AN IMPENDING RUPUTURE OF THE BELLY

none-too-fragile
June 23-July 8, 2017
330-962-5547 or www.nontoofragile.com

Bob Abelman

none too fragile’s ‘An Impending Rupture’ enraptures.

To see a full review of this show, read Bob Abelman's blog here.

Roy Berko

“An Impending Rupture of the Belly,” which gets a fine production, should be seen by anyone interested in experiencing outstanding acting coupled with a challenging and thought provoking script.

To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson

Andrew Narten impressively walks a fine line between sanity and insanity with his paranoid character Clay in Matt Pelfrey’s dark comedy "An Impending Rupture of the Belly" at None Too Fragile Theater....  What follows is a snowball effect of hatred and violence as the other people in Clay’s life easily egg him on in his growing paranoia. Narten is magnetic as his volatile character blurts out his many anxieties.

To see a full review of this show, read Kerry Clawson's review here.

Mark Horning

This snapshot of modern social conflict could be taken from the front page of any large metropolitan newspaper in America. All too often, the thin veneer of civility is being burnished off exposing the rotten core of base wood that lies beneath the false surface. While filled with comic moments we are forced to think as we laugh and see ourselves in the roles of aggressor and victim.

To see a full review of this show, read Mark Horning's blog.

Christine Howey

Performed on a basically bare stage with minimal set pieces, the bulk of the 85-minute one act relies on the cast to make the proceedings compelling. 

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

AN AMERICAN IN PARIS A new musical @ State Theatre

State Theatre--Key Bank Series
June 20, 2017-July 09, 2017

216-241-6000 or www.playhousesquare.org

Bob Abelman

Everything about this production – which is more ballet than musical theater fare and more artistry than artisanship – is remarkable.

To see a full review of this show, read Bob Abelman's blog here.

Roy Berko

My Broadway review of “An American In Paris, A New Musical,” stated that it was “a visual, dance-driven Broadway story-telling creation that is gorgeous, enchanting, seamless and sophisticated.” Though I won’t go raise the banner as high for the touring production, I will say that it is a very, very pleasing and “’S Wonderful” evening of theater.

To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson

"An American in Paris," whose national tour is now playing at Playhouse Square in Cleveland, is a glorious ballet musical full of intoxicating romance and stunning visuals.
This show, created from the beloved music of George Gershwin and brilliant dances by director/choreographer Christopher Wheeldon, makes you believe in love at first sight.

To see a full review of this show, read Kerry Clawson's review here.

Howard Gollop

The real star of the show, the one commanding virtually every scene, is Bob Crowley, who designed sets and costumes.  A mix of animated computer projections that function and move like set pieces and set pieces that function and move like computer projections (operated by the dancers themselves), the stage erupts in painterly gorgeousness.

Mark Horning

Can America’s favorite musical movie be improved upon in a Broadway stage production? The answer is a resounding YES! While some fans of the movie may be confused by the differences, this new story line packs more romance, sex and sizzle as you are whisked along with the sounds of the beautiful Gershwin tunes providing the musical glue that holds this show together. ‘S Wonderful.      
   

To see a full review of this show, read Mark Horning's blog.

Christine Howey

This American lacks truly compelling characters, and the story is sacrificed at times to the glory of dance—it’s easily more than half ballet alone. But this production is flat-out sublime visually, and not to be missed for that reason alone.

To see a full review of this show, read Christine Howey's review at  Cleveland Scene

9 TO 5 @ PORTHOUSE THEATRE

Through July 1, 2017

(330) 929-4416 or (330) 672-3884

Or http://www.porthousetheatre.com

Bob Abelman

Porthouse Theatre’s woefully out-of-date ‘9 to 5’ undermines as it entertains.

To see a full review of this show, read Bob Abelman's blog here.

Roy Berko

“9 to 5,” which opened Porthouse Theatre’s 49th season, has neither a great script, nor a wonderful score, but, never-the-less, is an audience-pleaser.  The sold out opening night audience was on its feet at the end, screaming and clapping their delight proving once again that Artistic Director Terri Kent knows her intended audience.

