THE 2022 CLEVELAND CRITICS CIRCLE THEATER AWARDS

 

Each year, the Cleveland Critics Circle (CCC) honors outstanding local productions as well as select performers, directors, designers, and playwrights. Eligible plays include those staged by Cleveland-area professional theaters during the 2022 calendar year.

 

For more than 50 years, the CCC has provided support and recognition for professional theaters in our community and for the talented individuals who create and stage their productions.

 

CCC members are local theater critics who write for print and/or online publisher(s); or who have established a distinct, credible, and consistent online presence (blog, etc.) for their reviews. Members of the CCC who voted for the 2022 Awards are:

Roy Berko (Broadwayworld.com, CoolCleveland, Theatre Criticism, www.royberko.info) 

Kerry Clawson (Akron Beacon Journal)

Howard Gollop (Chronicle-Telegram)

Sheri Gross (Cleveland Jewish News, The Lorain Journal, The News Herald)

Mark Horning (WIX blog)

Christine Howey (Cleveland Scene)

Laura Kennelly (CoolCleveland)

NOTE: Participation in these awards does not preclude individual critics from offering their own recognitions.

 

THE ENVELOPES, PLEASE!

(Honorable Mention designees are listed in alphabetical order.)

 

Best Musical Production

            SOMETHING ROTTEN, BECK CENTER

                        HONORABLE MENTION

                        LIZZIE, BALDWIN WALLACE UNIVERSITY/BECK CENTER

                        WEST SIDE STORY, PORTHOUSE

 

Best Non-Musical Production

            DESCRIBE THE NIGHT, ENSEMBLE

            HONORABLE MENTION

            THE AGITATORS, RUBBER CITY THEATRE

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, BECK CENTER

INSURRECTION: HOLDING HISTORY, CONVERGENCE-CONTINUUM

           

Best Actor – Musical 

            MATTHEW WRIGHT, SOMETHING ROTTEN, BECK CENTER

                        HONORABLE MENTION

                        ERIC FANCHER, SOMETHING ROTTEN, BECK CENTER

                        ZACH PALUMBO, THE SPONGEBOB MUSICAL, BLANK CANVAS

           

Best Actor – Non-Musical

            DAVID PEACOCK, THE WEIR, NONE TOO FRAGILE

                        HONORABLE MENTION

                        SCOTT ESPOSITO, BUYER & CELLAR, BECK CENTER

                        JOE PINE, DESCRIBE THE NIGHT, ENSEMBLE

 

Best Actress – Musical

            ALEXA LOPEZ, WEST SIDE STORY, PORTHOUSE

                        HONORABLE MENTION

                        THERESA KLOOS, SOMETHING ROTTEN, BECK CENTER

                        KRIS LYONS, LIZZIE, BALDWIN WALLACE UNIVERSITY/BECK CENTER

                        MAYA NICHOLSON, CINDERELLA, OHIO SHAKESPEARE FESTIVAL

 

Best Actress – Non-Musical

            AMIEE COLLIER, HURRICANE DIANE, DOBAMA

                        HONORABLE MENTION

                        JESS HUGHES, THE AGITATORS, RUBBER CITY THEATRE

                        LAURA PERROTTA, DESCRIBE THE NIGHT, ENSEMBLE THEATRE

 

Rising Stars

            Male

            MAURICE KIMBALL IV, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-                                TIME, BECK CENTER

Female

JORDYN FREETAGE, THE LAND OF OZ, DOBAMA

 

Best Director – Musical

            PAT CIAMACCO, THE SPONGEBOB MUSICAL, BLANK CANVAS

                        HONORABLE MENTION

                        JOANNA MAY CULLINAN, SCHOOL OF ROCK, CAIN PARK

                        TERRI KENT, WEST SIDE STORY, PORTHOUSE

 

Best Director – Non-Musical

            SEAN DERRY, THE WEIR, NONE TOO FRAGILE

                        HONORABLE MENTION

CELESTE COSENTINO, DESCRIBE THE NIGHT, ENSEMBLE

WILLIAM ROUDEBUSH, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, BECK CENTER

