Monday, March 25, 2024



BACH AT LEIPZIG

SEAT OF THE PANTS PRODUCTIONS

March 22-April 7.2024

Franklin Circle Christian Church

1688 Fulton Road.  Cleveland 44113

seatofthepants.org

 

Roy Berko

Seat of the Pants Productions has a purpose of “selecting plays which raise potent questions - some specific to today and others that speak to human nature across the ages.” BACH AT LEIPZIG fulfills that mission. Though it makes for a long sit, the play will be of interest for those interested in historical biographies, classic music and unusual play scripts. 

To see a full review of this show, read Roy Berko's blog here.

Mark Horning

No review yet.
To see a full review of this show, read Mark Horning's Review here.

Chris Howey


Setting aside some questionable playwriting and directorial decisions, all hail to the cast that turns in yeoman, often inventive work and manages to make the show quite delightful when they are given the opportunity.


To see a full review of this show, read Chris Howey's Review here.


THE MERRY WIVES OF WINDSOR



THE MERRY WIVES OF WINDSOR
GREAT LAKES THEATER
March 22-April7, 2024

For tickets call 216-241-6000 or go to www.greatlakestheater.org

Roy Berko

Though generally described as a lesser work, with the right production, the tale of Falstaff, the rotund rascal who attempts, unsuccessfully, to woo and con the two wealthiest married ladies in the town of Windsor, can be a delight.  GLT’s staging, with its glorious set, entrancing costumes, and wonderful acting is so good, that even if you aren’t a Bardophile, it’s a must-see.

To see a full review of this show, read Roy Berko's blog here.

Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

With any other company this would be a tough production to pull off but in the hands of GLT this madcap farce about the over weight and over sexed rascal trying to con two ladies of means in Windsor is a feast of comic theater. Old fans and newbies of the Bard will all agree that this is must see theater. It’s all fun until someone gets dumped in the canal then it becomes hilarious.  

To see a full review of this show, read Mark Horning's Review here.

Chris Howey

There are some laughs to be had in this Wives, thanks to the script that is in many ways foolproof, as is the physical humor. But overall, the merriment is less merry than it might be.  

To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly


William Shakespeare’s The Merry Wives of Windsor, now at the Hanna Theatre, featured Sir John Falstaff, an oft-drunk, always clownish, would-be womanizer. His scenes provided comic relief in Shakespeare’s Serious (and grim) dramas about the Tudor family’s rise to power. (See Henry IV, Parts I and 2, as well as Henry V.) Elizabethan-era audiences adored Falstaff. They clamored for more.

As a result, Falstaff got his own show. And why not? History — like the news — can be depressing. And, as The Merry Wives of Windsor demonstrates, marriage, love, sex and politics can be funny.

And so, it seems, Shakespeare obliged with more fat Falstaff jokes, although, as Director Terri McMahon notes, The Merry Wives of Windsor is set in an era contemporary with Shakespeare’s own.

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Bottom Line: The brawling, egotistical clown that is Falstaff gets a play of his own. He may not have deserved one. Despite valiant efforts and the talented Great Lakes Theater cast, opening night seemed too slow-paced for farce. It is highly likely in later shows (last performance is April 7), the pace will pick up and all will revel in this classic comedy.

To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach

THE MERRY WIVES OF WINDSOR is full of classic Shakespearean plot points: mistaken identities, misunderstandings, disguises, and joyful conspiracies amidst foes, friends, and lovers... All-in-all the show is worth seeing, whether you are a seasoned Shakespearian or a first-time watcher who is “Shakespeare-curious.”

To see a full review of this show, read Kate's posts here.

Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

Thursday, March 21, 2024

CMSD All City Musical "DreamGirls" @ Playhouse Square



Through March 24, 23024
(216) 241-6000

WORTH NOTING: 

In order to bring attention to local productions of merit at theaters that are not on the Cleveland Critics Circle’s approved Equity Theater list, members of the Circle who attend a community or educational theater production that is perceived as of high quality will have the option of listing that production on the CCC blogsite.  This review falls into that category.

 

Mark Horning

Close your eyes and you will think that you are listening to an authentic Broadway performance. Open your eyes and you will be greeted with a most superb stage set with professional lighting and sound all done by Cleveland area students. This is your chance to see top quality entertainment by dedicated students from the Cleveland, Ohio area. SEE THIS SHOW!

To see a full review of this show, read Mark Horning's Review here.


Wednesday, March 20, 2024

Annie @ Playhouse Square


 Through March 24, 2024

https://www.playhousesquare.org/

(2316) 241-6000

Mark Horning

The one shame of this production is that it will only be on stage through Sunday, March 24, 2024 so you will really have to rush in order to procure a ticket. Believe me, it will be worth the effort. Bring a little March theater sunshine to your Cleveland gray skies. You will be the better for it...Maybe!

To see a full review of this show, read Mark Horning's Review here.


Tuesday, March 19, 2024

REQUIEM


REQUIEM

CLEVELAND PUBLIC THEATRE

MARCH 14-APRIL 6, 2024

216-632-2727 X 501--www.cptonline.org/get-tickets/


Roy Berko

REQUIEM is a play that is neither easy to understand nor to immediately grasp its meaning.  It takes a while of after-thought and some mulling over what one has just experienced to gain self-awareness.  It is not a play for anyone who goes to the theatre for pure entertainment.  This script and production are not entertaining in the normal sense.  As with all existential theatrical experiences, it takes work to not only sit through the production, but allow yourself time to gain its message.

To see a full review of this show, read Roy Berko's blog here.

