The Lion King @ Playhouse Square

Through August 16, 2026

https://www.playhousesquare.org/

(216) 241-6000

 

Howard Gollop

But nothing tops that opening vista of the African animal kingdom -- an atmospheric triumph of set design by Richard Hudson and lighting design by Donald Holder -- paying homage to the titular star of the show. The opening also pays tribute to one of the greatest Broadway talents of contemporary Broadway -- Oberlin's Julie Taymor.

To see a full review of this show, read Howard Gollop's review here.

Mark Horning

Many of our children grew up watching the animated version of this Disney classic on a continuous loop throughout their formative years so are well acquainted with the story and music. Nothing...and I mean NOTHING can compare to this live performance that puts it all on stage in its grand presentation. It is the finest rendition of this work ever to hit the theaters.

To see a full review of this show, read Mark Horning's Review here.

The Great Gatsby - A New Musical

Through June 28, 2026

https://www.playhousesquare.org/

(216) 241-6000

 

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Those who loved the stage version of the flapper favorite "Thoroughly Modern Millie" should equally adore "Thoroughly Modern Gatsby."

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

For fans of the book and/or movies you may find yourself puzzled at the liberties taken and may leave wanting more grit and suffering. The rest of us will be satisfied with the spectacular sets, musical numbers, cars and jazz (sex) as a fine example of when Broadway is at its best when it hits the local stage.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Gwendolyn Kochur
No review yet.
To see a full review of this show, read Gwendolyn's posts here.

Dr. Yuko Kurahashi

The extremely gorgeous set, designed by Paul Tate DePoo, paradoxically suggests the ephemeral nature of the intoxicating, alluring, and giddy lifestyle desired and pursued by many. Multiple panels with projected images create a distinct Art Deco style. Those windows, with decorative motifs and circular, oval, and floral patterns, resonate with those designed by Charles Rennie Mackintosh. The design vibes also come from Frank Lloyd Wright, who designed simple, chic, and yet spectacular windows with simple geometric shapes and lines. In Gatsby’s mansion, vertical lines are the repeated patterns/images, functioning as a visual metaphor, with different colors and sparkling reflections that easily morph into “other objects,” such as tons of books in the library. The patterns and landscape that represent different styles of “modernity”—including a view from Gatsby’s mansion—are beautifully projected by DePoo, who also serves as the projection designer. Lighting designer Pattack uses sectional/partial lighting to illuminate each character, expressing the ominous, foreboding, dark, and contrived fate of those who may continue their self-destructive and frivolous lives. 

To see a full review of this show, read Yuko's posts here.

Joey Morona

The musical softens the source material’s darker edges, deepens its characters and leans into the romance. The result is a sweeping, tragic tale of star-crossed lovers that loses some of the original’s bite but makes for a more satisfying night at the theater.

To see a full review of this show, read Joey's posts here.

 

The Outsiders @ Playhouse Square

Through May 17, 2026

https://www.playhousesquare.org/ 

(216) 241-6000

 

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

“The Outsiders" is indeed worth it, thanks to the immeasurable talents of director Danya Taymor (niece to "Lion King" director and Oberlin grad Julie Taymor), plus the continuous narrative choreography of Rick and Jeff Kuperman and a show-stopping scenic design by Tatiana Kahvegian, culminating in a thunderstorm fight scene and an abandoned church set ablaze, brilliantly conceived by special effects designers Jeremy Chernick and Lillis Meeh.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Everything about this show is gritty and intense (there is even gravel on the stage). The acting, music, dance, costuming and stage set all meld into a mosaic of grimness that speaks truth of that time and city. The rumble scene unfolds with a fury that makes it the most piercing sequence ever performed live on stage complete with a full blown rain storm and stop action. This is theater at its best and most exciting.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly

It’s a winning music- and dance-centric show, as musicals should be, with a stage full of young talent. Never mind the old “teens-are-out-of-control” storyline. Nothing new under the sun anyway, right? Recommended as the best musical so far, of this season’s KeyBank Broadway Series.

To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Gwendolyn Kochur

"I understand the desire to capture “The Outsiders,” to package it up and relive it again and again, as the production is about as close to perfection as you will likely see. But this triumph on stage is only made more remarkable thanks to its fleetingness, its immediacy."

