Through April 29, 2018
(216)
241-6000
Bob Abelman
There’s
a wonderful cartoon by The New Yorker’s Bob Mankoff that depicts a corporate
executive reporting to his board. “And
so,” he says, “while the end-of-the-world scenario will be rife with
unimaginable horrors, we believe that the pre-end period will be filled with
unprecedented opportunities for profit.”
Stephen Karam’s “The
Humans” also
calls attention to the admirable if highly irrational human tendency to be
enterprising in the face of imminent demise.
To see a full review of this show, go to:
www.clevelandjewishnews.com/columnists/bob_abelman/
Roy Berko
Key Bank subscribers may be thrown off by the
fact that “The Humans’” is not a musical.
But it, like last season’s “The Curious Incident of the Dog in the
Night,” and “War Horse,” the marvelous hit of several seasons ago, is a
straight play that has special appeal. Unlike
those shows, it lacks the outstanding technical and special effects to grab and
hold attention. What it does have is a finely-written
story that gets an outstanding performance that is well worth experiencing.
To see a full review of this show, read Roy Berko's blog here.
Kerry Clawson
All six characters in the drama "The Humans" at Playhouse Square’s Connor Palace are flawed, disillusioned and broken. The basic truth to this meticulously wrought,
heartbreakingly realistic play by Stephen Karam is this: Who among us
isn’t, in some way?
To see a full review of this show, read Kerry Clawson's review at http://www.ohio.com/akron/entertainment.
Howard Gollop
The rich soulful song ("The Parting Glass") a centerpiece in Stephen
Karam’s masterwork, is a grim reminder of the lost Irish soul of the
family — not to mention lost hope, lost jobs, lost youth, lost health
and lost romance. It’s all uncovered in two acts of biting comedy, mournful pathos and
chilling visual and audio imagery — the latter brilliantly conceived by
director Joe Mantello in the deceptively realistic guise of a
thunderously clumping upstairs neighbor, an ominous roar
of a washing machine from an adjacent wall and bad lightbulbs and
electric circuitry that provide punctuating blackouts.
Mark Horning
For many this wincingly honest portrayal of family
life will feel as if it is hitting too close to home but good theater is not
always puppies and daffodils. If nothing else, by the end of the play you will
realize that your family may not be as bad as you thought and could indeed be
worthy of your affection…now if they could only do something to fix the sound
system.
To see a full review of this show, read Mark Horning's Review here.
Christine Howey
As
amusing as the play often is, there is a forlorn melancholy at its heart that
Edward Hopper would recognize. And it’s why The
Humans will stay with you long after you leave the theater.
To see a full review of this show, read Christine Howey's review at Cleveland Scene
Laura Kennelly
Holiday dinners should come with trigger warnings, at least according to Stephen Karam’s The Humans, the latest in the Broadway Series currently at Playhouse Square. In an intense, well-crafted (and compressed) drama centered on a Thanksgiving family reunion, the Blake family goes from “Happy to see you” to “What has happened to us? What have we done?”
To see a full review of this show, read Laura's posts at Cool Cleveland.
Andrea Simakis
It is one of the most keenly observed depictions of the way we live now
to unfold on the stage in years and captures, in 90, intermission-free
minutes, the sum of our fears and desires, the twin emotions a very good
therapist once told me, motivating each and every one of us.
To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.
