Roy Berko
The touring production of STEREOPHONIC was, in the mind of this observer, unfortunately, less than expected! (I wish I had seen the Broadway show as the basis for comparison.)
To see a full review of this show, read Roy Berko's blog here.
Howard Gollop
Sheri Gross
All in all, “Stereophonic” is a bold theatrical choice, with live performances that are genuinely thrilling, and for rock enthusiasts, it offers a fascinating peek into the “messy kitchen” that holds the blood, sweat, and tears that go into the making of an album, not to mention the relationship rollercoaster that adds a whole separate layer of highs and lows. But the desire for more songs, the repetitive arguments, and the uneven pacing may cause you to short-circuit earlier than expected.
Mark Horning
This is one of those shows that you will either love or hate or both. There is not a lot of middle ground on this one. Along with the long sit time there are some pretty intense emotional scenes that cut pretty deep. At the opening night intermission some members of the audience opted to leave while those that stayed were rewarded with an exceptional study in social collapse. It was well worth sticking around for.
To see a full review of this show, read Mark Horning's Review here.
Laura Kennelly
Stereophonic, the 2024 Best Play Tony Award winner, kicked off its Cleveland run at Playhouse Square January 6 with a determination-testing, attention-challenging performance that lasted over three hours. The tests, the challenges, were for the audience; the actors seemed perfectly at ease. To see a full review of this show, read Laura's posts at Cool Cleveland.
Gwendolyn Kochur
No review yet.
To see a full review of this show, read Gwendolyn's posts here.
Dr. Yuko Kurahashi
No review yet.
To see a full review of this show, read Yuko's posts here.
Joey Morona
The result is a fragmented experience that can leave the audience restless.
To see a full review of this show, read Joey's posts here.