To see a full review of this show, read Gwendolyn's posts here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona

This is a show that makes your eyes pop and your heart swell.

To see a full review of this show, read Joey's posts here.

 

The Sound of Music" @ Playhouse Square

Through April 26, 2026

https://www.playhousesquare.org/events 

(216) 241-6000

 

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

There's not much a theater company can do to either ruin or elevate one of the most popular and familiar musicals in history, especially in the wake of the iconic 1965 film adaptation. But the current tour of "The Sound of Music" surprisingly succeeds at the latter, breathing fresh life into what could have been a stale encounter.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

If you ever wondered how the movie plays on a live stage (it started out as a highly successful Broadway show), here is your chance to witness a truly remarkable performance. All of the songs are there and then some. There is equal parts of love, laughter, chaos and danger that has the time fly by. It truly will become your favorite show.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Gwendolyn Kochur
No review yet.
To see a full review of this show, read Gwendolyn's posts here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

Water For Elephants @ Playhouse Square

Through March 29, 2026

https://www.playhousesquare.org/

(216) 241-6000

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

What really distinguishes this musical is the way it incorporates Cirque du Soleil caliber artistry and design. Although the production is non-Equity, which usually involves a less experienced cast (occasionally evident here) and trimmed production standards, this production seems to have retained all the original Broadway luster, if not extravagance. Takeshi Kata’s sets, David I. Reynoso’s costumes and Bradley King’s lighting evoke Dust Bowl Americana, magically switching on carnival grandiosity when needed. It's ably helmed by Ryan Emons, adapting Jessica Stone's direction for the original Broadway production. 

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

What can be more fun than going to the circus (except for those who suffer from coulrophobia). This show has it all. Great acting, great singing, great dancing, great puppet work and great “tricks” combine to thoroughly entertain. Be sure to grab plenty of sweets from the “candy butchers” (concession stand personnel) at the “joint” (concession stand) to put you in the circus mood. This show truly is FUN FOR ALL!

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly

What would it be like to run away and join a circus? Water for Elephants, the latest national Broadway series musical currently at Cleveland’s Connor Palace Theatre, gives one answer.

To see a full review of this show go here or read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Gwendolyn Kochur

Were I to evaluate each of those elements–the quiet story, the emotion-centric music and the high-flying acrobatics–individually, I could see myself agreeing with those critics who found “Water for Elephants” wanting. Yet, when evaluating the pieces that make up the whole–as a whole–there is no denying that these elements coalesce into a dazzling production.

To see a full review of this show, read Gwendolyn's review here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona

Ultimately, you might find yourself asking whether “Water for Elephants” is a circus disguised as a musical or the other way around. But if you leave the theater entertained, what difference does it make?

To see a full review of this show, read Joey's posts here.

 

The Choir of Man @ Playhouse Square

Through March 8, 2026

https://www.playhousesquare.org/

(216) 241-6000

 

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Revisiting this show after so many years made me realize how great this production is. For a very short ninety minutes you are invited to escape to a place where everyone really does know your name. Subtle side themes remind us how through loss, addiction, family problems, work problems and coping with life in general a gentle word from a real friend can make all the difference in the world. This is where every raised glass tells a story. Slainte.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Gwendolyn Kochur
No review yet.
To see a full review of this show, read Gwendolyn's posts here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

Suffs @ Playhouse Square

Through February 22, 2026

https://www.playhousesquare.org/

(216) 241-6000

 

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Women's rights and musicals have come a long way since Glynis Johns, playing Mrs. Banks, a rather clueless mother of two rambunctious children, rang out with the comical anthem "Sister Suffragette" in "Mary Poppins." Today, there's an entire musical that takes a far more sober and historical but equally joyous glance into the woman's suffragette movement. 

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

With the threats against our basic American rights being under fire from the current administration and Congress in Washington D.C., “Suffs” is a call to arms. Sometimes theater needs to remind each of us of our rights and duties as citizens. It was well noted by audience applause when segments of the show reminded us of current conditions and what we need to protect our rights against tyranny. Support this show! 8647 and VOTE BLUE!