 

Best Choreographer

            MARTIN CÉSPEDES, WEST SIDE STORY, PORTHOUSE

                        HONORABLE MENTION

                        LIZ BAUMGARTNER, THE SPONGEBOB MUSICAL, BLANK CANVAS

 

Best Musical Direction

            MATHEW WEBB, LIZZIE, BALDWIN WALLACE UNIVERSITY/BECK CENTER

                        HONORABLE MENTION

                        LARRY GOODPASTER, SOMETHING ROTTEN, BECK CENTER

                        BRADLEY WYNER, ONE MAN, TWO GUVNORS, BLANK CANVAS

 

Best Scenic Design

            NOLAN O’DELL, WEST SIDE STORY, PORTHOUSE

                        HONORABLE MENTION

                        EFREN DELGADILLO, ROMEO & JULIET, GREAT LAKES THEATER

YU SHIBAGAKI, THE GREAT LEAP, CLEVELAND PLAY HOUSE

                       

Best Lighting Design

            JEREMY PAUL, THE THIN PLACE, DOBAMA

                        HONORABLE MENTION

            ANDREW MCDANIELS, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, BECK CENTER

 

Best Projection Design

            PERREN HEDDERSON, THE SPONGEBOB MUSICAL, BLANK CANVAS

                        HONORABLE MENTION

NEIL SUDHAKARAN, ANGRY FAGS, CONVERGENCE-CONTINUUM

 

Best Costume Design

            TESIA DUGAN BENSON, THE LAND OF OZ, DOBAMA

                        HONORABLE MENTION

                        JENNIVER SPARANO, THE SPONGEBOB MUSICAL, BLANK CANVAS

                        CHARLOTTE M. YETMAN, LIZZIE, BALDWIN WALLACE UNIVERSITY/BECK CENTER

 

Best Sound Design  

ANGIE HAYES, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, BECK CENTER

            HONORABLE MENTION

                        CURTIS CRAIG, THE THREE MUSKETEERS, CLEVELAND PLAY HOUSE

 

Best Touring Production

AMERICAN MOOR, KARAMU

                        HONORABLE MENTION

                        TO KILL A MOCKINGBIRD, PLAYHOUSE SQUARE

 

Best New Play by a Local Playwright 

            STEVE WILLENSKY, ELLIOT & ME

                        HONORABLE MENTION

            GEORGE BRANT, THE LAND OF OZ, DOBAMA

           

Best Chorus/Ensemble in a Musical

            WEST SIDE STORY, PORTHOUSE

                        HONORABLE MENTION

                        SCHOOL OF ROCK, CAIN PARK

                        ONE MAN, TWO GUVNORS, BLANK CANVAS

 

Best World Premiere in the Cleveland Area

            THE LAND OF OZ, DOBAMA

 

Special Mention   

            GINA VERNACI:  For her brilliant 37-year career with Playhouse Square—starting as an intern and rising to Executive Producer and ultimately CEO—providing leadership for the largest performing arts center in the US outside of New York City.

            LAURA KEPLEY:  For her wise, innovative and creative guidance as artistic director of the Cleveland Play House for nine years.

            CHARLOTTE YETMAN:   For her years of outstanding, award-winning costume designs.

            TOM HANKS:  For his acknowledgement of his early training at Great Lakes Theater, during his emotional acceptance of the Cecil B. DeMille Award at the 2020 Golden Globes.

 

(Compiled by Chris Howey and Roy Berko)   

             

 

The Last Starfighter @ Blank Canvas Theatre

Through December 17, 2022

http://www.blankcanvastheatre.com/ 

(440) 941-0458.

 

Sheri Gross

No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

If you have been holly jollied to the point of distraction this season and want to see something fun and less Christmassy you need to check out this wild sci-fi production. It’s zany, crazy fun that will make you laugh and escape the world for a couple of hours. It is truly “Out Of This World.”

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

ELF @ Chagrin Valley Little Theatre

Through December 17, 2022

https://cvlt.org/ 

(440) 247-8955

WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  This review falls into that category.

