CAT'S PAW

CAT'S PAW

BECK CENTER--STUDIO THEATRE

SEPTEMBER 22-OCTOBER 22, 2023

    216-521-2540 or beckcenter.org

 

Roy Berko

 CAT’S PAW is a powerful script, filled with tension and angst.  It gets a very well-conceived and developed production at Beck.  It’s definitely a “go see!”

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's Review here.

Chris Howey

"Side-by-side polemics do little to advance the drama at hand, and while there is a chuckle or two tucked into their verbal fencing, it all leads nowhere."

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

'Natasha, Pierre & The Great Comet of 1812'

                                                      'Natasha, Pierre & The Great Comet of 1812'

Great Lakes Theater

September 22-October 8, 2023

216-241-6000 or greatlakestheater.org

 

Roy Berko

When I reviewed the Broadway production of NP&TGC1812 I said it was “breathtaking.”  I continued, “this is more than a musical, it is a spectacle of enormous proportions.”  I repeat the same for the GLT production and add that I doubt if there is another director on the local scene who could create such a quality staging of this script!

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

All this fun could easily have been just frenzy were it not for the knowing reign of veteran director Victoria Bussert. The production not only ends with a literal comet but begins as a theatrical comet as well -- nonstop images and action, haunting intimate encounters, spot-on sight gags and organic ensemble production numbers by choreographer Jaclyn Miller that would beckon the audience to stand up and dance as well.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

This show while a bit long (just under two and a half hours) is so engrossing the time passes very quickly. There is an intensity that is seldom seen in theater these days. You will find yourself caught up and swept away by the grandness of it all. See this show!

To see a full review of this show,  Review  https://misterh215.wixsite.com/mysite/single-post/great-lakes-theater-natasha-pierre-the-great-comet-of-1812-blazes-forth

Chris Howey

"This remarkable, resounding show runs through October 8 and if you think you're too busy to see it, change your plans and get your pert little buns down to the Hanna Theatre."

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

This Great Lakes Theater version of Natasha, Pierre, & the Great Comet of 1812, an electropop opera written by Dave Malloy and directed by Victoria Bussert, is in several ways even better than the Broadway show. A big part of Natasha, Pierre & The Great Comet of 1812 is its power to pull us into the action, into the party, and into the story. The Hanna Theatre excels in doing just that.

BOTTOM LINE: This is a fabulous production and a must-see show. If you see only one show a year, let it be this one. Tolstoy never had it so good.

To see a full review of this show go here, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

CLYDE'S

KARAMU

September 22-October 15, 2022

216-795-7077 or karamuhouse.org

Roy Berko

Though very talky, with little to no action, CLYDE’S, with its many laughs, makes for an interesting evening of theatre. Fortunately, it ends with a positive, though some might think, unrealistic message.

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's Review here.

Chris Howey

"There are many interesting ideas at work in Clyde's. But many potentially insightful aspects are smothered by the often-cartoonish portrayal of these people, who often orate their lines directly to the audience."

To see a full review of this show, read Chris Howey's Review here.No review yet.

 

THE TEMPEST

THE TEMPEST

CWRU-CPH MFA/HELEN THEATER (IN ALLEN THEATRE COMPLEX)--PHSQ

SEPTEMBER 20-30, 2023

216-400-2023 or www.clevelandplayhouse.com

 

Chris Howey

"As with all of old Will's works, complexities ensue and it is up to the performers and director to make it all fit together and create that special theatrical magic that even Ariel would envy. And while this production succeeds in many respects., other areas are given short shrift."

To see a full review of this show, read Chris Howey's Review here.

Howard Gollop

While Great Lakes Theater (formerly the Great Lakes Shakespeare Festival) takes a break from the Bard with a smashing production of the Broadway hit "Natasha, Pierre & The Great Comet of 1812," Playhouse Square is still offering amazing  classic theater with "The Tempest" at the intimate Helen Theater. The Case Western Reserve University MFA Acting Program and Cleveland Play House production talent in front and behind the highly atmospheric rocky island set by Richard H. Morris, Jr. whip up a tempest of great theater. 

To see a full review of this show, read Howard Gollop's review here.

THURGOOD

THURGOOD

Cleveland Playhouse--Allen Theatre

September 9-October 1, 2023

216-400-7000 or clevelandplayhouse.com/

Roy Berko

THURGOOD is not only is a wonderful historical epic, but is wonderful entertainment.  Dramatic, humorous, well performed and clever….it makes for a marvelous must-see theatrical experience.