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly
Suffs, the current Broadway Series production at Playhouse Square, might be seen as following in the model of Hamilton (or, to a lesser degree, Six). Why? Suffs uses real people and experiences to illustrate its story—in this case, how women campaigned for the right to vote. Spoiler: It was a major struggle..
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Gwendolyn Kochur

For a theater production to leave an impactful, lasting impression, it’s often essential that the message of the show feels relevant to the time in which it’s being produced. Although we may not wish it to be so, the message that fuels the story of “Suffs,” a passionate musical about the women’s suffrage movement and quest for equality, is heart-wrenchingly relevant in 2026.

To see a full review of this show, read Gwendolyn's review here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona

“Suffs” has been compared to “Hamilton,” and it’s a fair analogy. Both explore important and under-told chapters in American history with contemporary, catchy songs and through the lens of a rivalry. Like Lin-Manuel Miranda, Taub has a knack for eloquently and efficiently describing the political maneuvering and social norms of the time in her lyrics, and she knows her way around a rhyming dictionary, too.

To see a full review of this show, read Joey's posts here.

 

STEREOPHONIC

CONNOR PALACE (KEY BANK BROADWAY SERIES)

January 6-26/ 2026

Phone # and website of how to order tickets

 

Roy Berko

The touring production of STEREOPHONIC was, in the mind of this observer, unfortunately, less than expected! (I wish I had seen the Broadway show as the basis for comparison.)

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

With a hyper-realistic set by David Zinn and costumes by Enver Chakartash, which evoke the' 70s without smacking of nostalgia, the intimate world of the recording studio magically resonates in the potentially cavernous Connor Palace. Classic rock is still beatin' in Cleveland.

For full review, please go to: https://chroniclet.com/news/454576/full-spectrum-of-1970s-music-and-drama-in-stereophonic-on-playhouse-square/

Sheri Gross

All in all, “Stereophonic” is a bold theatrical choice, with live performances that are genuinely thrilling, and for rock enthusiasts, it offers a fascinating peek into the “messy kitchen” that holds the blood, sweat, and tears that go into the making of an album, not to mention the relationship rollercoaster that adds a whole separate layer of highs and lows. But the desire for more songs, the repetitive arguments, and the uneven pacing may cause you to short-circuit earlier than expected. 

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

This is one of those shows that you will either love or hate or both. There is not a lot of middle ground on this one. Along with the long sit time there are some pretty intense emotional scenes that cut pretty deep. At the opening night intermission some members of the audience opted to leave while those that stayed were rewarded with an exceptional study in social collapse. It was well worth sticking around for.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly

Stereophonic, the 2024 Best Play Tony Award winner, kicked off its Cleveland run at Playhouse Square January 6 with a determination-testing, attention-challenging performance that lasted over three hours. The tests, the challenges, were for the audience; the actors seemed perfectly at ease. To see a full review of this show, read Laura's posts at Cool Cleveland.

Gwendolyn Kochur

How did a show so lauded by critics garner such a lukewarm – even downright cold – response from Playhouse Square audiences? The problem is not with the play or the production, both of which are exquisite, but instead lies with expectations garnered by the performance space.

To see a full review of this show, read Gwendolyn's review here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona

The result is a fragmented experience that can leave the audience restless.

To see a full review of this show, read Joey's posts here.

 

How The Grinch Stole Christmas @ KeyBank State Theatre

Through December 14, 2025

https://www.playhousesquare.org/

(216) 241-6000

Mark Horning

When the Grinch goes Broadway you can expect sparkling songs, exuberant dance numbers, wildly wonderful costuming and dazzling sets. This touring production does not disappoint in any way. Nearly half of the audience was youngsters and the rest the young at heart. The 90 minute no intermission is a perfect amount of entertainment for the youngsters. Come enjoy a superb family live theater experience.

To see a full review of this show, read Mark Horning's Review here.

Spamalot @ Playhouse Square

Through December 6, 2025

https://www.playhousesquare.org/

(216) 241-6000

Roy Berko

 A reviewer said of the original production, "It's UNFAIR to make me laugh this much!”  I wish I could say that of the touring show.  Unfortunately, I can’t.  This production seems to be missing some of the abandonment needed to really get the audience to let loose.
 