Mark Horning

This is truly one of the better productions of this holiday classic due mainly to the talent of the cast and the expertise of the orchestra. The holiday cheer is infectious and quickly takes over the audience in waves. In short, this show will make you “Happy All The Time.”

To see a full review of this show, read Mark Horning's Review here.

Hamilton @ Playhouse Square

Through January 15, 2022

https://www.playhousesquare.org/

(216) 241-6000

Roy Berko

The question asked to many who see "Hamilton" is whether it is worth the investment of time and money? This reviewer's answer, "Absolutely!" I've seen it four times and this staging was as compelling as the first!

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

As for this particular touring production, Pierre Jean Gonzalez, looking remarkable like Miranda in the title role, Jered Dixon as Hamilton’s eventual nemesis Aaron Burr, Marcus Choi as George Washington (who repeats his performance from the original national tour that came through Playhouse Square), Nikisha Williams as Eliza Hamilton and Ta’rea Campbell as Angelica Schuyler (also here from the first Playhouse Square engagement) are multi-talented powerhouses. 

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross

And with compelling lyrics that make your heart skip a beat, like “History has its eyes on you,” and “Who lives, who dies, who tells your story?,” “Hamilton” is using our past to move us forward. It is for this reason, as well as the fact that “Hamilton” is “Non-Stop” entertainment from beginning to end, with a spectacular score, creative choreography, and an incredibly talented cast, that it is time to embrace the hype, because this is a production not to be missed. 

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

If you missed the last time “Hamilton” hit town, perhaps you should give the show a chance. This is a high energy extravaganza that is Broadway at its best. For those who loved the first run you will delight in this production even more. Give it a shot!

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

All Praise for the Ensemble Cast in the Touring Production of 'Hamilton,' Now at Playhouse Square

To see a full review of this show, read Chris Howey's Review here.

Kate Klotzbach

Filled with powerful songs and frenetically energized choreography, the cast embodies the towering souls of these historical giants and keeps the voice of history alive.

To see a full review of this show, read Kate's posts here.

Joey Morona

Lin-Manuel Miranda’s musical is as awe-inspiring as ever

To see a full review of this show, read Joey's posts here.

 

ELF @ BECK CENTER FOR THE ARTS

ELF

BECK CENTER FOR THE ARTS

12/2-30. 2022

https://www.beckcenter.org

Howard Gollop

Speaking of orphans, "Elf: The Musical," based on the hit film comedy starring "Saturday Night Live"'s Will Ferrell as a wayward and way-overgrown orphan raised to be one of Santa's elves, is a lot better than it needs to be. And that's even more apparent -- and much more affordable -- in the return engagement at the Beck Center for the Arts. "Elf" may be the big alternate musical to catch for the holiday season.

Chris Howey

Elf the Musical isn't everything the movie is, and it could be edited to a more child-friendly length, but its heart is in the right place. And it may give you a little jolt of Christmas spirt after all. 

To see a full review of this show, read Chris Howey's Review here.

Cinderella @ Ohio Shakespeare Festival

Through December 17, 2022

http://www.ohioshakespearefestival.com/

(330) 574-2537

 

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson
No review yet.
To see a full review of this show, read Kerry Clawson's review here.

Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

This is more than a show. It is a wonderful gift that parents can share with their children and lovers can share with their significant others. It is lavish in both sight and sound. This year, why not give the gift of live theater to your family. “It’s Possible!”

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

The Land Of Oz @ Dobama Theatre

Through December 31, 2022

https://www.dobama.org/

(216) 932-3396

 

Roy Berko

Dobama’s THE LAND OF OZ should be seen as a work in progress.  It is quite good, for a new piece.  It will be a better experience for the audience after it is put through more tests.