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Likewise, one-man shows such as this prove a most powerful evening of theater if a company such this -- well designed by Vicki Smith and lit by Don Darnutzer -- knows how to produce it.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

It is rare indeed to find a show as educationally beneficial, as full of heart and soul and as joyously entertaining as this production. You really should avail yourself of this rare treat of superb one man theater. Witness a part of history!

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

For those who have forgotten Marshall's contributions to the law, Thurgood serves as an informative, entertaining and slightly wistful reminder.

To see a full review of this show, read Chris Howey's Review here.

Kate Klotzbach

No review yet.
To see a full review of this show, read Kate's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

LUNGS

LUNGS

Dobama

September 8-24. 2023

214-321-2930 or www.ensembletheatrcle.org 

Roy Berko

The script, with its strong language and themes, is a thinking person’s play.  This is not a production for those who go to theatre to escape, to be “entertained.”  Many people will not “like” this play.  “To be liked” is not its purpose.  The author wants you to think about the role of communication in a relationship.  To think about the world in which we live.  To think about what “good” people are.  To think, about…maybe even overthink!  The production succeeds in developing the intent and purpose of the author!

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

“Lungs” debuted in 2011, and the issues at the center of the story are not only still relevant 22 years later, but they are even more dire. While there are plenty of laughs, it is an intense, and in some ways, exhausting theatrical experience that may not be everyone’s cup of chai, but It is an important piece of theater if it is handled correctly and done well, which speaks directly to this impressive production at Ensemble Theater.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Lungs is a smart play that will keep you on your toes, even as you contemplate the vagaries of love, family and our assault on our planet. And it reminds (in case you needed reminding) that things are plenty complicated in this fraught 21st century.

To see a full review of this show, read Chris Howey's Review here.

 

EXIT, PURSUED BY AS BEAR

EXIT, PURSUED BY A BEAR

congruence-continuum

August 11-September 2, 2023

https://www.convergence-continuum.org/ or 216-687-0074

Roy Berko

I am a strong advocate for theatre.  But, I have to be honest. The best I can say is, if you’d like to suffer through 90-minutes of an absolutely poorly written theatrical concept, EXIT, PURSUED BY A BEAR is the play for you!

To see a full review of this show, read Roy Berko's blog here.

Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's Review here.

Chris Howey

The wayward and weirdly flaccid production of this self-described revenge comedy by Lauren Gunderson is so absent of humor, it could be medically prescribed as a soporific for those needing coma-level sleep.

To see a full review of this show, read Chris Howey's Review here.

FUN HOME

FUN HOME

ALMA THEATRE/CAIN PARK

August 10-27, 2023

216-371-3000 or www.cainpark/148/Buy-Tickets

 

Roy Berko

This is a dramatic message musical which deserves the accolades which it has won.  It gets a must-see production, with the caveat that audience members be aware of the subject matter.

To see a full review of this show, read Roy Berko's blog here.

Sheri Gross

This is the kind of show that runs you ragged through a revolving door of emotions, but makes you think and feel and keep on feeling long after the curtain call.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

While this production will have close to sold out audiences throughout its run, it may not be the show for everyone. If you are sensitive to subjects such as mental illness, compulsive behavior, extensive family control and suicide it may not be your cup of Ovaltine. Otherwise, it is great theater.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Fun Home is a play dealing with heavy topics, but Kron's sharp wit and Tesori's evocative music save the day. And under the wise and thoughtful direction of Joanna May Cullinan, it becomes one of those musicals that, if you put in the effort, will reside within you long after the curtain falls.

To see a full review of this show, read Chris Howey's Review here.

SIX THE MUSICAL

SIX:  THE MUSICAL

Connor Palace

August 9-September 10

playhousesquare.org or 216-241-6000

 

Roy Berko

Younger audience members will be turned on by the musical style which is pop and hip-hop and literally invites them to yell, clap, sing and jump out of their seats as if at a rave.  Those of a certain age and/or of conservative political/social attitudes may want to cover their ears from the beating sounds and “course” language.  All in all, the clever concept of the show and the talented ensemble will enchant many more audience members than those who might be turned off.  Me?  I loved it!!  More please, I want some more.

