Thursday, June 11, 2026

The Great Gatsby - A New Musical



Through June 28, 2026
(216) 241-6000

 

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

For fans of the book and/or movies you may find yourself puzzled at the liberties taken and may leave wanting more grit and suffering. The rest of us will be satisfied with the spectacular sets, musical numbers, cars and jazz (sex) as a fine example of when Broadway is at its best when it hits the local stage.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Gwendolyn Kochur
No review yet.
To see a full review of this show, read Gwendolyn's posts here.

Dr. Yuko Kurahashi

The extremely gorgeous set, designed by Paul Tate DePoo, paradoxically suggests the ephemeral nature of the intoxicating, alluring, and giddy lifestyle desired and pursued by many. Multiple panels with projected images create a distinct Art Deco style. Those windows, with decorative motifs and circular, oval, and floral patterns, resonate with those designed by Charles Rennie Mackintosh. The design vibes also come from Frank Lloyd Wright, who designed simple, chic, and yet spectacular windows with simple geometric shapes and lines. In Gatsby’s mansion, vertical lines are the repeated patterns/images, functioning as a visual metaphor, with different colors and sparkling reflections that easily morph into “other objects,” such as tons of books in the library. The patterns and landscape that represent different styles of “modernity”—including a view from Gatsby’s mansion—are beautifully projected by DePoo, who also serves as the projection designer. Lighting designer Pattack uses sectional/partial lighting to illuminate each character, expressing the ominous, foreboding, dark, and contrived fate of those who may continue their self-destructive and frivolous lives. 


To see a full review of this show, read Yuko's posts here.

Joey Morona

The musical softens the source material’s darker edges, deepens its characters and leans into the romance. The result is a sweeping, tragic tale of star-crossed lovers that loses some of the original’s bite but makes for a more satisfying night at the theater.

To see a full review of this show, read Joey's posts here.