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

"The Land of Oz" is a quirky tale full of unexpected heroes, and while at times it might feel like the equivalent of a fever dream, this is the kind of show that tugs at our need to be wrapped up in a little magic every once in a while. Plus, there’s the fact this also is a quality production with an entertaining ensemble of actors.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

If you are looking for something different for the family to share together this holiday season, this is the show that you cannot miss. Good music, good dancing, good costumes and good acting combine together in a wonderful moral tale of inclusion and friendship (lessons that young and old could benefit from). Tickets are selling fast so buy yours right away, and remember, “There’s No Place Like Home.”

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

'The Land of Oz' Musical, Now at Dobama Theatre, is Delectable Fun Featuring Beloved Characters With a New Twist

To see a full review of this show, read Chris Howey's Review here.

Joey Morona

The musical might not be quite ready to fulfill any national aspirations, but the potential is certainly there for it to defy gravity, too.

To see a full review of this show, read Joey's posts here.

The Most Fabulous Story Ever Told @ Convergence-Continuum

Through December 17, 2022

https://www.convergence-continuum.org/

(216) 687-0074

Roy Berko

THE MOST FABULOUS STORY EVER TOLD will delight con-con regulars and intentionally upset the religious up-tight.  But, as Rudnick stated about detractors, "tell them I spoke to God personally and he said they're wrong."

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop 

Rudnick's gay humor resonates at the convergence-continuum theater even if many of the jokes are past their expiration date, and the cast and crew put forth a noble effort. Still, considering even the original 1998 off-Broadway production faltered, it would be unfair to expect much more than a frivolous, if confusing, evening of "you-go-girl" fun.

Mark Horning

If you are a religiously uptight individual this is definitely not the play for you to see. With tickets selling fast it would be best for those who appreciate wacky irreverent humor to have their chance to attend. This is a production for the extremely open minded. Bigots need not apply.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

"While several of the playwright's topical japes and jabs have lost their punch, there are still more LOL moments in this play than in most other comedy scripts."

To see a full review of this show, read Chris Howey's Review here.

How The Circus Stole Christmas @ Cleveland Public Theatre

Through December 10, 2022

https://www.cptonline.org/

(216) 631-2727

 

Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Cleveland Public Theater has combined with Crooked River Circus for a family friendly safe show that your entire clan will love. The characters are interesting and easy to like, the circus gags are top notch and the costuming is appropriate for the setting. Bring the entire family for a fun evening!

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

A Christmas Carol @ Great Lakes Theater

Through December 23, 2022

https://www.greatlakestheater.org/

(216) 241-6000

 

Mark Horning

This is the kind of show that is a touchstone tradition for many Cleveland families and with good reason. Each season it seems just as fresh as it can be. Many in the audience will find themselves with something in their eye. Don’t be a Scrooge, come join the fun!

To see a full review of this show, read Mark Horning's Review here.

One Christmas Eve At Evergreen Mall @ Clague Playhouse

 

Through December 11, 2022

https://clagueplayhouse.org/

(440) 331-0403 Wed. through Sat. 1:00 to 6:00 p.m.    

WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  This review falls into that category.

 Mark Horning

This show is a gentle series of interconnected stories designed to make you laugh and just plain feel good. It is a hot cocoa with cinnamon and whipped cream type of production. Tickets are selling fast so order yours soon.

To see a full review of this show, read Mark Horning's Review here.

THE WILD PARTY

THE WILD PARTY

Baldwin Wallace University--Musical Theatre Program 

htpps://bw.edu/events/theatre-dance/

Roy Berko

If watching decadence is your thing, you’ll be turned on by The Wild Party.  If you prefer being in the presence of characters who have redeeming values so you can feel empathy, this is not going to be your show.  The singers, actors, dancers, and the musicians are top-notch.  They reach levels of excellence that far exceed those of college students.  But, what else can you expect?  They are part of the respected and oft-revered Baldwin Wallace Musical Theatre Program.  Bravo!

To see a full review of this show, read Roy Berko's blog here.

Laura Kennelly

Bottom Line: The Wild Party is not a feel-good cheerful story, but what makes this simply plotted musical stunning is that everyone at the party turns out to have a great voice and to be an amazingly good dancer. From the opening numbers, when the onstage guests assemble, to the last jazzy note that leaves even audience members quick-stepping home, it’s a celebration that invites the audience in.

