February 9 through March 4, 2017
(216) 631-2727
Bob Abelman
CPT’s ‘I Call My Brothers’ offers a poignant portrait of next to normal.
To see a full review of this show, read Bob Abelman's blog here.
Roy Berko
The
intention of I Call My Brothers is well justified. Unfortunately, the script and the production
do not totally accomplish the author’s goal.
To see a full review of this show, read Roy Berko's blog here.
Mark Horning
To see a full review of this show, read Roy Berko's blog here.
Mark Horning
While the central theme of the work carries great
potential, none of the sequences play out to a logical conclusion. It is just a
bunch of brand new shiny metal strung up for all see but there is a disconnect
with the audience as fantasy mixes with reality and a healthy dose of incomprehensible
shouted Hip-Hop slam poetry thrown in for good measure. Not everyone’s cup of
tea...this one.
To see a full review of this show, read Mark Horning's blog.Christine Howey
This script, as translated by Rachel Willson-Broyles, shifts back and forth from Amor's frightened journey through the city to his internal thoughts and memories and eventually some dream sequences. It is loaded with powerful stuff, but there is so much disconnection inherent in the staging that the play never lands the knockout blow it seems to desire.
To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at Cleveland Scene