That’s not to say the show is bad.  It’s not.  But, it  seems a little uninspired, a little too much on automatic pilot, and not as zany as it could be or has been in previous incarnations.  We need more ridiculous farce and less-Hamlet drama!

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Nothing seems so fresh as "Spam," especially when it's mixed and stirred with an unrelentingly hilarious dollop of "Camelot." But the better surprise on Playhouse Square's launch of a new Broadway tour of "Spamalot" is that the non-stop comedy cavalcade of King Arthur shenanigans seems fresher than ever. It remains the holy grail of musical comedy.

To see a full review of this show, read Howard Gollop's review here.

Mark Horning

For adult fans of Monty Python this show is a feast of one liners and quotables well loved since 1975 when the film premiered. The action is lighting fast as the just little over two hours whisk by at a breakneck pace. With this limited run do not delay on getting your tickets.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly
Spamalot---a comic, irreverent look at King Arthur, the “Camelot” era, and life in general—dropped by for a visit at Playhouse Square’s Connor Palace December 1—6. Opening media night (the middle of only six shows) attracted avid Monty Python fans of all ages. Cleveland, the first city on the latest national tour of the classic satire (Broadway debut in 2005) has seen it before, but that didn’t seem to matter---everyone still laughed The original Broadway production was nominated for fourteen Tony Awards and won three, including Best Musical. A good joke is a good joke and Spamalot with book and lyrics by Eric Idle and music by John Du Prez and Eric Idle enjoys an abundance. It might help to see the 1974 film it’s based on before you go (Monty Python and the Holy Grail) because last night’s dialogue flew by so fast and furious some funny got lost. But the show’s over-the-top bits are impossible to miss. Of course, in Spamalot nothing is taken seriously, especially not death. In an opening scene, plague victims rise up from the body-collecting wagon. One vigorous one (Steven Telsey) sang loudly “I Am Not Dead Yet” as workers kept trying to pile him on the wagon. The indefatigable Telsey shone again in another memorable scene that involved the fluffy-white “Killer Rabbit” who had to be destroyed by the “Holy Hand Grenade.” Fur blown off, jock-strap clad Telsey gave it his all in a comic race offstage. .
To see a full review of this show, read Laura's posts at Cool Cleveland.

Gwendolyn Kochur

No review yet.
To see a full review of this show, read Gwendolyn's posts here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

SIX @ Playhouse Square

Emma Elizabeth Smith as Catherine of Aragon in The North American Tour Boleyn Company of SIX. Photo by Joan Marcus.

Six

Playhouse Square

November 11-16, 2025

Visit playhousesquare.org or call (216) 241-6000 

 

Howard Gollop

Returning to Playhouse Square for a brief run, the Broadway/London West End sensation "Six" still stirs up quite a sensation, remaining as fresh as ever … This show still makes the perfect statement about female power well after the days of public hangings -- and just before the days of pronoun propriety.

To see a full review of this show, read Howard Gollop's review here.

Gwendolyn Kochur

“Six” attempts to give the queens back their autonomy with a musical that doesn’t just tell the oft-unknown stories of the monarchs in flashy, pop music numbers, but also cheekily addresses the patriarchal system that allowed their suffering in the first place. 

To see a full review of this show, read Gwendolyn's review here.

HELL'S KITCHEN

Roy Berko The touring production of HELL’S KITCHEN is special.  It far succeeds the expectations for a juke-box musical.  The director, choreographer, music-supervisor, technical staff, cast and crew well-deserved the extra-long-standing ovation the production received.  It is a show I could see again and again and be satisfied each time.  Bravo!

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Every member of the cast astounds the audience with dancing and singing abilities -- powerfully, yet charmingly, headed by Maya Drake as Ali (i.e teenage Keys). Roz White regally takes on the role of Ali's mentor Miss Liza Jane, a character invented just for the musical to reflect the great tradition of black female blues and jazz pianists and songwriters in the vein of Etta James. Even in the rather thankless role of Ali's slightly domineering mother, Kennedy Caughell stops the show in the heart-wrenching ballad "Pawn it All." With a talent deck that's as stacked as the new touring production of "Hell's Kitchen," it's of no surprise that this jukebox musical quickly transcends from seen-it-done-it to let's see it again. 