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Each performer is sensational, and the show never stops being fun (with Lucy Moss' and Jamie Armitages's energizing direction and Carrie-Anne Ingrouille's arena-concert choreography). The nods to modern feminist mores -- with all of the characters realizing that they do not need the context of their shared husband to be historically relevant -- are enlightening without becoming preachy. Forget anything by PBS. Considering even the onstage musicians are attractive and talented females, this show makes the perfect stage companion to the runaway film hit also about female awakening -- "Barbie."

 To see a full review of this show, read Howard Gollop's review here.

Sheri Gross

Suffice it to say, the show is not only a blast, but a vehicle that brings women to the forefront; both theatrically and historically, in a creative and innovative way. Grabbing a front row seat for this one is a “no brainer.” (groan)  

        
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

While I only heard half of the show as my finger was firmly planted into my right ear during the entire show due to the vocal exuberance of some young “ladies” seated nearby it was in fact an exciting show that lasts just long enough. It’s a history lesson concert put to a driving beat that will have many screaming and dancing in their seats. You will love it but don’t forget the ear plugs.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Created by Toby Marlow and Lucy Moss as an idea for a fringe festival goof, Six has grown into a behemoth of color, movement, lights and stellar voices that demands your total attention.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

Part rock concert, part feminist revenge, SIX at Playhouse Square combines today’s pop and yesteryear’s British history. Last Wednesday’s performance lit up the Connor Palace stage with bouncy, ear-shaking dance and music that reflected the spirit of our times.

*****

Bottom Line: A light look at Tudor history through today’s eyes. (Rock newbies might want to bring ear plugs — it got loud.) I only wish Henry could have been there to see the show.

To see a full review of this show,go here or read Laura's posts at Cool Cleveland.

Kate Klotzbach

History is INTERESTING again! Although many people might remember history class as a boring experience of memorizing dates and names without much substance (at least that was my experience), SIX brings life and shimmer to the wives of Henry VIII.

What does this mean? It means you’re in for 80-minutes (no intermission) of non-stop contest magic, where each fierce female vies for votes for having the “worst” story about her marriage to Henry VIII (King of England from 1509 to 1547). The pop concert vibe feels like a mix of Spice Girls, Beyonce, J Lo, Rihanna, Britney, and more as the ladies tell their tales about how things ended: “divorced, beheaded, died, divorced, beheaded, survived.”

To see a full review of this show, read Kate's posts here.

Joey Morona

'SIX' in Cleveland:   Girl power musical that reimagines King Henry VIII's wives as pop stars is cheeky good fun

To see a full review of this show, read Joey's posts here.

 

Erma Bombeck @ Cleveland Play House

Through August 20, 2023

https://www.clevelandplayhouse.com/ 

(216) 241-6000

 

 

Roy Berko

ERMA BOMBECK:  AT WIT’S END, CPH’s “pre-season treat,” will delight those of a “certain age” who are familiar with the era and role of women as described in Bombeck’s references.  Modern feminists will roll their eyes at many of her situational references.

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

Mark Cuddy's knowing direction nevertheless keeps the evening alive and even manages to enhance the vague dramatic arch of the script. Perhaps after a few more productions, Pam Sherman will embody Erma Bombeck inwardly as she does outwardly. But even as the show now stands, the titular Erma Bombeck proves to be not only the real star but the able "ghostwriter" who keeps the production entertaining and at times even enchanting. Despite the show's title, there certainly is no end to Erma Bombeck's wit.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

It is good to have shows like this make their way to the theater where folks can sit back and relax to the gentle humor of a comic master. This is one show you should not miss.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

The assemblage created by the Engels manages to highlight some of Bombeck's better gags (on Regrets: "Think of all those women on the Titanic who waved off the dessert cart.") But those are surrounded by many more supposed laugh lines that have not aged well or were never that amusing to begin with.

To see a full review of this show, read Chris Howey's Review here.

The Prom @ Porthouse Theatre

Through August 6, 2023

https://www.kent.edu/porthouse/prom 

(303) 672-3884

 

Roy Berko

As is the case with modern American musicals, THE PROM harks back to a Rodgers and Hammerstein-like social message of tolerance and the need to accept the beliefs and needs of others.  It is extremely relevant to today where the rights of sexual minorities, especially trans-individuals, is under both physical and political attack by right-wing bigots.  The Porthouse production, is well-conceived and brings to a conclusion a successful season.

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

With the combination of seasoned regional actors with students of the Kent State University Theater and Music Departments the result is a superlative show of exceptional quality. Arrive early with your picnic dinner, stroll the spacious grounds and settle in for a great entertainment experience. You will not want to miss this show!