To see a full review of this show go here or read Laura's posts at Cool Cleveland.

The Great Leap @ Cleveland Play House

Through November 20, 2022

https://www.clevelandplayhouse.com/

(216) 241-6000

 

Roy Berko

THE GREAT LEAP is a well-written, thought-provoking play that gets a slam dunk production at CPH!  This is a must-see that uses the Outcalt stage configuration in epic ways.

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

“The Great Leap” is a production that builds by degrees to a surprising climax. From the totally “on” stage set, to the authentic costumes, to the spot on lighting...everything works in tandem to carry us forward to an exciting finish. All of the pieces of the puzzle fit together with surgical precision to give us a totally clear picture. See this show!  

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Aside from the glaring inconsistencies in the script, and the sad fake sideburns that are stuck on Saul to indicate the time shift, these performances are remarkably affecting. You just wish they were surrounded with a play that wasn't quite so eager to touch so many bases—political, cultural and personal.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

------Bottom Line: Based in part (though not directly) on the playwright’s family history, The Great Leap shares a story to ponder long after the play ends. While it may sound as if it’s about sports (and it is, in a way), it’s far more ambitious as it touches on life’s meaning, purpose, and chances we take. Well- played, CPT, well-played.

To see a full review of this show, read Laura's post here at Cool Cleveland.

 

DESCRIBE THE NIGHT @ Ensemble

DESCRIBE THE NIGHT @ Ensemble

October 28-November 13, 2022 

Notre Dame College--4545 College Road--South Euclid

Roy Berko

This journey of myth, loss, power, and pain leaves a message of how historical facts, rumor and subterfuge tells a story that opens the door to the present day, which evolves from experiences of the past.  Anyone interested in history and philosophy should be captivated by this tale. 
To see a full review of this show, read Roy Berko's blog here.

Mark Horning

This Ensemble Theatre production is a thinking man and woman's show that will challenge your intellect. I would suggest asking for a paper program in order to keep track of the various scenes, times and locations as listed on the title page. This is cerebral theater at its best.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Late in the engrossing play "Describe the Night," a character says, “Behold...the black magic marker. The most useful tool in all of communism. There is nothing that cannot be eventually crossed out and changed. This is what we are here to do.” And that is what this script by former Clevelander Rajiv Joseph is doing at Ensemble Theatre. Joseph and director Celeste Cosentino explore the intricate filaments of truth and untruth that composed government rule in the past 100 years, and then subtly asks us to look at our own country and consider the mess we currently confront.

To see a full review of this show, read Chris Howey's Review here.

CATS @ Playhouse Square

Through November 20, 2022

https://www.playhousesquare.org/

(216) 241-6000

 

Sheri Gross

The musical “Cats” may not be everyone’s saucer of milk, but this newest iteration with its  talented ensemble of dancers, and those standout numbers are the “cat’s meow.” Pun intended. 

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Cleveland is truly blessed to have shows of such high caliber visit us for extended stays. This is London West End and Broadway at its best. If you only see one KeyBank Broadway Series production this year then this is the show to see. It is purr-fect.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

The new touring production of Cats is now in residence at Playhouse Square, in the just-turned-100-year-old Connor Palace Theatre. And let's face it: people who love Cats really love it. But for those who don't, this collection of singing and dancing actors dressed as tabbies is like claws on a blackboard. Over the past 40 years since it traveled from London to Broadway, those two audience groups have grown in vociferousness until damn near everybody has a strong opinion— catnip for some, catatonia for others.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

So, what to expect? A fluffy-light plot brought to life by an ensemble cast of over two dozen extraordinary dancers who sing, act and sometimes talk directly to you (if you are in the front rows anyway). The plot? It seems that the stray cats who hang out in the junkyard at night have an annual Jellicle Ball, an event where one is chosen to ascend to the Heaviside Layer and start over. (You recall that all cats have nine lives, right?)

To see a full review of this show, read Laura's posts at Cool Cleveland.