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross

When the North American Tour of “Hell’s Kitchen” was launched right here in Downtown Cleveland’s Playhouse Square, the city didn’t just get a stop on the map; it got a subway train full of big-city dreams barreling through.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Opening night saw a capacity crowd greet this production with open arms and a rousing well deserved standing ovation. This show is simply that good. The fusion of superb singing, acting, dancing, lights, sound, and music will carry you away from your troubles (at least for a couple of hours). After all, this is what great theater does...helps us escape. Come enjoy the thrill of great live theater.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly
Hell’s Kitchen, straight from Broadway, has come to Cleveland’s Playhouse Square. It got a warm welcome from the packed State Theatre audience on the official Opening Night (October 15). It was well-deserved. Whether it was stage-shakin’ dancing or soulful songs, the production did honor to the idea that it takes both grit and love to weld one’s life and dreams into a productive whole. Alicia Keys (music and lyrics), Kristoffer Diaz (book), Adam Blackstone (music supervision), Camille A. Brown (choreography), and Michael Greif (director) created the show, which is still running on Broadway. --- Bottom Line: Mesmerizing introduction to the wonders of Miz Alicia Keys. Go if you can.

  To see a full review of this show, read Laura's posts at Cool Cleveland.

Gwendolyn Kochur

The “Hell’s Kitchen” musical is much like the adapted version of “Empire State of Mind” that it uses to close out the show: it foregoes grittiness and a hard plot for big lights (and even bigger talent) that will inspire (and entertain) you.

To see a full review of this show, read Gwendolyn's review in Cleveland Scene.

Joey Morona

Powered by Alicia Keys’ timeless songs and a charismatic, immensely talented young lead, “Hell’s Kitchen” is as soulful and authentic as the artist who brought it to the stage — and just as entertaining.

To see a full review of this show, read Joey's posts here.

 

The Notebook @ Playhouse Square

Through September 27, 2025

http://www.playhousesquare.org

(216) 241-5000

 

Roy Berko

THE NOTEBOOK THE MUSICAL tells an emotional story of love, family, loyalty and compassion.  The touring production is a high-quality, well directed and performed show.  It should be well-received in the hinterlands where its less than sophisticated tone and tale should appeal to audiences more than it did in the high-powered less-than sentimental New York.  YES, GO SEE AN IMPRESSIVE PRODUCTION OF A WELL-CRAFTED AND CONCEIVED SHOW! 

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

In the film version, the more cynical viewers might have been eager to condemn the sappiness of the epic romantic tale, although ultimately being won over at the end, focussing on the tragedy of true love undone by lost memory. But here, the bittersweet three-prong power of "The Notebook," woven into a single dramatic arch, commands the viewer from the beginning, growing only stronger until the last note of the musical's finale.

For the full review, visit https://chroniclet.com/news/443733/the-notebook-our-town-life-love-death-brilliantly-reflected-on-playhouse-square/ 

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross

“The Notebook” is not just a love story; it is a reminder, especially during the High Holidays, that we must accept the bad in order to appreciate the good, that our days are precious, our choices matter, and possibly even more important, that this is a show that requires an enormous amount of tissues.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Be prepared to have all of your emotions engaged in a single evening of superb musical theater. You will laugh, you will cry, you will cheer and you will fall in love with this wonderfully crafted example of superlative theatrical offerings. Shows like this do not come around that often so make it a point to see this production.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Gwendolyn Kochur

“The Notebook” is awash with sentiment, emotion and romance. It knows just the right buttons to push–and the musical notes to hit–to sweep you away, and that is a triumph in itself. Were it not prudent to ask the “why” and the “how,” to examine the brush strokes of the painting and determine how the pieces make the whole, it would be easy to get caught up in that wave of emotion and never notice the often redundant, manipulative tide that carried you out to sea in the first place. 

To see a full review of this show, read Gwendolyn Kochur's Review here.

Joey Morona

“The Notebook” is why we go to the theater: to get swept up, forget the world outside and feel everything. There are tears, but laughter and joy, too. Your mileage may vary, but to answer the question posed at the beginning — I cried 40 minutes in and four times in total.

