...and a mad cap ending during “Tip-Tap Trouble” complete with slamming doors. As long as you do not mind the changes made to your beloved movie you will be thoroughly entertained. Order your tickets NOW!

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

Recipe for joy? Mix stellar choreography, terrific dancers, witty lyrics and cool voices, and stir lightly. The result, a fabulous opening night at Cleveland’s Playhouse Square for Broadway’s Tony-award-winning musical Some Like It Hot.

To see a full review of this show click here or read Laura's posts at Cool Cleveland.

Joey Morona

‘Some Like It Hot’ breathes new life into classic film as musical arrives at Playhouse Square

To see a full review of this show, read Joey's posts here.

 

Mean Girls @ Playhouse Square

Through November 3, 2024

www.playhousesquare.org

(216) 241-6000

 

Roy Berko

MEAN GIRLS is filled with music, characters and Tina Fey satire that will appeal to younger audiences.  This production is not the quality expected of a professional tour.  Too bad, it really has the potential to be a really fun show! 

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Still, it's hard to quibble with the jubilance of Casey Nicholaw's direction and choreography (adapted by Casey Hushion and John MacInnis, respectively, for this tour), who turns cafeteria lunch trays into the main feature of a Busby Berkeley-style extravaganza. Likewise, it would be hard to fault the performances by Natalie Shaw as the protagonist who transitions into one of the popular girls (aka "The Plastics") and Joshua Morrisey and Alexys Morera as the two singing, tap-dancing outsider friends who first befriend her, show her the ropes and then narrate the show in befitting mock-teen omniscience. 

To see a full review of this show, read Howard Gollop's review here.

Laura Kennelly

We last saw those bad girls in 2019. Did you miss them?

Well, good news for you then. The musical version of Mean Girls is back for a brief run at Playhouse Square’s State Theatre (through November 10)......Bottom Line: There are funny moments, the cast is good, but the story seems dated. Yes, we know growing up is hard, but get over it. (I feel like a mean girl now, but there’s something about this show that brings out the snark. If you’ve already seen it when it was in Cleveland in 2019, you don’t need to see it again.)

To see a full review of this show, read Laura's post here or at Cool Cleveland.

What The Constitution Means To Me @ Cleveland Play House

Through November 3, 2024 

www.clevelandplayhouse.com 

(216) 400-7096     

 

Howard Gollop

Linsay Firman directs with nuance and subtlety. She clearly takes her cue from the playwright herself as the audience becomes engrossingly challenged in a subject that unfortunately has long become too polarized in most any other venue than a sure-footed theater company such as Cleveland Play House.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

At first blush this show appears to be rather pedestrian but the quality of writing, acting and stage setting make it an intriguing production to view. Sometimes we go to the theater to be educated and this is such a time. Buy a ticket.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

 In 90 minutes of engrossing theater, director Linsay Firman guides us through Schreck's family history as well as the glories of the U.S. Constitution. It also delves into the many dark holes which that revered document has left in its path.

To see a full review of this show, read Chris Howey's Review here.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

POTUS @ Dobama Theatre

POTUS

DOBAMA

October 4-November 3, 2024

boxoffice@dobama.org or 216-932-3396

Roy Berko

The night I saw the production a number of John Carroll students were in attendance as a class assignment.  They howled, laughed, shouted and applauded as their reality played out on the stage.  These young people got it!  This is the world which the present older generation has left them.  Oh, woe is me!   This is absolutely must-see theatre! 

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

Sitting in the audience of Selina Fillinger’s raucous political farce “POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive,” on stage at Dobama Theatre in Cleveland Heights, is like being strapped into a roller coaster that has no brakes. It’s sharp, fast, and just when you think it’s peaked in outrageousness, it throws in another upside down loop. Fans of thrill rides will be tickled pink, but for those who prefer to stick closer to the ground, this ride might be a bit too daring.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

If you like to laugh and do not mind a barrage of naughty words and are paying attention to the current political climate (which is stormy at best) then you will love this show. It’s a fast moving romp of behind the scenes of the most powerful office in the world and what people have to deal with on a daily basis. Buy a ticket.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

When it comes to theatrical farce, we all draw our own lines. How ridiculous is too ridiculous? When does absurdity become overdone and become tiresome? And what is the point where vulgarity tips into juvenile indulgence?

