WORTH NOTING:
In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite. These review(s) fall into that category.
Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.
Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.
Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.
Mark Horning
So you thought your family was dysfunctional beyond repair? Short of the Manson family this clan will have your family gathering for a group hug in the lobby. It takes exceptional actors to convince you how mean they are and this cast excels in every way. This is a feel good show in the aspect that it will make you feel good about your family no matter how messed up they are.
To see a full review of this show, read Mark Horning's Review here.
Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.
Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.
Gwendolyn Kochur
No review yet.
To see a full review of this show, read Gwendolyn's posts here.
Dr. Yuko Kurahashi
LatinUs Theatre Company (Cleveland, Ohio)’s La Malasangre (1981, premiered 1982), written by Griselda Gambaro and directed by Fabio Polanco, is an unsettling, visceral, disturbing, and poignant work that critiques dictatorship during the Dirty War and authoritarian regimes past, present, and future. The show underscores the intersection of sexism and fascism—the recurring alliance between authoritarian governments and their supporters. Polanco’s direction emphasizes each character’s relationship to violence, dictatorship, and cruelty, as they constantly shift from “supporters” to the victimized. Polanco clarifies, through the actors’ presence, movement, and physical actions, the state of physical and psychological abuse, which is contagious and blurs the boundaries between the victimizer and the victim.
To see a full review of this show, read Yuko's posts here.
Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.