To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson

"9 to 5" was a goofy yet fun and popular movie when it came out in 1980 ... But it does not translate well into a musical today.  The 2009 musical, with music and lyrics by Dolly Parton and book by co-screenwriter Patricia Resnick, feels uncomfortably artificial for the whole first act at Porthouse Theatre. The characters border on caricatures, most of the songs are simplistic and unmemorable, and the lyrics are very basic rather than clever.

To see a full review of this show, read Kerry Clawson's review here.

Mark Horning

Pack a nice picnic dinner with a good bottle of chilled wine and some iced soda for the children and spend an enjoyable summer evening under the stars as your cares melt away. Porthouse Theatre is a delightful summer break from the pressure and hubbub of life. It’s an ideal family sharing time and a great way to introduce your young family to live theater.

To see a full review of this show, read Mark Horning's blog.

Christine Howey

Certainly the movie 9 to 5 could be turned into a vivid and vital stage musical. But it would probably need a new composer, lyricist and writer to update the dynamics and incorporate a fresher comedic sensibility. But for now, this is the 9 to 5 we have, and the Porthouse production has enough engaging moments to keep you amused on a summer evening.

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

CAROUSEL @ MERCURY THEATRE COMPANY

Through June 24, 2017

(216) 771-5862

http://www.mercurytheatrecompany.org/carousel-tickets.html

Bob Abelman

The result of Mercury’s efforts is a delicate telling of a Rodgers and Hammerstein masterpiece that taps all the things that made it so.

To see a full review of this show, read Bob Abelman's blog here.

Christine Howey
If you’re looking for reasons to see Carousel again, the iconic musical by Richard Rodgers and Oscar Hammerstein II that opened on Broadway more than 70 years ago, you won’t have to search far.
To see a full review of this show, read Christine Howey's blog Rave and Pan

THE MIRACLE WORKER @ OBERLIN SUMMER THEATRE FESTIVAL

Through July 30, 2017

(440) 775-8169 

Or http://www.oberlinsummertheaterfestival.com/get-tickets/

Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.

Kerry Clawson
No review yet.
To see a full review of this show, read Kerry Clawson's review here.

Howard Gollop
No review yet.

Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's blog.

Christine Howey
No review yet.
To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Laura KennellyNo review yet.
To see a full review of this show, read Laura's posts at Cool Cleveland.
David Ritchey
No review yet.
To see a full review of this show, read David's posts at Talkin' Broadway

Andrea Simakis
No review yet.
To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

HOW TO BE A RESPECTABLE JUNKIE @ DOBAMA THEATRE

Through July 2, 2017

(216) 932-3396

Or dobama.org

Roy Berko

“How to Be A Respectable Junkie” is a special evening of theater.  Superb acting, within the confines of a meaningful script, it grabs and holds the audience’s attention.  This is absolute must be seen theater for anyone who goes to be informed, to share in a real experience, to see that there may be light at the end of a tunnel, while observing a master class in acting.  
 
To see a full review of this show, read Roy Berko's blog here.

Mark Horning

Every so often a show comes along that hits with the intensity of a car wreck. This is such a show with no punches being pulled. At times humorous to counter balance the raw nerve intensity it is a stark look at a national epidemic that shows no sign of weakening. As brutal as it is, this is must see theater.

To see a full review of this show, read Mark Horning's blog.

Christine Howey

The ending, well-meaning though it is, is way too pat. But most of Junkie is right on the mark, showing us earthlings how it feels to be stuck on the business end of those deadly needles.

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Andrea Simakis

"Christopher Bohan is Brian, a heroin addict, in the world premiere of "How to be a Respectable Junkie" at Dobama Theatre.  The one-man play by Greg Vovos is based on the real-life experiences of Craig, a former junkie who now helps others detox and stay clean.  "Heroin is kind of like this big wall," he says.  "It allows you to feel nothing, and that's why a lot of people use it.  They don't want to feel bad and they'll literally sacrifice feeling good to feel nothing."  The greatest gift of "How to be a Respectable Junkie" is that once you've seen it, the thought of his annihilation is almost impossible to bear.

To see a full preview of this show, read Andrea Simakis' blog or visit Cleveland.com here.