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

This high-energy production directed with infectious spirit by Terri J. Kent is a mixture of low comedy, noble thoughts about LGBT tolerance and inclusion, and a lot of characters who've had their rough edges sanded off so they fit nice with each other. 

To see a full review of this show, read Chris Howey's Review here.

Kinky Boots @ Chagrin Valley Little Theatre

Through August 12, 2023

www.cvlt.org 

(440) 247-8955   

WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  This review falls into that category.

Mark Horning

This small stage version of the popular Broadway hit will delight the local audience, especially if they are friends with any of the local talent. It is a big show in a small theater yet somehow it all works. Well worth the price of a ticket.

To see a full review of this show, read Mark Horning's Review here.

LEAP OF FAITH

Leap of Faith 

June 30 through July 15, 2023

Blank Canvas Theatre, 78th Street Studios, 1305 West 78th St., Suite 211

440-941-0458, www.blankcanvastheatre.com

Sheri Gross

Ultimately, this production of “Leap of Faith” at Blank Canvas Theatre lies in the hands of the cast, made up of talented and engaging performers, some of whom are more successful at making up for the lackluster story than others. 

To see a full review of this show, read Sheri Gross' review here.

Chris Howey

To make familiar stories like Leap of Faith come alive, the performers need to find some special juju to fashion characters we can be passionate about. In short, they need to take an acting leap of faith. But in this production, there are no leaps or risks taken, just a dutiful shuffle to the curtain.

To see a full review of this show, read Chris Howey's Review here.

LOVE'S LABORS LOST @ OHIO SHAKESPEARE FESTIVAL

LOVE'S LABORS LOST

OHIO SHAKESPEARE FESTIVAL

JUNE 29-JULY 16, 2023

Ohioshakespearefestival.com

Chris Howey

Love's Labor's Lost now at the Ohio Shakespeare Festival is an LOL treat, even at the run-time of more than three hours, including the half-hour "green show" that begins the evening. Under the spirited direction of Tess Burgler, the talented OSF company squeezes old Will's comedy like a ripe orange, and out squirts a gaggle of randy dudes (both sexes now), disguises, mistaken identities, and a couple dazzling performances.

To see a full review of this show, read Chris Howey's Review here.

Once On This Island @ Beck Center for the Arts

Through August 6, 2023

www.beckcenter.org

(216) 521-2540

Roy Berko

The stage was constantly displaying well-conceived stage pictures, the choreography was not only creative, but visually encapsulating, and the entire production was a master class in how to create an audience pleasing show that developed the intent and purpose of the author. In fact, it actually made more of the storyline than Lynn Ahrens created.  This is musical theatre at its finest!  Bravo!

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

As charming and evocative as the fairytale storyline may be (ingeniously scripted by Lyricist Lynn Ahrens), what really elevates the Beck Center production into the magical experience is the surprisingly elevated production team of Broadway-caliber director-choreographer Christopher Chase Carter, scenic designer Cherri DeVol (as exuberantly lit by Emma Hansen) and costume designer Inda Blatch-Geib. 

To see a full review of this show, read Howard Gollop's review here.

Mark Horning

Combine vibrant calypso and island music with bright costuming, an unbelievable stage set, an engaging story line and exceptional dance numbers and you have a sure hit at the Beck Center for the Arts. You will be rocking in your seats as this captivating tale unfolds Come take a vacation to the islands. This is must see theater!

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Both a visual and audio treat, Once on This Island will transport you in more ways than one. It's a show worth at least one toast afterwards with frosty Margaritas.

To see a full review of this show, read Chris Howey's Review here.

Kate Klotzbach

Running now through August 6 on the Senney Theater Main Stage at the Beck Center, this blend of beautiful storytelling and exceptional talent is a summer experience that will entertain and provide an island break from the worries of the day.

To see a full review of this show, read Kate's posts here.

The Marvelous Wonderettes @ Porthouse Theatre

Through July 15, 2023

http://www.kent.edu/porthouse

(330) 672-3884

 

Roy Berko

If you love the teeny-bopper music of the 1950s and 60s, and don’t care about a story line (believe me this is not DEAR EVAN HANSEN or SPRING AWAKENING), then wander out to Porthouse, sit in the beautiful tent theatre in the lush lawn and trees, and see THE MARVELOUS WONDERETTES.  Me?  I’m looking forward to THE PROM, the theatre’s next production. 