Beetlejuice, The Musical. The Musical. The Musical @ Playhouse Square

Through August 17, 2025

http://www.playhousesquare.org

(216) 241-6000

     

Howard Gollop

Is the Broadway musical version of "Beetlejuice," continuing a return tour on Playhouse Square, a phenomenon in itself? Judging by a discernible amount of cosplaying members of the KeyBank State Theatre opening-night, replete with demonic makeup and striped blazers and gowns emblematic of the title character's couture aesthetic, it is indeed. Does it deserve the cult status of the original 1988 film that inspired this Hollywood-to-Broadway conversion (reinvigorated in an acclaimed film sequel only last year)? Director Alex Timbers makes sure of it. 

To see a full review of this show, read Howard Gollop's review here.

Mark Horning

This is a raucous in your face scream fest that will have you laughing until you hurt. Although lasting a bit over two hours plus intermission the time goes by fast. Put on your best black and white stripes and join the fun. This is a short six day run so get your tickets quickly.

To see a full review of this show, read Mark Horning's Review here.

Gwendolyn Kochur

The hyper-saturated visual elements of the production are practically a show in themselves. Add in a few characters with massive personalities and a high-energy ensemble, and you get a show that hardly ever pauses to catch its breath. It’s a true testament to the cast and crew of “Beetlejuice” that they can consistently deliver such a demanding show with such intensity and vigor after nearly three years of touring.

To see a full review of this show, read Gwendolyn's review here.

Dr. Yuko Kurahashi

On August 12, 2025, The KeyBank State Theatre, the venue of the KeyBank Broadway Series’ Beetlejuice (Music and Lyrics by Eddie Perfect and Book by Scott Brown and Anthony King), was packed with many Beetlejuice heads, dressed in all types of attire with motifs from the musical: black and white stripes, beetles, vines, and leaves.  

This “cult” musical’s “characters” include lighting, special effects, scenery, and costumes as they all become part of the organic living “creatures” that live and breathe with living humans—performers—on the stage.

To see a full review of this show, read Yuko's posts here. 

Chagrin Arts’ production of Blind Injustice @ Playhouse Square Outcalt Theatre

July 11th through 13th, 2025

WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  These review(s) fall into that category.

Dr. Yuko Kurahashi

Bringing Blind Injustice to Cleveland required monumental work by many people. Their time and efforts resulted in the work impacting many Ohioans and beyond through their three performances and three post-show discussions.

To see a full review of this show, read Yuko's posts here.

Kimberly Akimbo @ Playhouse Square

Through August 3, 2025

http://www.playhousesquare.org

(216) 241-6000

 

Roy Berko

The script will never be compared other teen-centered musicals such as WEST SIDE STORY or DEAR EVAN HANSEN or even HAIRSPRAY, but the story is interesting, the touring-show is well performed and all-in-all, it makes for a pleasing evening of theater.

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Try explaining the basic plot of "Kimberly Akimbo" (which debuted on Broadway in 2022) to someone who's not a Broadway aficionado, and you might get little more than blank stares ...Yet this surprisingly upbeat, heartwarming musical -- with an incisive book/script and lyrics by David Lindsay-Abaire, based on his lesser-known 2001 comedy of the same name -- quickly wins over audiences as they identify the power of those who embrace whatever life gives them and triumph as best they can.

To see a full review of this show, read Howard Gollop's blog here.

Mark Horning

Try explaining the basic plot of "Kimberly Akimbo" (which debuted on Broadway in 2022) to someone who's not a Broadway aficionado, and you might get little more than blank stares ...Yet this surprisingly upbeat, heartwarming musical -- with an incisive book/script and lyrics by David Lindsay-Abaire, based on his lesser-known 2001 comedy of the same name -- quickly wins over audiences as they identify the power of those who embrace whatever life gives them and triumph as best they caTo see a full review of this show, read Howard Gollop's review hMark Horning

At last, a fun comedy that is full of heart and most important a happy ending for all. This group of nine professionals fill the stage with enormous talent. This is the feel good show of the year.

To see a full review of this show, read Mark Horning's Review here.