Chris Howey

Based on three short stories by Anton Chekhov, and under the thoughtful direction of Raymond Bobgan, it creates a rich, consistent tone with many humorous jabs and feints. But by keeping the energy and performance invention at a low ebb, other theatrical opportunities are set aside.

To see a full review of this show, read Chris Howey's Review here.

Dr. Yuko Kurahashi

An allegorical character, The Old Man (Peter Lawson Jones), is a modern-day “everyman” who, just before his own death, realizes his selfish and inconsiderate behavior, especially toward his own wife (The Old Woman), performed by Venetia Whatley, whose facial expressions (Suwatana Rockland put excellent stage-makeup on her face ) tell everything. The Old Man’s redemption comes too late for the couple (The Old Woman dies), but philosophically, he completes his journey to become a better human before his own death.  

To see a full review of this show, read Yuko Kurahahi's blog here.

Monday, March 18, 2024

ORDINARY DAYS


ORDINARY DAYS

BALDWIN WALLACE MUSIC THEATRE PROGRAM

MARCH 15-17, 2024

PLAYHOUSE SQUARE/THE HELEN  

Roy Berko

It’s a shame that the show only ran four performances.  It is the type of production that develops a cult following and could have run on and on in an open-ended -format.  Personally, I was enamored by the script, found the members of the Downtown cast wonderful (the show is double cast, with Anthony Maja, Kenna Wilson, Luke Henson and Jessi Kirtey being the Uptown cast), and not only would I have liked to see that cast, but would have excitedly encouraged everyone to see the show!

To see a full review of this show, read Roy Berko's blog here.


Laura Kennelly

Recipe for a musical:

*Mix four talented humans in huge city (yes, NYC).

*Allow them to meet.

*Step back to allow chemistry and fate to complete the work.

Ordinary Days, with music and lyrics by Adam Gwon, does just that, and in doing so, weaves a simple tale spun by chance encounters into a meditation about life.

*****

Bottom Line: Impressive performances from multi-talented performers. The appealing student quartet melded Ordinary Day’s character sketches into a compelling and coherent whole. The musical itself (and its celebration of random chance) proved positive and refreshing. Looking forward to following Mejia, Wilson, Henson, and Kirtley as they pursue their own careers and NYC life — -or, as one note that fell near me said, “On the road of Life, Let no Obstacle, Great or Small, Stand in your way.”


To see a full review of this show, read Laura's posts at Cool Cleveland.


Sunday, March 10, 2024

It Happened In Atlanta @ Karamu House


Through March 30, 2024
(216) 795-7070

 


Mark Horning

This slice of urban Cleveland life will ring true especially with older married couples who would have sense enough NOT to play “the couples game” with each card being a hand grenade with the pin pulled and tossed aside. That fact withstanding, it was intriguing to see the created chaos and how each person worked to make everything right. A solid play with a solid performance worth seeing with your significant other.

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.


Saturday, March 9, 2024

Something Clean @ Dobama Theatre



SOMETHING CLEAN
DOBAMA
MARCH 8-30, 2024
DOBAMA.ORG or 216-321-2930

Roy Berko

Combine the fine writing by Selina Fillinger, with the focused directing of Shannon Sindelar, add in the excellent technical aspects of the Dobama staff, and three finely-etched realistic portrayals, and the result is a superb evening of must-see theatre.


To see a full review of this show, read Roy Berko's blog here.

Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.

Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.

Mark Horning

What happens when undeserved blame is showered on the innocent? This play, ripped right out of the pages of the nation’s newspapers and social media feeds tells the unabashed story of a family in crisis and their manner of coping. You will feel yourself drawn in as the story unfolds and rooting for maybe not so much a happy ending but a fair one. See this show.      

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.

Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.

Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.

Dr. Yuko Kurahashi
We rarely take a glimpse of the (inside of) the lives of those who are involved with sexual assault cases beyond the media coverage. Thus, the play gives a fresh and intriguing internal “story” about the assaulter's family and what they have gone through. So the play is extremely moving, making the audience feel for the parents of Kai  (never on stage), who is scheduled to be released within a week. Derdriu Ring’s Charlotte—the mother of Kai—exquisitely portrays the woman/mother/wife—who forever keeps “why my son ended up raping a girl?”

To see a full review of this show, read Yuko's posts here.

Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.

 

Saturday, March 2, 2024

The Life and Adventures of Nicholas Nickleby @ Ohio Shakespeare Festival



Through March 17, 2024
(330) 574-2537

 

Mark Horning

Personally, I would have wished for an earlier start time and perhaps dividing the show into two segments and alternating each piece on succeeding days. This would put far less stress on the actors and audience alike. With that said, it is a well produced show with just a couple of fixable problems that will right themselves as the show carries on. 

To see a full review of this show, read Mark Horning's Review here.

Chris Howey
No review yet.
To see a full review of this show, read Chris Howey's Review here.


Dr. Yuko Kurahashi


Under the direction of Nancy Cates, the design team created an environment in which this epic story is told seamlessly. Scenic Designer Natalie Steen keeps the stage minimalistic, installing four different performable levels with several staircases.  The upper level “balcony,” as familiar in the Elizabethan theatres, serves as a performing area and a passage for the performers.  In addition, the actors use the second level of the auditorium of the Henry C. Bishop Stage in Greystone Hall. These spaces illustrate the world of The Life and Adventures of Nicholas Nickleby: London, Yorkshire, and Portsmouth.  Within in each location are sub-locations that include the residence of Ralph Nickleby, the inn, the tavern, the millinery, and the backstage of the theatre in Portsmouth. Tables, tablecloths, chairs, and a chaise support the production’s numerous “scene changes” (without interruptions).


To see a full review of this show, read Yuko's posts here.