Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.
Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.
Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.
Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's Review here.
Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.
Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.
Gwendolyn Kochur
No review yet.
To see a full review of this show, read Gwendolyn's posts here.
Dr. Yuko Kurahashi
Joshua Larkin excels at shaping group dynamics that clarify situations, circumstances, ambiance, and collective power. Instead of treating the townsfolk as a single group in the opening scene, Larkin’s choreography calls for distinct groupings—male, female, young, older, white, and Black.
Set Designer/Technical Director Richard Morris, Jr. designed and built a simple yet effective stage featuring a central platform and brick back walls—stage right and stage left—with alcoves for performers to stand or sit. The central stage is manually rotated by the actors, who push it, maximizing Brechtian effects (with the audience aware of the theater’s mechanism) and is frequently used by the ensemble.
To see a full review of this show, read Yuko's posts here.
Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.