PICASSO AT THE LAPIN AGILE @ BLANK CANVAS

Through June 24, 2017

(440) 941-0458

Or www.blankcanvastheatre.com

Roy Berko

Comedian Steve Martin has written a thought-provoking, clever script which gets a less than stellar production.  It’s not bad, just not what it could be.
 
To see a full review of this show, read Roy Berko's blog here.

Mark Horning

At times gently humorous, the show is a great idea in a desperate search of a solid identity (imagine Hamlet as an underdone madcap comedy). It is a work that could easily be viewed with one eye closed if indeed you’re willing to put forth that much effort. While the acting is for the most part competent, some of the match-ups are off-kilter. In short it seems to be a tongue in cheek look at the pretentiousness of the intellectual community. Buy a ticket and see for yourself.  
   

To see a full review of this show, read Mark Horning's blog.

REALLY REALLY @ THE BECK CENTER FOR THE ARTS

Through July 2, 2017

(216) 521-2540

Or http://www.beckcenter.org

Bob Abelman

“Really Really” had a twice-extended run Off-Broadway in 2013.  It will not be surprising if the Beck Center production follows suit.

To see a full review of this show, read Bob Abelman's blog here.

Roy Berko

“Really Really” is “murder” mystery without a dead body, but still asks, “Who did it?”  The cast is well-selected and each person effectively textures their role.  The result is a production which sparks with intensity, sucking the viewer into an experience which is edgy, shocking and thought-provoking.  It’s a must see for anyone interested in thoughtful and well-conceived theater.
 
To see a full review of this show, read Roy Berko's blog here.

Mark Horning

For those who like their drama ripped right out of the pages of social media as frank discussion about sex, binge drinking, abuse and manipulation run rampant during the roughly two hours of stage time this is your play. If on the other hand you prefer light comedies and musicals you may wish to reconsider seeing this show. This production is graphic to say the least but it will hold your attention.

To see a full review of this show, read Mark Horning's blog.

Christine Howey

Ultimately, there are no easy answers provided in this piece, which is so often the case in incidents where allegations of rape are involved. 

To see a full review of this show, read Christine Howey's review at  Cleveland Scene

Laura Kennelly

Getting drunk, casual sex, self-interest, lying and manipulation all play a part in Paul Downs Colaizzo’s Really, Really, the latest Beck Center Studio Theater offering. The play, which premiered at the Signature Theatre in Arlington, Virginia in 2012, is directed by Donald Carrier. It’s pretty much a “He said/She said” story where the truth may not ever be fully figured out. Both major witnesses — in other words, the couple who may or may not have had sex, sex which may or may not have been consensual — have reasons to lie.

To see a full review of this show, read Laura's posts at Cool Cleveland or on her blog at artstillmatters.com.

Andrea Simakis

Nouveau nihilism disguised as social critique eventually finds its bottom-feeding soul. Ick.


To see a full review of this show, read Andrea Simakis' blog or visit Cleveland.com here.

RED ASH MOSAIC @ CLEVELAND PUBLIC THEATRE

Through June 17, 2017

(216) 631-2727

Or www.cptonline.org

Bob Abelman

In the world of collaboratively devised and exploratory theater, Raymond Bobgan is the artist of note.  He is surrounded by exceptionally talented and fully committed performers.  And the quality of “Red Ash Mosaic” is superb.

To see a full review of this show, read Bob Abelman's blog here.

Mark Horning

Don’t even try to figure out the core themes of this production. You will have as much luck figuring out the title. This is theater for those wishing for a taste of “trippy hippy” theater. Come for the ride and enjoy a healthy dose of way out there stage craft. Some will love it and rave for months; others will see the emperor in his tidy whities and wonder what all the fuss is about. See the show and decide for yourself.

To see a full review of this show, read Mark Horning's blog.

Christine Howey

Bobgan and his troupe are exploring huge ideas with fierce theatrical imagination and a rippling physicality, which is a lot more than you can say about most plays.

To see a full review of this show, read Christine Howey's blog Rave and Pan
To see a full review of this show, read Christine Howey's review at  Cleveland Scene