You will have a chance to answer all those questions and more in the excellent Dobama Theatre production of Selina Fillinger's POTUS or Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive. This all-female creation (playwright, director, and entire cast) goes over the top in so many ways you may develop acrophobia by the final curtain.

To see a full review of this show, read Chris Howey's Review here.

Dr. Yuko Kurahashi

Selina Fillinger’s POTUS, or Behind Every Great Dumbass Are Sever Women Trying to Keep Him Alive, produced at Dobama Theatre (Nathan Motta, Artistic Director) under the direction of Carrie Williams, is exuberant, fast-paced, outrageous, and poignant.  Incorporating several past US Presidents’ traits, decisions, and scandals, POTUS peels off all the façade and “decorum” of the White House despite their staff’s attempt to keep the “walls of the appearance” intact.  Consisting of a series of short vignettes, the work evokes the feelings of a TV sitcom, introducing different locations—within the White House—and underscoring comedic and physical interactions among the characters.
To see a full review of this show, read Yuko's posts here.

 

Cabaret The Musical @ Weathervane Playhouse

Through October 20, 2024

www.weathervaneplayhouse.com

(330) 836-2626

 

Mark Horning

Do not (like I did) put off making the short trip to Akron to visit Weathervane Playhouse. This show features a superb cast, great orchestra, ingenious stage set and superb lighting and sound. Forget the movie and see how the original darker story plays out. Buy a ticket!

To see a full review of this show, read Mark Horning's Review here.

THE NEIL DIAMOND MUSICAL A BEAUTIFUL NOISE

A BEAUTIFUL NOISE

October 8-27, 2024

216-241-6000 or www.playhousesquare.org

 

Roy Berko

This is not a great musical.  It won’t ever be compared to GYPSY, WEST SIDE STORY or even, RAGTIME but for Neil Diamond fanatics, or for those who love his music, it will more than be a pleasing experience.  The music is fine, the dancing is dynamic and the concert-level staging is enveloping.  It’s worth a sit-through.

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Were Diamond's divorces, contract deputes, emotional repression and reconciliations of guilt LESS compelling than the life of fellow Brooklynite '60s pop superstar Carole King, the subject of the much better jukebox musical "Beautiful: The Carole King Musical?"

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

In spite of all the pitfalls (more than usual for an opening night) this show is well worth seeing. Whether you are a Diamond fan or not you will find an entertaining story coupled with extremely well produced musical numbers. So Good...So Good...So Good!

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

With almost 30 of his songs performed in part or fully, the ABN company under the direction musical direction of Sonny Paladino does indeed create some lovely noises. But the book by Anthony McCarten is a lumbering affair as the entire story is told from the perspective of Neil's later-in-life psychotherapy sessions.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

Yes, another Jukebox musical, this time one based on Neil Diamond’s life (loosely) and the music (front and center).

The Neil Diamond Musical: A Beautiful Noise at Playhouse Square’s Connor Palace features over two dozen fully staged songs by Diamond, the Grammy award-winning Rock and Roll Hall of Fame star who has sold at least 120 million albums and appeared in concerts all over the world.

Probably not too surprisingly, his personal story seems a bit sadder, but that always seems to be the case — maybe it’s easier to see him as a man in love with performing. 

To see a full review of this show go here or read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona

If anyone was born to play Neil Diamond, it’s Nick Fradiani.

To see a full review of this show, read Joey's posts here.

 

POTUS (OR BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM ALIVE

Dobama

October 4-27, 2024

www.dobama.org OR 216 -932-3396

 

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's Review here.

Chris Howey

This all-female creation (playwright, director, and entire cast) goes over the top in so many ways you may develop acrophobia by the final curtain. Until then, you will be immersed in creative vulgarity and dagger-like wit wielded by the entire 7-person cast. As for the script, it includes massive doses of the f-word, the b-word, the c-word and any other nasty word with an alphabet letter in front of it. 