Laura Kennelly

Want to deal with an extremely rare disease that forces sufferers to endure adolescence and aging simultaneously? This is sixteen-year-old Kimberly’s fate. Kimberly Akimbo, the Tony Award-winning musical now at Playhouse Square, shares a comically exaggerated look at poor Kimberly’s life as a “not typical teenager.” (Most people with her premature aging condition don’t make it past sixteen years old.) With book and lyrics by David Lindsay-Abaire, score by Jeanine Tesori, choreography by Danny Mefford, and direction by Jessica Stone, it ticks all the boxes for traditional Broadway success.To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Gwendolyn Kochur
No review yet.
To see a full review of this show, read Gwendolyn's posts here.

Dr. Yuko Kurahashi

Kimberly’s story is filled with courage and determination to “act,” though the musical satirizes this “action” with hilarity and outrageousness to the fullest extent. Carolee Carmello’s Kimberly, with her full range of expressions—from bewilderment to tension and happiness—plays this teenager with both physical and emotional challenges compellingly and convincingly.  The leader of the gang who makes Kimberly’s road trip possible is her aunt Debra, who does everything outside the box. Emily Koch’s Debra demonstrates the character’s big presence. Laura Woyasz plays Kimberly’s good-hearted narcist mother, emphasizing the character’s eccentricity and obtuseness. Jim Hogan performs Kim’s “nice” but inconsiderate father, who cannot keep his promises to his daughter, escaping from reality to beer.

To see a full review of this show, read Yuko's posts here.

Joey Morona

“Kimberly Akimbo,” offers something different: an intimate production, featuring a nine-person cast, a modest (yet inventive) set design and none of usual Broadway razzle dazzle.

To see a full review of this show, read Joey's posts here.

 

Hamilton @ Playhouse Square

Through July 6, 2025

http://www.playhousesquare.org

(216) 241-6000

     

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

With the current state of political turmoil in this country we need a reminder of the courage it took to form this country in the first place. This is a truly inspirational show that illustrates we are not a country ruled by an uncaring king. With 34 songs and weighing in at two hours and forty minutes (that includes the intermission) it might not be suitable for the very young. The rest of us will love it. 8647!

To see a full review of this show, read Mark Horning's Review here.

Gwendolyn Kochur

No review yet.
To see a full review of this show, read Gwendolyn's posts here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona

Maybe someday “Hamilton”'s music will sound as simple to modern ears as “Baby Shark,” and its choreography will look as quaint as early TikTok videos. But even if that day comes, the show will endure. Because beneath all the flourishes, the musical tells a timeless, deeply human story about ambition and idealism, love and loss, ego and forgiveness. It’s about building a country while trying to build a life and creating a legacy.

To see a full review of this show, read Joey's posts here.

 

Shucked @ Playhouse Square

Through May 11, 2025

https://www.playhousesquare.org/

(216) 241-6000

 

Roy Berko

“Holy Shit,” I “Do Believe” that seeing the fun-filled musical farce, SHUCKED, will make you feel more than “OK!” Get away from the stresses of life. GO! LAUGH! ENJOY! To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Think "Music Man" meets "Hee Haw” … No, it ain't Stephen Sondheim, but it IS the perfect occasional antidote for a Broadway that tends to take itself too seriously.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross

From the first buttery note to the final morsel, “Shucked,” under the smart direction of Jack O’Brien, delivers a kernel of truth wrapped in layers of both hilarity and humanity, not to mention some high-energy hoofin’ – complete with a corn kickline. 
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

If you get to the kernel of the matter this is one corny but truly funny show with a purpose. Mixed in with the treasure trove of one liners and dad jokes is a story of family, friendship and basic values all neatly dovetailed between songs that advance the story. If you are looking for a good laugh with a lot of heart go see this show.

To see a full review of this show, read Mark Horning's Review here

Laura Kennelly

Every corny joke (aka “Dad joke”) you’ve ever heard is likely packed into Shucked. The Broadway musical’s national tour stomps and hee-haws on the Connor Palace Stage through May 11. And yep, it does its dangest to be funny and risqué. Much of the time, it succeeds..

To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Joey Morona

“Shucked” isn’t here to change the world or unlock any deeper truths. But for two and a half hours, it’ll make you laugh, maybe cry, definitely tap your toes. It’s sweet, versatile and guaranteed to pop just like... wait for it... corn!

To see a full review of this show, read Joey's posts here.