GOSPEL ACCORDING TO JAMES
ENSEMBLE THEATRE
January 25-February 17, 2013
216-321-2930 or www.ensemble-theatre.com
ENSEMBLE THEATRE
January 25-February 17, 2013
216-321-2930 or www.ensemble-theatre.com
Bob Abelman
Sometimes
good storytelling begets good storytelling.
Such is the case with Charles Smith’s “The
Gospel According to James,” an intriguing and gripping historical fiction currently enjoying its Ohio Premiere at the Ensemble
Theatre. The play explores the
fatal flaws of perception and memory and, with a superb cast under Celeste Cosentino’s astute direction, is a marvelous piece of
theater.
To see a full review of this show, read Bob Abelman's News-Herald article here.
Roy Berko
THE GOSPEL
ACCORDING TO JAMES is a fascinating, well written play, which is getting a fine
performance at Ensemble, and well deserves to be seen! For a special treat attend the February
16 performance when the playwright will conduct a talk back.
Fran Heller
The elusive nature of truth and flawed memory are at the heart of "The Gospel According to James" by Charles Smith, a compelling, powerful and agonizing look at racism in America in the 20th century.
The play's labyrinthine structure and large cast make it a challenge to produce.
The production succeeds, owing to Celeste Cosentino's thoughtful direction and solid performances by an ensemble artistically and emotionally invested in the story's content.
To see a full review of this show, read Fran Heller's review at the Cleveland Jewish News
Christine Howey
Director
Celeste Cosentino is to be congratulated for taking on such a complex play, and
for helping shape several fine performances. But by not staging the show in a
way that Marie and James can truly engage with each other and the audience in a
visceral manner, the interesting “history of memory” conflict that playwright
Smith sets up never comes to full fruition.
To see a full review of this show, read Christine Howey's blog Rave and Pan