Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.
Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.
Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.
Mark Horning
This production is a masterclass of great ensemble work. Each character has not only mastered the dialogue but all the physical nuances necessary to sell the show. Even if you have seen this show before, this is your chance to see what it looks like when done to perfection.
To see a full review of this show, read Mark Horning's Review nullhere.
Laura Kennelly
No review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.
Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.
Gwendolyn Kochur
No review yet.
To see a full review of this show, read Gwendolyn's posts here.
Dr. Yuko Kurahashi
As the press release describes, this famous thriller deals with “deception, blackmail, murder” that collide in the affluent apartment of Margot and Tony Wendice in London. The show starts in the middle of a conversation between Margot (Jodi Dominick) and her ex-lover, and a crime thriller/mystery writer, Maxine Hadley (Carie Kawa), in the living room. The audience is drawn into their world by the stunning set, costumes, and lighting, then into this complicated plot and its reversal that would send—almost—Margot to an execution chamber. Margot’s husband, Tony (Nick Steen), whose artificial cheerfulness conceals his true character —a knave —and his hired assassin, Captain Lesgate (Jeffrey C. Hawkins), and Inspector Hubbard (David Anthony Smith) all parade on and off stage their own dramaturgical contributions to this plot, leading the audience to a straightforward but breathtaking conclusion.
To see a full review of this show, read Yuko's posts here.
Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.