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Dr. Yuko Kurahashi

Selina Fillinger’s POTUS, or Behind Every Great Dumbass Are Sever Women Trying to Keep Him Alive, produced at Dobama Theatre (Nathan Motta, Artistic Director) under the direction of Carrie Williams, is exuberant, fast-paced, outrageous, and poignant.  Incorporating several past US Presidents’ traits, decisions, and scandals, POTUS peels off all the façade and “decorum” of the White House despite their staff’s attempt to keep the “walls of the appearance” intact.  Consisting of a series of short vignettes, the work evokes the feelings of a TV sitcom, introducing different locations—within the White House—and underscoring comedic and physical interactions among the characters.

To see a full review of this show, read Yuko's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

A Midsummer Night's Dream @ Great Lakes Theater

Through October 27, 2024

www.greatlakestheater.org

(216) 241-6000

 

Roy Berko

GLT’S A MIDSUMMER NIGHT’S DREAM will delight those who enjoy unbridled farce and mod language, while Shakespeare purists will rue the day they saw this “reimagined,” Bard-light edition.  Me?  I started out on the side of the purist’s and ended up an advocate of the modernists.  Go…see…enjoy (maybe!)

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Of course it's hard to say where occasional innocent modern vernacular clarity becomes dramaturgy desecration. Apparently the former is the intent of a new nation-wide enterprise called Play on Shakespeare, which produces Bard-lite entries in live theater and podcast form. The result of the latter in Great Lakes collaboration may be due to the careless abandon of Sara Bruner, tagged to become Great Lakes Theater's new artistic director. Under her direction, there doesn't seem to be any stroke too broad, mugging too sustained or character-audience interaction too intrusive that would compel her to take a breath and ask her cast, "You think this is a bit much?"

To see a full review of this show, read Howard Gollop's review here.

Mark Horning

This is truly not your parent’s (or for that matter your grandparent’s) Shakespeare. This is a madcap comic farce of the highest degree that will have you rolling in the aisles. Pay close attention to all the little “modern” references and nuances. Well worth the ticket...go see this work.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

There is plenty of laughter generated in this new Dream. Genuine, hearty belly laughs. But they aren't laughing at the gentle (and sometimes not-so-gentle) wit of Shakespeare and his verbal constructions which, while daunting at times, can also please the mind and soul. They're laughing at actors beating each other with colorful pool noodles as they climb and romp on the jungle gym set and adopt various funny character voices, some borrowed from SNL, to squeeze just one more easy cackle from the patrons.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

Director Sara Bruner and her excellent accomplices (cast and crew all) wove soap opera (love/hate relationships) with comic farce (adventures in the woods) to create a refreshing romp into a world that never was.

Great Lakes chose a new take on Shakespeare’s classic, this one translated by Jeff Whitty (who wrote Avenue Q). Whitty’s version neither mangles the original nor turns it into a word circus. The result? Raucous laughs.

To see a full review of this show go here or read Laura's posts at Cool Cleveland.

Dr.Yuko Kurahashi

Directed by Great Lakes Theater’s new artistic director, Sara Bruner, the production uses the modern translation/adaptation done by Jeff Whitty in partnership with Play on Shakespeare, adapting Shakespeare’s work so that the audience can better understand the language “with so many bubbles” and the characters’ confusing relationships.

To see a full review of this, go to Yuko's Playshakespeare site here

Les Misérables @ Huntington Bank Featured Performance

Through September 22, 2024

www.playhousewquare.org

(216) 241-6000

 

Roy Berko

LES MIZ!  It is still captivating and is a major piece of the musical theater tapestry which gets an excellent production.  If you haven’t seen it before or need a refresher, get to Playhouse Square and get “A Heart Full of Love.”

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

As the latest national tour proves, the Broadway classic works just as well with a traditional sets by Matt Kinley, still lavish by national tour standards. This "Les Miz" is still at once melodramatic and divinely inspiring -- qualities that beckon to be captured musically.

To see a full review of this show, read Howard Gollop's review here.

Chris Howey

Again? Certainly. As the Thénardiers sing in their concluding bleat "Beggars at the Feast:" "Life is easy pickings/If you grab your chance."

To see a full review of this show, read Chris Howey's Review here.