Joey Morona

What CATS lacks in a cohesive narrative and catchy, and, memorable songs, it makes up for it with infectious energy, exhilarating dances numbers and a fun, unapologetically campy spirit.  

To see a full review of this show, read Joey's posts here.

 

BREAKOUT SESSION (or frogorse)

CLEVELAND PUBLIC THEATRE

October 27-November 12, 2022

216-631-2727 or http://www.cptonline.org

 Roy Berko

BREAKOUT SESSION (OR FROGORSE)” has an important purpose with lofty goals.  Unfortunately, the play’s format and development do not satisfy the need to truly explain, “something is not working, people” and teach the reality of the “Bias Bubble.”  I wish that the director had taken the comments from the first staging and made the necessary changes to make the follow-up performance more meaningful.  Both CPT and Salter wasted a marvelous opportunity to make this a really important play!  So sad, such a wasted opportunity.

To see a full review of this show, read Roy Berko's blog here.

AMERICAN PSYCHO

Blank Canvas

October 21-November 5, 2022 

440-941-0458 or www.blankcanvastheatre.com

Sheri Gross

AMERICAN PSYCHO is an over the top, satirical commentary on disillusionment, gluttony and the misplaced priorities that were to prevalent among young professionals in these types of social circles in the late ‘80s, and thus Cleveland premiere with its trendy, campy premise makes for a thought-provoking, interesting and gnarly night of theater.

To see a full review of this show, read Sheri Gross' review here.

Chris Howey

American Psycho is a hoot-and-a-half for a while, an ideal Halloween treat for those bored by witches and goblins. Just try not to think about the real psychopaths who now roam our world. 

To see a full review of this show, read Chris Howey's Review here.

INSURRECTION: HOLDING HISTORY

INSURRECTION: HOLDING HISTORY 

October 15-November 5, 2022

216-687-0074 or www.covergence-continnum.org

Roy Berko

Insurrection, which will confound many, while satisfying some, gets a less than satisfying production at con-con

To see a full review of this show, read Roy Berko's blog here.

Chris Howey

With a script that ranges from mildly disorienting to startlingly evocative, the director Jeannine Gaskin draws some excellent performances out of her nine-person cast. But what resonates most clearly is the need to confront and understand our past for, as George Orwell said and this play reminds us, "He who controls the past controls the future, and he who controls the present controls the past."

To see a full review of this show, read Chris Howey's Review here.
 

The Legend of Sleepy Hollow @ Ohio Shakespeare Festival

Through October 23, 2022

http://www.ohioshakespearefestival.com/

(330) 574-2537

Kerry Clawson

There's plenty that goes bump in the night as the Headless Horseman rides again at Ohio Shakespeare Festival's "The Legend of Sleepy Hollow."

The classic tale by Washington Irving has been adapted by company members Sarah and Joe Pine into a spookily entertaining stage production that enhances the ghost story with original music by Scott McKenna Campbell and a spirited cast of 16.

To see a full review of this show, read Kerry Clawson's review here.

Chris Howey

"The Legend of Sleepy Hollow," a musical scare-fest now at the Ohio Shakespeare Festival in Akron, is a prime example of how to do a kid-friendly show the right way.

To see a full review of this show, read Chris Howey's Review here.

Oleanna @ None Too Fragile

Through October 22, 2022

https://www.nonetoofragile.com/

(330) 962-5547

Kerry Clawson

None Too Fragile continues to offer some of the best, most thought-provoking theater around with the David Mamet drama "Oleanna" at its tiny Akron venue.

This two-person show, written by Mamet in 1992, is just as topical as ever today as it explores the power struggle between university professor John and female student Carol. 

To see a full review of this show, read Kerry Clawson's review here.

Romeo and Juliet @ Great Lakes Theater

Through November 6, 2022

https://www.greatlakestheater.org/

(216) 241-6000

 Roy Berko

No review yet.
To see a full review of this show, read Roy Berko's blog here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Be forewarned. This is a more “Shakespeare in your face” version of the classic tragedy with extended sword fights, screeching parents, teens past their expiration date, an overly comical nurse and (dare we say it) some over acting stretched out to nearly three hours. Some will love it, others will not. Buy a ticket and decide for yourself. 