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

The 50s, while not perfect, were a simpler time that many reminisce about. Musically it was a period of seemingly simple tunes that were actually performed with astute complexity. This show captures that feel. Grab a picnic dinner, arrive early and enjoy the beautiful grounds prior to the show. Sincerly!    

To see a full review of this show, read Mark Horning's Review here.

RENT @ Cain Park

Through June 25, 2023

https://www.cainpark.com/428/Rent

(216) 371-3000

 

Roy Berko

RENT holds a special place in American Musical Theatre history, ushering in the era of the musical drama.  Though, thanks to science, we are long past the time when AIDS was a sure-thing death sentence, because politicians such as President Ronald Reagan and NY mayor Ed Koch denied the existence of AIDS and denied funding for research, causing many unnecessary deaths, the power of the music and the development of the characters makes it a special script with a well-honed production.  THIS IS A WELL-HONED PRODUCTION!  Standing O!

To see a full review of this show, read Roy Berko's blog here.

Chris Howey

The Pulitzer Prize and Tony Award winning musical is now at Cain Park, and under the direction of Nathan Henry it's a substantial success, with only a couple glitches marring its gleaming surface.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

Bottom Line: A heartfelt production of Rent, the musical that broke barriers when it first appeared. A reminder of how swiftly time passes — especially the “five hundred twenty-five thousand six hundred minutes” that make up a year.

To see a full review of this show go to Rent or see Laura's posts at Cool Cleveland. 

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

Porthouse Theatre

June 9-24, 2023

www.kent.edu or 330-672-3884

Roy Berko

There is “Comedy Tonight” at Blossom!  Maybe a little more abandonment by some in the cast, might have been desired, but it appeared the audience was having a great time and, that’s what this type of show should illicit…unabashed enjoyment!

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

Pack a basket full of goodies, break out the picnic gear and head out to Porthouse Theatre for this show. As always it is a shear delight of music, dancing and hilarity. Veni ad illudendum et affer totam familiam (Come for the fun of it and bring the entire family).

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

When it works, the comic invention provided by director Kent, choreographer/artistic collaborator Martín Céspedes, and certain actors gives the show its wings. Those are the moments when Funny Thing is a funny thing, indeed.

To see a full review of this show, read Chris Howey's Review here.

THE PLAY THAT GOES WRONG @ Chagrin Valley Little Theatre

THE PLAY THAT GOES WRONG

Through June 18, 2023

http://cvlt.org/

(440) 247-8955

WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  This review falls into that category.

Roy Berko

Like any farce, the quality of the ridiculousness is only as effective as the cast and director.  In the case of THE PLAY THAT GOES WRONG, all of the needed elements are present and laughter reigns.  Go! Laugh! Forget the angst of the world.  HAMLET this ain’t!

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

Pratfalls, self destructing sets, crazy prop substitutions, flubbed lines, knocked out actors, a repeatedly revived corpse, stuck doors and stuff flying off the walls...if you are in the mood for a madcap comedy Chagrin Valley Little Theatre is the place to be but be warned, this show is selling out fast so order your tickets NOW!

To see a full review of this show, read Mark Horning's Review here.

MOULIN ROUGE ! THE MUSICAL

MOULIN ROUGE!  THE MUSICAL

KEY BANK BROADWAY SERIES--KEY BANK STATE THEATRE

JUNE 7-JULY 2, 2023

216-241-6000 or playhousesquare.org 

Roy Berko

MOULIN ROUGE! THE MUSICAL is not a great musical, but it will entertain anyone who wants to escape from the real world for a couple of hours and allow the sets, costumes, choreography, singing, performances and melodramatic sit-com plot, carry you to escape to early 1900’s gay Paree.  Be ready for a dynamic crowd involving curtain call!

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop

It may make some classic-film devotees pine for the original 1952 version of "Moulin Rouge" -- sans the exclamation point. That's director John Huston's assiduously recreated milieu of the real Moulin Rouge, where Toulouse Lautrec (played here by the normal-sized, likable Nick Rashad Burroughs) is a genuine artist and not one of a threesome of virtual ne'er-do-well frat boys (the character Christian hales from western Ohio) pitching an impromptu musical to their adored chanteuse star (which is sort of the "American in Paris" or backstage-musical part of the show). A more refined, adult "Moulin Rouge" of John Huston's calibre will have to wait. Until then, the junk-food pleasures of this version satiates any entertainment void, and it's a sure sugar rush. 

