Roy Berko
No, it’s not a production better than Broadway, but THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN gets a very creditable production and continues the role of Karamu in presenting Black-themed shows to its appreciative and enthusiastic audiences.
Sheri Gross
In spite of some uneven vocal performances, Kirsten Child’s “The Bubbly Black Girl Sheds Her Chameleon Skin” feels like a grown up sandbox and a perfect place for some important self discovery.
To see a full review of this show, read Sheri Gross' review here.
Mark Horning
This coming of age story of a young black girl discovering her true self is an inspiring tale that young Black youngsters should be exposed to. They and their parents will be able to relate to the nuances of chasing one’s dreams and finding one’s own identity. This is well worth the effort to go see.
To see a full review of this show, read Mark Horning's Review here.
Chris Howey
The Bubbly Black Girl Sheds Her Chameleon Skin earns its long title thanks to a talented cast, most of whom shoulder multiple parts and flourish in playwright Kirsten Childs' word and music playground. The dazzlingly inventive and precisely detailed direction by Nina Domingue helps the almost two-hour one act to fly by, leaving many in the audience (at least this one) wanting more.
To see a full review of this show, read Chris Howey's Review here.