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

Do not expect a gooey sentimental Romeo and Juliet. Director Sara Bruner has hewn the famous tale of woe into an impressive piece of theater. The pace is quick, but not too quick. The fights, the bawdy jests, the Tik-Tok tone — all vibrate around the two impulsive teens who form the heart of Romeo and Juliet. We feel sorry, but we also remember a bit of how foolish we were at that age.

To see a full review of this show go here or read Laura's posts at Cool Cleveland.

 

THE AGITATORS

RUBBER CITY THEATRE EQUITY M AINSTAGE

The University of Akron

10/14-22/2022

234-252-0272 or www.rubberctytheatre.com

 

Kerry Clawson

The docudrama "The Agitators" at Rubber City Theatre, theater in residence at the University of Akron, is such a beautifully intimate and educational exploration of the extraordinary, long-standing friendship between 19th century cultural icons Susan B. Anthony and Frederick Douglass, it's a must-see.

To see a full review of this show, read Kerry Clawson's review here.

 

Les Misérables @ Playhouse Square

Through October 30, 2022

https://www.playhousesquare.org/events

(216) 241-6000

 

Roy Berko

LES MIZ!  It is still captivating and is a major piece of the musical theater tapestry which gets an excellent staging at the start of its newest national tour.  If you haven’t seen it before or need a refresher, get to Playhouse before “One Day More,” and get “A Heart Full of Love.”

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

Laurence Connor and James Powell have done a gorgeous job turning a larger than life production into a more intimate and meaningful experience, while keeping all of the spectacle that has become synonymous with “Les Misérables." Whether this is your umpteenth viewing, or your virgin voyage, this is a beautiful piece of theater not to be missed.  

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

The full majestic power of Broadway is brought to the stage with this over the top performance of Le Miz. At times you will be tempted to mount the stage and join the students at the barricades (not recommended). Sit back and witness a spectacle of extraordinary depth as Playhouse Square is privileged to host this production for a full three weeks as its first stop on the national tour.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Touring Production of 'Les Miserables' at Playhouse Square is Big, Ballsy Broadway on Display.

To see a full review of this show, read Chris Howey's Review here.

Kate Klotzbach

The national tour launch is here in Cleveland! The grand return of the show that’s been self-dubbed as “still the world’s most popular musical” is nothing short of goosebump-inducing... The heart is strong in this play. The cast is solid, with voices that sound classically trained but have a contemporary edge. The harmonies are perfect. And there’s not much to complain about.

To see a full review of this show, read Kate's posts here.

Joey Morona

"Les Miserables" relaunches national tour at Playhouse Square, and it's as relevant as ever.

To see a full review of this show, read Joey's posts here.

 

THE THIN PLACE @ D0BAMA

THE THIN PLACE

October 7-30, 2022

216-932-3396

Roy Berko

THE THIN PLACE is a disappointing script that gets a better-than- deserved production at Dobama. If you are a true theater- buff and like trying to figure out if an author has an intent and purpose, while observing good performances, this may be a show for you.

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

THE THIN PLACE attempts to conjure the feelings of a Saturday night sleepover with a Oujia board in a more serious and contemplative vein.  And it succeeds most of the time.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

This is in essence a 90 minute intermission free ghost story designed to make one think. What really awaits us in The Thin Place? As the play comes to it’s rather perturbing ending we find the audience waiting for the other shoe to drop only to find it hanging in suspension. Everyone who witnesses this production will spend much time afterwards discussing this work. Boo!

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

"The Thin Place" is an elaborate ghost story, one that might succeed in making you gasp out loud—and that will be plenty satisfying for some. But there are many unexplored ideas and unresolved relationships left unattended—so many that it makes this theatrical experience a lot thinner, bordering on anorexic.

To see a full review of this show, read Chris Howey's Review here.

Kate Klotzbach

No review yet.
To see a full review of this show, read Kate's posts here.