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross

The show itself is a mixed bag in every way. The storyline is entertaining, yet a bit flimsy. The music is a blast, yet frantic in spots. The production values are a feast for your eyes, yet overstimulating at times. And the cast is uber talented, yet a bit uneven.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Everybody deserves a little “naughty” pleasure in their lives and this show is just the ticket to titillate and arouse the senses. Sit back and enjoy a wild ride of dazzle and just for fun, see how many pop songs you can pick out during the performance. Bring an adult friend and enjoy!  

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

Moulin Rouge-The Musical, a clichéd love story wrapped in miles of theatrical gloss, is visually enthralling and consistently entertaining without leaving a whisper of thought about the time, the people, or their lives.

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly

Deserving of its numerous awards and designed to tickle musical fancies (and fantasies) Moulin Rouge! The Musical offers a dazzling old-school extravaganza featuring fantasy and musical escape. (I’d say it’s not for young children unless they are interested in sexuality and nudity—and their guardians approve.)

To see a full review, read Laura Kennelly's review here or go to  https://coolcleveland.com/2023/06/theater-review-moulin-rouge-playhouse-square-by-laura-kennelly/

Kate Klotzbach

If a replay of the 2001 hit movie is what you’re looking for, you will not get it here with this Broadway tour version. The structure is there, but they’ve loaded up the jukebox with even more songs, and it’s a hodgepodge of truth, beauty, freedom, and love! To each their own. See it for the sheer spectacle.

To see a full review of this show, read Kate's posts here.

Joey Morona

The stage show goes to great lengths trying to top its predecessor. The effort begins with Catherine Zuber’s dazzling, award-winning costumes and continues with Derek McLane’s eye-popping set design.

To see a full review of this show, read Joey's posts here.

 

Walking To Buchenwald @ Convergence-Continuum

Through June 24, 2023

https://convergence-continuum.org

(216) 687-0074

 

Roy Berko

Every once in a while a director and actors shine, while the script they are working with doesn’t really deserve to garner the quality.  This is the case of WALKING TO BUCHENWALD, the Tom Jacobson play now on stage at convergence-continuum.

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

With a little bit of tightening up this could be an extremely funny and moving show except for the ending that just goes phiff as the cast suddenly goes meandering off to Buchenwald following a dramatic medical situation. 

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

In Walking to Buchenwald, now at Convergence-Continuum theater, the innovative playwright Tom Jacobson attempts to achieve the kind of lift-off provided by such contrasting tones. (He has done similar kinds of tricks in other works, and Con-Con did one full justice 14 years ago with his time-twisting play Ouroboros.) But in this instance, due to a volley of pedestrian jokes and some weak writing decisions, a script that starts out playing it all for laughs later turns into a mystifying slog.

To see a full review of this show, read Chris Howey's Review here.

DOUBT: A parable @ Beck Center

Doubt: A Parable 

Beck Center For The Arts Studio Theater

Through June 25, 2023

https://www.beckcenter.org

Roy Berko

What a joy to attend a theatrical production which is based on a well-selected, thought-provoking script, that gets the highest quality of directing, acting and technical aspects.  There is no doubt that this is one of the best local theatrical experiences of this or any season!  Bravo!!!

To see a full review of this show, read Roy Berko's blog her

Howard Gollop

Christopher Bohan as the priest, Derdriu Ring as the menacing principal, Gabriella O'Fallon as the young teacher and Tamara French, in the riveting all-too-brief role of the beleaguered mother of a problem child, triumph in spellbindingly nuanced performances. Likewise, the subtle but controlled direction by Donald Carrier and production team of scenic designer Jill Davis and lighting designer Adam Ditzel create a convincing world in the intimate studio theater as enveloping as the expansive 2008 film version.

To see a full review of this show, read Howard Gollop's review here.

Sheri Gross

This production of “Doubt: A Parable” will stay with us for a long time, not only because it forces us to confront truths within ourselves, but also because of the bar that it sets for remarkable theater in Cleveland.

To see a full review of this show, read Sheri Gross' review here.

Mark Horning

Big things come in small packages and proof of this is the ninety minute (without intermission) gem in the Beck Center Studio Theater. For any current or former Catholics it will be a merry trip down memory lane as long suppressed memories are revived. You may wish to book an appointment with your shrink later this week.

To see a full review of this show, read Mark Horning's Review here.

                                                              

Chris Howey

Director Carrier keeps the proceedings intense, but also finds the humor in this battle of wits and morals that eludes an easy conclusion. 

To see a full review of this show, read Chris Howey's Review here.