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| David Lenahan (Trainer), Tricia Bestic (Ballet Girl) and Brett DiCello (Strongman) and the cast of "Elephant's Graveyard" at Seat of the Pants Productions. Photo by Grace McConnell. |
Roy Berko
No review yet.
To see a full review of this show, read Roy Berko's blog here.
Howard Gollop
No review yet.
To see a full review of this show, read Howard Gollop's review here.
Sheri Gross
No review yet.
To see a full review of this show, read Sheri Gross' review here.
Mark Horning
No review yet.
To see a full review of this show, read Mark Horning's Review here.
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Kate Klotzbach
No review yet.
To see a full review of this show, read Kate's posts here.
Gwendolyn Kochur
"Let’s talk about the elephant in the room.
Or in the case of Seat of the Pants’ “Elephant’s Graveyard,” we’ll talk about the elephant that is not in the room, because while the play tells the story of the fate of a circus elephant named Mary, it does so without providing any physical representation of the five-ton mammal. Using skilled storytelling, “Elephant’s Graveyard” breathes life into a harrowing, but important, cautionary tale of violence, spectacle and mob mentality."
To see a full review of this show, read Gwendolyn's review here.
Dr. Yuko Kurahashi
Set in a creative performance space within the Gordon Green Event Venue, the audience experiences a sense of a circus and different places in town, which, in their imagination, “witness” people’s irresponsible, impulsive, and self-righteous actions and excuses. Scenic designer Stacey Costanzo’s stage design—an empty oval space surrounded by tent structures, with sectional drapes and hangings—creates an open environment, allowing the performing area to metaphorically transform into different parts of the town. Michael Boll’s lighting emphasizes the magical illusion that a circus provides, separating scenes of the circus performers from those of the townspeople.
To see a full review of this show, read Yuko's posts here.
Joey Morona
No review yet.
To see a full review of this show, read Joey's posts here.
