State Theatre--Key Bank Series
June 20, 2017-July 09, 2017
June 20, 2017-July 09, 2017
216-241-6000
or www.playhousesquare.org
Everything about this production – which is more ballet than musical theater fare and more artistry than artisanship – is remarkable.
To see a full review of this show, read Bob Abelman's blog here.
Roy Berko
My Broadway review of “An American
In Paris, A New Musical,” stated that it was “a visual, dance-driven Broadway
story-telling creation that is gorgeous, enchanting, seamless and
sophisticated.” Though I won’t go raise the banner as high for the touring
production, I will say that it is a very, very pleasing and “’S Wonderful”
evening of theater.
Kerry Clawson
"An American in Paris," whose national tour is now playing at Playhouse Square in Cleveland, is a glorious ballet musical full of intoxicating romance and stunning visuals.
This show, created from the beloved music of George Gershwin and brilliant dances by director/choreographer Christopher Wheeldon, makes you believe in love at first sight.
To see a full review of this show, read Kerry Clawson's review here.
Howard Gollop
The real star of the show, the one commanding virtually every scene, is Bob Crowley, who designed sets and costumes.
A mix of animated computer projections that function and move like set
pieces and set pieces that function and move like computer projections
(operated by the dancers themselves), the stage erupts in painterly
gorgeousness.
Mark Horning
Can America’s favorite musical movie be improved
upon in a Broadway stage production? The answer is a resounding YES! While some
fans of the movie may be confused by the differences, this new story line packs
more romance, sex and sizzle as you are whisked along with the sounds of the beautiful
Gershwin tunes providing the musical glue that holds this show together. ‘S
Wonderful.
To see a full review of this show, read Mark Horning's blog.
Christine Howey
This
American lacks truly compelling
characters, and the story is sacrificed at times to the glory of dance—it’s
easily more than half ballet alone. But this production is flat-out sublime
visually, and not to be missed for that reason alone.
To see a full review of this show, read Christine Howey's review at Cleveland Scene